A comprehensive and faithful rendition of one of the finest metal typefaces of the 20th century. Rudolf Koch designed Wilhelm Klingspor Schrift (initially conceived as “Missal Schrift”, and later referred to also as “Wilhelm Klingspor Gotisch”) between 1919 and 1925 for the Gebr. Klingspor Type Foundry in Offenbach am Main. It is an impressive textura typeface, being sharp, elegant, spiky, sensitive and noble at the same time. Some of its most notable features have to do with the delicate decorations, the thin but subtly swelling lines that parallel or bridge strokes in the capitals, the hairline endings that terminate each stroke in both the capitals and the lowercase letters, the subtle joining of hairlines to thicker strokes, and the tension of some of the transitional curves. Koch’s original design included two sets of capitals (normal and condensed); alternates for a, d, e, r, s and z, plus long s; short and long flourished finial forms for f and t; thirty-five ligatures; and eighteen decorative pieces (Zierstücke). All of these features, plus several additional ones for modern use (including the usual standard characters for typesetting in modern Western languages, additional alternates and ligatures, plus carefully coded Opentype features), have been thoroughly implemented to the highest and most lively level of detail in the present font, in the hope that the past greatness of Wilhelm Klingspor Schrift will finally step into the modern OpenType realm. The main sources used during the font design process were several pages from a specimen book issued by the Gebr. Klingspor Type Foundry in 1927. Other sources were as follows: Bain, P., and Shaw, P. (Eds.) (1998), Blackletter: Type and National Identity, New York: Princeton Architectural Press (p. 43); Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (pp. 56-7); Kapr, A. (1983), Schriftkunst, Dresden: VEB Verlag der Kunst (p. 453); Kapr, A. (1993), Fraktur - Form und Geschichte der gebrochenen Schriften, Mainz: Verlag Hermann Schmidt (pp. 124-5); and Klingspor, K. (1949), Über Schönheit von Schrift und Druck, Frankfurt am Main: Georg Kurt Schauer (pp. 136-7). Some public and private comments by renowned designer and design historian Paul Shaw have also influenced both the design and the description of the present font. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Wilhelm Klingspor Schrift” Font Page.

If Publication JNL looks very familiar, this is no accident of design. It is Jeff Levine’s rendering of De Vinne, a classic typeface designed in honor of T.L. De Vinne (circa 1890-91) and given the gentle nuance of emulating hand-set type.

Queeta inspired by natural brush typeface. Written in fast motion using a little bit dry brush pen. It will give you a fresh and modern design and will look beautiful with offer, magazine mode, offer logo, product packaging, headers, posters, merchandise, social media greeting cards & more.

This delightful new design has a friendly, open face and will be useful for many display purposes. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

This bold display font has considerable strength and will grace any design that requires extra impact. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 100 pt and above).

Joyvrie is inspired by the rather characterful lettering to be seen on a local grocer’s blackboard. It’s lettering in the style of beautifully clear, yet individualistic, hand printing. We’re pleased to report that this particular rather splendid grocer, does not succumb to the ‘Grocer’s apostrophe’ either…

IA Harold the Hunter is a daring good readable Wild West style font with spurs, inspired by old comic books about cowboys. The font contains a basic character set and some decorative alternates. In addition to basic Latin, there is also an extended Latin and basic Cyrillic.

Britannic is a sans serif face with a vertical axis and a high degree of stroke contrast, especially in the heavier weights. This typeface exudes a degree of elegance that has not often been matched during the Century that has passed since it was first drawn.

Sign Project JNL is based on vintage water-applied decals once made by the Meyercord Decal Company of Chicago (and later Carol Stream), Illinois. These decals were popular during the 1950s and 1960s for window signage, boat identification, mailbox names and numbers and hundreds of other projects.

For many type lovers, Broadway is the quintessential Art Deco typeface. Designed as an all-caps typeface in 1927 by Morris Fuller Benton for ATF, it was expanded two years later with a lower case designed by Sol Hess, who also drew the inline version, Broadway Engraved.

It is monospaced and organic. Two words that often not goes hand in hand, but in this case it does. You have 6 different versions of each letter to choose from, or just let the Contextual Alternates do the job by automatically cycles as you type.

Antique is a bold, classic font with high stroke contrast and no bracketing on the serifs. This letter style was hugely popular during the early 19th century and was the basis for a myriad of other designs. This version is based on wood type of unknown origin.

Smena was based on the lettering of the so called 'calligraphic style' that was very popular during the period 1940-1970. The style was used in logos, book and magazine headlines, posters, signage etc. For use in advertising and display typography. Licensed by ParaType in 2006.

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign of Queen “Bloody” Mary.

If you like thematic fonts, this is for you. It appeared in an old lettering book (from the 1930s, if memory serves) and later came out as a film font for photolettering machines. We cleaned it up and drew the missing characters, and here it is. Enjoy.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Skywalker is a hand brushed typeface, with authentic dry brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

La tipografía “Tipo Metro CDMX” fue desarrollada por Lance Wyman como parte del proyecto “Metro” desde los años setenta, y es uno de los elementos clave de la cultura visual del transporte del Sistema de Transporte Colectivo Metro (STC Metro). Este estilo se ha convertido en el icónico fundamental del trasporte público para los residentes de la Ciudad de México. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Metro CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The “Tipo Metro CDMX” typeface was developed by Lance Wyman as part of the “Metro” project since the 1970s, and is one of the key elements of the visual culture of transportation of the Metro Collective Transportation System (STC Metro). This style has become the iconic fundamental of public transportation for the residents of Mexico City. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Metro CDMX, enriching the typography with a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.

Digitalis was created from a desire to make an original, æsthetically pleasing rounded typeface using the minimum of strokes. Each character has been reduced to only the most essential elements. Due to the contrast between the thick and thin strokes Digitalis is surprisingly legible when set as text.

Reasont is to be perfect for logos, branding, greetings, social media themes and wedding invitation designs. It is also a great typeface for titles due to its smooth design and eye-catching appearance. Available Fonts: . Multilingual. If you have any questions don't hesitate to contact me! Thank you,

This special newstext version of TheAntiqua was developed in close collaboration with the Berlin newspaper Die Tages­zeitung (taz). Its sturdy forms were optimized for newspaper stock. This font family is currently being reworked and will be further developed with variable weights that can be adjusted to clients’ specifications.

Introducing Nimid Regular typeface, it looks natural like a handmade which has a fast dry brush style. That is ideally suited for advertising and packaging, logo, branding and creative industries. The Nimid Regular typeface is designed to make your next great project look more natural and stand out.

Quantica is to be perfect for logos, branding, greetings, social media themes, and wedding invitation designs. It is also a great typeface for titles due to its smooth design and eye-catching appearance. Available Fonts: . Multilingual. . Ligatures. If you have any questions don't hesitate to contact me! Thank you,

A mixture of bold and fine line helps this distinctive design evoke the spirit of the 1930s Jazz Age. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Allen Zuk has designed this wacky typeface that he calls KOOKY. Each character has three variants that bounce about the baseline. The effect is a randomly casual appearance that is great for headlines. The OpenType version does this automatically by using contextual alternates in applications that recognize this option.

Fondy Script is a hand-drawn brush typeface, created by Måns Grebäck during 2018. It is a bold, sporty font in high quality, with soft and rounded characteristics. The font support hundreds of languages and contains contextual and stylistic alternates. Use ¤ after any word for a decorative swash.

Londoner is a handwritten font with a dry brush texture. It was created directly with my marker vector brush, the whole process is digitalized. Londoner is suitable for logo, product branding, or for text overlay to any background image. Londoner comes with ligatures, swashes, multilingual support, and PUA Encoded.

Put together from a collection of old bits and pieces, RM Scrapheap is a distinctive display face with many uses. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Introducing Swankie Regular typeface, it looks natural like a handmade which has a fast dry brush style. That is ideally suited for advertising and packaging, logo, branding and creative industries. The Swankie Regular typeface is designed to make your next great project look more natural and stand out.

A 1917 informational poster for shipbuilders during World War I detailing the importance of their governmental work was hand lettered in a style closely resembling Cooper Black, yet retaining its own look and feel. This inspired Industrial Poster JNL, which is available in both regular and oblique versions.

Retail Stencil JNL was modeled from a set of 2 inch lettering stencils manufactured during the 1980s. Although similar in design to Excess Baggage JNL, there are a number of character differences as to where the "breaks" (or division of the stencil parts of the character) are located.

Nuvoletta is the italian name of "speech balloon", its mean a little cloud. In comics world "nuvoletta" it use to write the speeches of characters! I designed this font inspired by comics books. It's really fit also for your awesome fantasy! Nuvoletta is drew letter by letter. Thank you!

Lunar is a handwritten sans serif typeface that was created for the opera Pierrot Lunaire during Diaghilev festival 2018 in Perm. There are 3 fonts in the family of LUNAR: light, regular and bold. It supports all EUROPEAN languages, basic CYRILLIC and GREECE language. It's enough to make sensation!

Firm is a black sans serif display font. Perfectly attracts attention due to its shapes. With it, you can highlight important information in your text, and it is also perfect for creating a logo.This font contains alternates lowercase, ampersand and ligatures, math symbols, arrows, fractions, and multilingual support.