Aliman is a simple and neat lettered handwritten font. Add this font to your creative ideas and notice how it will make them stand out! All Caps fonts.
Wagma by Phoenix Group, $13.00
Wagma is a handwritten font with an organic and adult theme, this font has an untidy shape and looks messy to emphasize the human side of the font.
This font was inspired by the LogosNazhdag font, but the font is narrower and softer. Suitable for headings, packaging, logos. Developed and digitized in Germany by Joachim Frank.
Alright, folks, let’s dive into the whimsical world of the font named LAZYTOWN, crafted by none other than the font wizard, SpideRaY. Picture this: a font so playfully quirky, it decided to ditch the...
The font "Pea Bethany's Doodles" by Fonts For Peas is an embodiment of whimsy and casual artistry, captivating users with its playful and hand-drawn aesthetic. Created with a light-hearted touch, thi...
a well crafted font inspired in classic wood type fonts heritage
A micro version of the font Alabaster. Font actual size 32pt.
The Emoticons font, crafted by the talented George Edward Purdy, is a unique and playful typographic offering that takes the concept of communication through text to a fascinating new level. Divergin...
The font named "Light Emitting Diodes," designed by SpideRaY, is an intriguing and captivating typeface that draws heavily from the aesthetic and technological concept of LED (Light Emitting Diode) d...
As of my last update in April 2023, the font Tristan might not be widely recognized under this specific name in mainstream font repositories or among popular typefaces. However, let's imagine a font ...
Mayflower Antique is a font that stands out due to its distinct charm and timeless elegance, meticulously designed by Dieter Steffmann. This font invites you into the realm of nostalgia, where every ...
Absolutely, I'd love to talk about the Royal Initialen font created by Dieter Steffmann! Picture this: a typeface that feels like a journey back in time, capturing the elaborate and ornate style of h...

Saylist is a serif font that exudes luxury and elegance. It has various features that will make your designs look beautiful and sophisticated. This font is highly recommended for logos and branding purposes. Still, its versatility allows you to use it for a wide range of design themes, such as luxurious, unique, vintage, and elegant. One of the standout features of Saylist is its unique shape, which gives off a creative impression. The font's clean lines and sharp edges make it easy to read, while its elegant curves add a touch of sophistication. Saylist's balanced letterforms and consistent spacing provide a harmonious and cohesive look, making it an excellent choice for any design project. Saylist is a font that can be used for various design projects. Its elegant and luxurious style makes it ideal for fashion, beauty, and lifestyle branding. It can also be used for headings, body text, invitations, and other print materials. Saylist's versatility allows it to be paired with other fonts to create a unique and cohesive design. Overall, Saylist is a beautiful and versatile serif font that can add a touch of luxury and elegance to any design project. It's unique shape, and balanced letterforms make it a standout choice for logos and branding, while its versatility allows it to be used for various design themes. If you're looking for a font that exudes sophistication and creativity, Saylist is an excellent choice.
Picture this: you've just stumbled upon a treasure trove of fonts, and there, gleaming in the midst of them all, is "More than Enough" by Kimberly Geswein. This font is like the cool breeze on a swel...
Ah, the LondonBetween by Francois Bruel – now that’s a font with more personality than my Aunt Edna at a yard sale! First off, let's establish the vibe of this font. Imagine if a cup of Earl Grey tea...
Ah, Pacmania! The very name conjures up a whirlwind of nostalgia, doesn't it? Created by the font wizard Neale Davidson, it's like stepping into a time machine and zooming straight back to the golden...
Stepping into the world of typography is akin to entering a grand ballroom during the zenith of a spirited masquerade. Among the many masked dancers, one attendee captures your fascination not merely...
Imagine a world where letters decide to throw a grand costume ball, dressing up in their medieval finest, complete with flourishes, curls, and an air of aristocratic elegance. The font GloucesterInit...
Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
The ArabicNaskhSSK font is a distinctive typeface crafted within the classical realms of Arabic calligraphy, specifically aligning with the Naskh script. This script is one of the oldest and most pop...
WinterthurCondensed is a captivating typeface designed by the accomplished German type designer, Manfred Klein. This particular font is named after the Swiss city of Winterthur, suggesting a connecti...
Sure, I'd be happy to give you a glimpse into the world of the "Advanced Pixel-7" font, crafted by the creative minds over at Style-7. This font takes you on a nostalgic journey back to the days of v...
Imagine wandering into a neon-soaked, nostalgia-fueled cinema alley from the golden era of blockbusters. There, amidst the scent of buttery popcorn and the echoes of cinematic triumphs, emerges the e...

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

Font is the most important design element to increase your branding. However, it may be tricky and take quite a while to figure out the perfect font for your design. Resting is a perfect display serif font for any of your design projects. Serif font is a font type with sticky small lines on the letters’ edges expressing formal, classic nuances and more aesthetic, creative touches due to the display font combinations. This display font has thick, high contrast lines perfect for catching attention and creating firm impressions. In addition, use this font for big text sizes for a legibility reason and make use of the other interesting features to beautify your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Resting fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.
Cue the sultry saxophone soundtrack and dim the lights, because the world of typography just flirted with the extraordinary—please welcome to the stage, SexyRexy. If fonts were people, SexyRexy would...
Once upon a time in the digital world, the font named TOY_SOLDIERS by Billy Argel decided it was time to march out of the ordinary and captivate designers with its playful charm and distinctive chara...
The font Wonton emerges as a distinct and captivating typeface, infusing an eclectic mix of modernity and tradition into the world of typography. Its design is notably inspired by the hand-lettering ...
Imagine stepping into a bibliophile's dream, a realm where ancient manuscripts and regal scripts of yore come alive. This is the world of Basileus, a font that hails from the illustrious archives of ...
The font D3 Littlebitmapism Square, created by the entity known as D3, is a distinctive typeface that evokes the essence of early digital graphics and retro gaming aesthetics. As its name suggests, i...
Powlina Theater is a Modern Calligraphy Font. Perfect font for your wedding ceremony. Combine Powlina Theater stylistic set to create amazing script font for wedding! Fall in love with its incredibly versatile style and use it to create spectacular designs! Powlina Theater is perfect for branding, logo, invitation, quotes, wedding invitation, cricut font, silhouette font, product packaging, merchandise, game titles, cute style design, Book/Cover Title and more. What's Included : - Ligatures - Multilingual Support Hope you enjoy with our font! Attype Studio
Racoti is a sans serif font with four weights: Light, Regular, Medium, and Bold. It has a simple, calm, and elegant aesthetic. This font is ideal for a wide range of projects, including quotes, websites, logos, greeting cards, branding materials, and more! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.
Aesthetic Vintage is a bold vintage script font. In this font I try to combine vintage with luxury/aesthetics. So that this font can be used in various projects with retro/vintage and luxury themes. Such as logos, branding, posters, packaging, book covers, clothes/apparel, quotes, titles and others. This font come with clean and rough font version. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.
Hollistic is a sweet, versatile, unique and flexible handwritten font. Warm, jovial and compromise. This font will turn any of your project ideas into anything true works of art! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! These fonts include: OTF files. Displayed fonts: Uppercase, Lowercase, Numbers, Symbols, Accents, Styles, Swashes and Ligatures also Multilingual Support Enjoy the font, feel free to comment or feedback, send me a PM or email. Thank You!
Introducing Perfect Redemption- Font Duo. Perfect Redemption is a brush font and combines with sans font. Made with naturally brush. The texture from the brush font will make your design more beautiful and powerful. This font is suitable for any design like branding, quotes, t-shirt printing and etc. Accents (Multilingual Characters) 64 Alternates 50 Extra Swashes PUA encoded Numerals and Punctuations (OpenType Standard) I hope you enjoy it !! Thanks for visiting and purchasing my font! Best Regards Donis M
Scar Rock Scary Display Font. Scar Rock scary display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Scar Rock scary display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Scar Rock scary display font. Cheers, Maulana Creative
Casler by Letrasupply Typefoundry, $20.00
Casler Font is a display font designed for any creative project that needs to be stand out. While get inspired by some vintage aphotecary labels, Casler Font wrapped as firm yet unique font display that consists over 1000 glyphs and 26 icon as extras. A terrific combo that gives experimentally mood in classic and modern style. Casler Font is a best thought for any advertisements usage, logos, headlines or headings, book covers and many more. A must have display font collection!