Got a favourite pair of jeans? I do, and I wear them every Friday when it's time to PAAAARTYYYY! Well, that was 30-something years ago, but the memory of those jeans lives happily in my mind :) The font, Friday Jeans is a happy-go-lucky sans font with inky edges and lively lines. Playful as a Friday night out!

Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Janagrace is designed for birthday, holiday cards and can be used effectively in other applications for that calligraphy appearance. Regular: Contain ONLY Regular-Caps. Swash: Swash-Caps with NO Regular Caps. OT Swash: Contain BOTH Regular and Swash-Caps. Swash LIGHT: Swash-Caps with NO Regular Caps. Janagrace, Agile, Charming and Lovely.

Anca typeface started as a comission work for Fest Anca, an international animation festival. They needed something to complement the corporate identity of the festival. Inspiration came from a sketch made by my friend long time ago, which had a tremendous potential. As letters were digitized and the basic alphabet was completed, a very practical and universal typeface resulted. The whole type family has a playful and simple look with rounded stroke endings as well as long ascenders. The construction skeleton uses the minimum number of strokes and as a consequence, some original letter shapes (Q, w, j, &, A, §) were produced. Despite the fact that most letter shapes are based on geometry, some strokes are intentionally irregular, which creates a very natural feeling. Anca is appropriate for setting short paragraphs, headings and big inscriptions.

The best way to radicalize your typographic expression is to use Blackletter! Gothic calligraphy had been used throughout all historical periods without much of the principal development the Latin typefaces underwent. However, since the invention of movable type, even now its slight variations over time can be seen. Blackletters are always used where emotions are required, be it spiritual literature, romantic novels, decadent poetry or extreme music. Dracula is a typeface dedicated to classical horror. I started to draw its letters along with my illustrations for Argo publishers in spring 2017. I needed a specific typeface for book cover and chapter titles to emphasize the mysterious atmosphere of the text. Sharp teeth and claws on a thin blackletter skeleton shall remind of the early vampirism in literature. Its slightly narrowed face enhances a thrilling feel of anguish and despair, whereas the darkest cut may work well on funeral announcements.

Energia Pro is yet another new, charming and whimsical profonts script typeface designed by Ralph M. Unger. Its design is based on Arno Drescher’s Energos from 1932, but Unger completely redesigned the typeface, extended and completed the character set and digitally remastered the font. Energia Pro is a joining handwritten-like script well suited for comics, book titles, and the like. Standard at profonts, Energia Pro contains a large set of manually created ligatures and glyph variants to make it a perfect OpenType Pro connecting script.

Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The powerful letterforms can make a strong impression on everyone. Try this HANDSOME serif that reminds you of the old days, about one hundred years ago.

This font is the byproduct of a T-shirt line for a punk/hardcore band I did a while ago. The guys like it skatestyle, so I scribbled their bandname and tagline with fat edding markers, which was so much fun that I decided to make it into a whole font. PiS Wallride features ligatures and OpenType alternates for an even grittier and more authentic feel.