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  1. The ArabicNaskhSSK font is a distinctive typeface crafted within the classical realms of Arabic calligraphy, specifically aligning with the Naskh script. This script is one of the oldest and most pop...
  2. "Synthetic BRK" is a font that embodies the confluence between technological appeal and a touch of futuristic design, marking it as a unique creation by AEnigma. AEnigma, known for crafting fonts tha...
  3. As of my last update, there isn't specific information available about a font named "Newlyn." It's possible that you may be referring to a font designed by or associated with Newlyn, a type foundry o...
  4. Gravicon, as a concept for a font, may not be a universally recognized or standardized font in the realm of typography as of my last update in 2023, so I'll approach this description with a creative ...
  5. As of my last update in April 2023, there's no specific, widely recognized font officially named "TR-909" that has gained mainstream acceptance or acknowledgment in the design community. However, the...
  6. As of my last update, there is no widely recognized or documented font named "MacType" created by an individual named Timour Jgenti. It's possible there might be confusion or a mix-up with another fo...
  7. Ah, the Grandiose Grantham! Crafted by the whimsical hands of Paul Lloyd Fonts, Grantham is not your average character (pun intended) in the world of typography. Imagine if the letters decided to thr...
  8. As of my last update in April 2023, HeadlineNEWS by Reference Type Foundry has not been specifically documented in my training data. However, I can provide you with a general description based on wha...
  9. As of my last update in early 2023, there might not be a widely recognized or specific font called "Naz" that has achieved significant prominence or notoriety in the fields of typography or graphic d...
  10. Rostock Kaligraph, conceived by the gifted German typeface designer Peter Wiegel, is a striking embodiment of craftsmanship and elegance. This font distills the essence of classical calligraphy into ...
  11. As of my last update in 2023, SquareType B, as crafted by the digital design entity digitalAM, presents itself as a contemporary embodiment of geometric clarity and digital boldness. This typeface, w...
  12. Manualito-Flo, envisioned and created by Florin Florea, stands as a distinctive typographic achievement in the realm of digital font design, though please note, as of my last update in early 2023, an...
  13. Fabrica is an intriguing font created by Alvin Kwan, known for its distinct approach to design that marries simplicity with functionality. This typeface is an exploration of minimalism in typography,...
  14. Gentium, a typeface family created by SIL International, is distinguished by its comprehensive approach to typographic representation. Designed by Victor Gaultney, Gentium (which means "of the nation...
  15. As of my last update in April 2023, there's a unique typeface within the realm of digital fonts that stands out for its distinctive character and stylistic flair, known as Staubach. This font is a cr...
  16. Scriptina Pro by CheapProFonts is an exquisite font that has captivated the hearts of designers and typographers with its elegant and whimsical charm. A refined version of the original Scriptina font...
  17. Absolutely, I'd be delighted to share a bit about ChopinScript with you! ChopinScript is a font that dances on the page, much like the compositions of the composer it's named after, Frédéric Chopin...
  18. As of my last knowledge update in April 2023, there's no widespread recognition or specific information about a font named "COnsume." However, given the intricate nature of font design and typography...
  19. Imagine a font that stepped right out of a time machine, quill in hand, daring to bridge the gap between the grandeur of the Renaissance and the sleek screens of the digital age. That, dear reader, i...
  20. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  21. As of my last update in early 2023, the font Syntha, crafted by the Bulgarian type designer Ivan Filipov, embodies a sleek, futuristic appeal that captures the essence of modern design. Renowned for ...
  22. As of my last update in April 2023, Reaver, a font crafted by Megami Studios, stands as a striking example of typeface design that blends contemporary aesthetics with nuanced historical influences. I...
  23. The Vector Battle font by Freaky Fonts is a unique and striking typeface that draws heavy inspiration from the retro video gaming universe, particularly the arcade games of the 1980s. This font seems...
  24. The MonospaceTypewriter font, crafted by the renowned typeface designer Manfred Klein, is a digital throwback to the era of mechanical typewriters. This font embodies the quintessential characteristi...
  25. Picture this: you're about to pen a love letter, the old-fashioned way. You dip your quill in ink, but instead of pressing it to parchment, you tap away at your keyboard and, voilá, out comes Jayne S...
  26. Gadolinium Rounded, designed by Matthew Gadd, represents a distinct blend of aesthetic fluidity and modern sensibility. This typeface exhibits rounded terminals, lending it a soft, approachable feel ...
  27. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  28. As of my last knowledge update in April 2023, the font "Kellnear-Italic" does not exist in the widely recognized catalogues of typefaces or within mainstream typographic resources. This doesn't mean ...
  29. As of my last update in April 2023, "GauFontRoot" does not refer to a widely recognized or established font within the realms of typography and digital design. However, the creative process and the e...
  30. Bitstream Vera Sans is like a welcoming friend in the world of typography, offering a clean, clear, and versatile appearance that feels at home in a multitude of designs. Imagined and created by the ...
  31. As of my last update in April 2023, ARG219am by ARGSTUDIOS appears to be a specific font that, without direct access to or a comprehensive database on every font ever created, might not be broadly re...
  32. The A.D. MONO font is a modern take on the classic monospaced typographic style, designed with a keen eye on functionality and aesthetic appeal for the digital era. Monospaced fonts, known for their ...
  33. The WC Wunderbach Bta font, designed by the illustrious WC Fonts, embodies the raw energy and gritty aesthetic reminiscent of urban culture and street art. This distinctive typeface marries the rebel...
  34. The font Xiomara is a unique and captivating typeface designed by the talented Lauren Thompson, known online as Nymphont. It stands out due to its blend of calligraphy-inspired elements with a modern...
  35. Stahlbeton, which translates to "reinforced concrete" from German, is a font that captures the essence of solidity, modernism, and industrial strength inherent in its name. It's a typeface that echoe...
  36. Valerius, conceived by Iconian Fonts, is a font that embodies a blend of contemporary flair with historical undertones, evoking a sense of timelessness and versatility. This typeface boasts elements ...
  37. Stoutface is a fantastic free font that adds a bold and modern touch to any design! Its unique style can really elevate projects, making it perfect for eye-catching headlines or creative branding. I ...
  38. Altea, designed by Paul Lloyd Fonts, embodies a stylistic mix of elegance and creativity, making it a standout typeface in the realms of digital and print design. It is a testament to the innovative ...
  39. Saginaw is an elegant and versatile typeface that stands out for its classic yet contemporary feel. Its design is a harmonious blend of traditional serifs and modern design principles, making it a ve...
  40. Pencil Caps is a distinctive font that embodies the essence of handmade artistry and the simplicity of pencil sketches. Designed to capture the whimsy and raw aesthetic of pencil-drawn capital letter...
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