Crabs Slab Comes with a Slab Serif style typical of sturdy and elegant typography, which gives a modern, retro, and classic style but has a unique and elegant style that gives an extraordinary impression. Crabs Slab also comes with multiple languages enabling Crabs Slab to be used in all your projects. Crabs Slab is very suitable for use in various purposes or projects, including Sports, Posters, Products, Logos, Branding, and many more that you can apply with this Crabs Slab Typeface. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Neufile Grotesk has its roots in some of the earliest commercially available sans-serif typefaces. This highly legible sans-serif design is well-suited for many display and text-based typographic uses. Users can apply the fonts effortlessly to a large number of messages and media, from advertising to book design. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s eight static OpenType font files instead. Those weights run from Extralight through Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Neufile Grotesk Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the eight static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Whichever format you choose, the Neufile Grotesk fonts include several sophisticated OpenType features. In addition to standard ligatures, there are a few discretionary ligatures and a stylistic set replacing “a”, “g”, and “R” with geometric-sans-style forms. Other features include numeral variants – there are proportional and tabular versions of lining figures and oldstyle figures – as well as fractions and numbers in circles. The fonts have arrows and a feature for setting case-sensitive forms, too.

Tricorn Mono is a monospaced font with two styles – regular filled for uppercase and an outline version for the lowercase. Tricorn Mono was first hand drawn (sketched) as an exploration for a headline font and also developed on from a previously unreleased font. It was then expanded to feature multi language support and custom symbols. Tricorn Mono contains unique forms that explores the use of a rigid grid that is tested with negative form to provide legibility and balance. The conceptual design is focused on a modern, futuristic design aesthetic around the gaming, e-sports markets and future technology. Tricorn Mono typeface has been tightly monospaced and intended for use at larger sizes as a display typeface. The font can be tightly stacked to create strong, impactful typographic forms. This 612 glyph font has language support for 87 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Cebuano, Chiga, Cornish, Corsican, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalenjin, Kinyarwanda, Lojban, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Vunjo, Walloon, Welsh, Western Frisian, Xhosa and Zulu.

I've had an interest in typography ever since my college days, even submitting my NDD thesis on the subject. The basic concept for this typeface stems from that early creative period, hence the obvious 60’s retro feel. It’s only recently that I've have had the chance to carry through fully some of my dormant typographic ideas, but ‘better late than never’ as they say! The font’s characteristic style is based on repeating or rotating templates of a half and a quarter circle, the geometric, modular building blocks used here. The name was simply influenced by the letter ‘u’, which visually describes a stylized ‘tulip’ flower.

Jenkine casual and natural written handwritten brush strokes. Letters are made with brush on paper then scanned carefully drawn into vector format. This typeface is ideal for use in any professional project, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandise etc. Enjoy Jenkine fonts with passion and love for your awesome projects to make your projects quality!

LP Cervo is a typeface designed by German type designer Peter Langpeter. LP has been running his own design studio since 1995, working as a typeface and logo designer, as a calligrapher, cartographer and illustrator. During this time LP created a large number of excellent new typeface designs. With its styles Grotesk, Lapidar, Semiserif and Serif the LP Cervo is well suited for various design possibilities

Vintage Galore is a handmade blackletter font font with casual & classic feels. This font will bring you back to 90s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures, Multilingual & PUA encoded

Jaella is a modern retro serif family. It has unique characters, such as capital A, R and B, making your design unique and stand out. Designed for editorial use, display or fashion-related branding concepts, She can be elegant or play with alternatives for a cheerful retro look. This versatile family has seven weights, from thin to black, and a variable format that can generate more weights.

Linotype Quasaria is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Armin Retzko and the characters are composed of disjointed pieces. The eye tries to complete the symbols into the forms they are used to. Linotype Quasaria with its unique forms is intended exclusively for headlines and displays.

Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive styles were revived, whereby I stuck as close to the original as possible. All styles contain even the weird-looking capitalized German double-s of which I am a strong opponent.

Terracotta is a modern display font with mystical and Art Nouveau motives. The font is created in Bohemian style and decorated with swirls and peaks. Terracotta is suitable for the design on the theme of tarot, mysticism, spirituality, fortune-telling, handcrafts (ceramics, creating candles, soap making ect). Terracotta has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.

MS Mincho™ Japanese font features serifs at the end of its strokes, and can be used for a variety of uses from screen display to publications. This font file is 5.3 MB in size. MS Mincho Japanese font is a trademark of Microsoft Corporation. MS Mincho font Character Set: Latin-1, Japanese (code page 932). MS Mincho is available in both TrueType and OpenType font formats.

Agafia handwriting script is based on the hand of Agafia Karpovna Lykova - the last member of the Old Believer family lived like an hermit in the Khakass taiga. The face is developed for the new book on the history of Lykov's family by Lev Cherepanov. It's built in OpenType format with a contextual substitution of letterforms and specific ligatures. Designer - Gennady Fridman. Released by ParaType in 2009.