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  1. Salter - Unknown license
  2. Goudy Mediaeval - Personal use only
  3. Rudelsberg - Unknown license
  4. Zaleski - Unknown license
  5. Baldur - Personal use only
  6. Kramer - Unknown license
  7. Brrrrr - Unknown license
  8. Tintoretto - Personal use only
  9. Morpheus - Unknown license
  10. Showboat - Unknown license
  11. Airlock - Unknown license
  12. Abagail - Unknown license
  13. Woodplank - Unknown license
  14. KaratMedium - Unknown license
  15. Xmas - Unknown license
  16. Lemiesz - Unknown license
  17. Dinner - Unknown license
  18. Lilith - Unknown license
  19. VTC Embrace - Unknown license
  20. VTC Tribal - 100% free
  21. VTC SubwaySlamSC - Unknown license
  22. VTC Krinkle-Kut - Unknown license
  23. VTC SubwaySlam - Unknown license
  24. VTC SeeJoBend - Unknown license
  25. VTC PunkettePumps - Unknown license
  26. VTC BadPaint - Unknown license
  27. VTC JoeleneHand - 100% free
  28. VTC JezzabelBimbo - Unknown license
  29. VTC FunkinFrat - Unknown license
  30. VTC SeeJoBreak - Unknown license
  31. VTCBelialsBlade - Unknown license
  32. VTC Dizplaced - Unknown license
  33. VTC PizzOffWired - Unknown license
  34. VTC Anglika - Unknown license
  35. VTC AllWashedUp - Unknown license
  36. VTC OldAsCrap - Unknown license
  37. VTC StressedHand - Unknown license
  38. VTC PizzOff - Unknown license
  39. Jenson Old Style by ITC, $29.00
    In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." Jenson Old Style™ was designed by Freda Sack and Colin Brignall for Letraset in 1982. Because of its darkness, this version is best used for display designs that call for a sense of old-world elegance and solidity."
  40. Colorado by Juliasys, $-
    Nature is fond of stripes. Animals have them, plants have them and the rainbow has them. Besides being beautiful, stripes in nature have various origins and functions. But only Homo sapiens gave them symbolic meaning. In the American flag, the 13 stripes symbolize the 13 colonies that declared independence from Britain. In the French “Tricolour” flag, they represent Paris and the king of France. And in Russia’s “Georgiyevskaya lenta,” they symbolize the death and resurrection of St. George, the dragon-slayer. The font family COLORADO , named after the beautifully striped Colorado potato beetle, can be used to construct all kinds of symbolic or just beautiful messages. And thankfully, you need no OpenType diploma to do this. To get your texts multi-striped and multicolored, follow this simple procedure: Write the message with one of the COLORADO fonts and apply a color. Then copy and paste in place, and apply a second font and color. Repeat this again if wanted – and the masterpiece is done. COLORADO ’s language support covers about 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.
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