Flyers, Intros from James Bond films and PlayStation games as well as the typeface Senator from Zuzane Licko inspired the Dutch designer Paul van der Laan to create his font Linotype Rezident. To its design, van der Laan says, I was designing a business card for a friend and I had a certain mood in mind for the typography. I tried to capture this mood in a couple of sketches, drew a few characters directly onscreen and just expanded them into a typeface." And so began Linotype Rezident, with its cool, technical and constructivist appearance which brings to mind computers and virtual reality. And the name? " The name of the font comes from the game Resident Evil. One of the main characters in the game is called Leon and the typeface was initially drawn for a friend of mine called Leon. It also refers to the city of The Hague - where I live and got my education - since it's often called 'de residentie'", where the queen and parliament of The Netherlands are seated."

Pedell ist eine neue Schreibschrift, die das Schreiben mit Kreide simuliert. Ein Font mit eben diesem ‚Kreidecharakter’ fehlte bisher noch in der profonts Library. Also wurde der Schriftdesigner Ralph M. Unger beauftragt, eine Kreideschrift zu schreiben und zu digitalisieren. Pedell ist eine gut lesbare, lebendige und nicht kindische Handschrift, die nicht nur für schulische Zwecke hervorragend einsetzbar ist.

KONZEPT/BESONDERHEITEN
 Der schludrige und raue handgeschriebene Cha­rak­ter, geben der Schrift eine hohe Wiedererkennung und eine gewisse Einzigartigkeit. Das Motto lautet handgemacht, rau und elegant. EINSATZGEBIETE
 Das dreckige, elegante Aussehen der handgeschriebenen Schrift würde sich über fol­gende Gebiete sehr freuen und sich dort dreckig heimisch füh­len: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten­Co­ver, Comic-Cover und Gra­phic Novel Let­te­ring, Pla­kat­ De­sign, Movie-Font, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Überschriften | Auszeichnungsschrift | dreckige Handschrift »elegant hand script«. OpenType Schrift mit 223 Glyphen & 1 Schriftschnitt (regu­lar). Symbole und Ligaturen (mit dia­kri­ti­schen Zei­chen & €)

KONZEPT/BESONDERHEITEN
 Der schludrige und raue handgeschriebene Fraktur Cha­rak­ter, geben der Schrift eine hohe Wiedererkennung und eine gewisse Einzigartigkeit. Das Motto lautet handgemacht, rau, Fraktur & modern. EINSATZGEBIETE
 Das dreckige, dicke Aussehen der handgeschriebenen Schrift würde sich über fol­gende Gebiete sehr freuen und sich dort dreckig heimisch füh­len: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten­Co­ver, Comic-Cover und Gra­phic Novel Let­te­ring, Pla­kat­ De­sign, Movie-Font, als Head­line­schrift für print und digi­tale Maga­zine, Bücher und Web­sei­ten u.v.m. TECHNISCHE INFORMATIONEN Überschriften | Auszeichnungsschrift | Fraktur Handschrift »Modern Hand Fraktur«. OpenType Schrift mit 258 Glyphen & 1 Schriftschnitt (regu­lar). Symbole und Ligaturen (mit dia­kri­ti­schen Zei­chen & €)

Based on the magical writing system originated by Dr. John Dee and Edward Kelly in Elizabethan England.

The 1934 French publication L'Art du Tracé Rationnel de la Lettre is a vintage guide book on lettering chock full of interesting alphabets that have been an ongoing source of digital type revivals from the designs found within its pages. Monthly Statement JNL is a squared slab serif design with some Art Deco flair; available in both regular and oblique versions. This style of type evokes images of billheads, bank statements and other important documents of the era.

The Sabon® Georgian design translates the original Sabon typeface into Georgian language. Its old style Latin-based design traits and proportions have been carefully and beautifully interpreted as Georgian script characters. In the early 1960s, a group of German master printers wanted a typeface family which would provide them with consistent and predictable results, whether it was used as machine or hand-set composition. They approached one of Germany’s most distinguished type designers, Jan Tschichold, to undertake the design task. The end result of the design commission is a typographic tour de force, and the face that establishes Tschichold’s reputation as a type designer. The completed design, released in 1966, not only solved the imposed design problem of the early 1960s, it is also an exceptionally beautiful and useful digital design. The Sabon® Georgian design further extends the range of this remarkable typeface

Mechanized JNL is a solid interpretation of Jeff Levine's stencil font Trencher JNL. Both fonts were based on a photo of hand-cut stencils found on a 1940's trenching machine in the collection of the Marine Corps Mechanized Museum at Camp Pendleton, California. Thanks to restoration volunteer Brian Platzer for providing the images of those stencils.

Fire the retro rockets! Here's a decidedly different take on techno type, patterned after Robert Williamson's Program 32 from the 1970s. Despite its machine-readable pretensions, it renders remarkably warm headlines. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Neuf family is an experimental search for new Art Deco letterforms, which are still easy to read and generate some unexpected attention.The distinguishes Neuf favoured by Art Deco and its predecessor Art Nouveau with a modern design touch. The style of Neuf is characterized by geometric shapes and craft motifs with Machine Age imagery and materials.

Tectura is hand drawn letters that come to you from the typefounders. It's all about those slight-but-telling imperfections that separate hand lettering—which this really is—from machine drawn imperfections. Use it for any work that needs an authentic touch of the human hand, it's genuinely hand drawn, yet clear and legible at all sizes.

It is amazing how much laundry I have with 3 small kids! Sometimes it feels like I spend half the week sticking laundry in the machine, or hanging it out to dry. Spinwash is a nice brush font. It smells like ‘summer breeze’, is 100% environment friendly and will take the stains out of your designs.

An assortment of antique, hand-punched brass stencils from Australia [used for crate marking and shipping] served at the models for Aussie Stencil JNL, which is available in both regular and oblique versions. The lettering of the original stencil punches had rounded edges to the characters; looking more machine rendered than hand punched into the brass sheets.

This family of faces take their inspiration from the standard faces used by the Leroy® Automatic Lettering Machine, a mainstay for architects and draftsmen in Ye Olden Days of t-squares and triangles. Crisp, clean and retro-techno. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Sweet Upright Script is the first release for Sweet Fonts Collection, published by MVB Fonts. It is an interpreted revival of a vintage, social engraving lettering style that was popular during the 20th Century. It is probably the first digital version of the design. With the advent of the engraving machine (a pantograph device) around 1900, commercial engraving moved from the use of hand-cut plates to the use of masterplates (lettering patterns). Lettering was traced from the masterplate using the engraving machine, letter by letter, onto a coated steel plate, that would then be etched in a chemical bath. The resulting plate was used to print engraved stationery with the raised print distinctive to the process. Many of these lettering styles were used for decades for commercial and social applications (letterheads, wedding invitations, etc.), but as they were merely traced alphabets, were not "fonts". Many remain unavailable in digital form. Over time, a number of the most popular styles were adapted to phototype, which sped up the process of plating for engraving, avoiding the need to trace each letter by hand with the engraving machine. Later, when type went digital, these phototype fonts were revived as digital fonts. As a result, the styles offered by engravers narrowed over time, as has the range of engraving styles revived in digital form.

Note: The Frame style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Shadow style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Shadow style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Italic style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Decorative style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Shadow style is no longer available due its complexity and the resulting memory and performance issues.

Note: The Lined style is no longer available due its complexity and the resulting memory and performance issues.

La tipografía Nahualli, esta basada en los escritos castellanos del Códice Méndoza del siglo XVI. Aunque no es un estilo claro, la caligrafía aporta un estilo perfecto para documentos historicos. The Nahualli typography is based on the Castilian writings of the Méndoza Codex of the 16th century. Although it is not a clear style, calligraphy provides a perfect style for historical documents.