ITC Matisse was designed by Gregory Gray while he was designing an editorial layout for Madame Figaro, a supplement to the Paris newspaper Figaro. While working on a feature on the work of Henri Matisse, Gray created a typeface with paper and an X-Acto knife, and then scanned the cutouts into a computer. The style of the design comes in part from Gray's passion for African art, with its contrasts between flat areas and protruding surfaces. ITC Matisse is ideal for offbeat display applications and initial capitals.

Computer-related font with grid.

This font is influenced by the advancement in graphic computer technology that has evolved since the first basic pixilated computer games. This typeface aims to be bold and brazen. The fonts primary function is heading use.

Future. Techno. Space. Computer. Science Fiction ... and adventure

A typeface inspired by the old computer games of the 1980s.

A technical square-edged font influenced by modern architecture and computer aided design.

Introducing RETRO-86 - A modern take on old-school computer graphic fonts. RETRO-86 was inspired by the low-resolution computer graphics of the 1970s, 80s, and 90s seen in classic games and on computer screens and interfaces. RETRO-86 features a beautifully limited, blocky design and is perfect for projects relating to the tech industry, the gaming world, and nostalgic work from the late 20th century. RETRO-86 is also a hyper versatile typeface. It comes in 2 complementary styles (regular, and shadow) and features 8 weight options each!

Trionik is a monospace experiment in modular, grid-based typography. It is a future-forward take on the computer system typefaces of the mid- to late-20th century—when computers began to rise in usability and integrate into all art forms. Working best as a display font, the Trionik family features 4 separate styles with varying widths.

Are you ready for the 1MB processing powerful performance? Step into the future with my wanna-be retro 8-bit powerful performance digital grafitti inspired computer font from the future...or rather...the past! I was inspired by old posters and commercials for old 8-bit computers from the late 70-ies and 80-ies. Despite the lack of powers (compared to computers and phones today) they seemed to be able to both rule the world and ease your everyday jobs. Well, the thought of all that, combined with my love for grafitti and comic text, inspired me to do this font!

A modern rounded typeface inspired by Japanese computer console games. Example: Captain Tsubasa created by Yoichi Takahashi.

A free-spirited hand-script font. Very similar to pre-computer hand-written letttering with a ruling pen.

Elsinor JNL brings the cold stark reality of the future, technology and science to a computer near you...

I was playing around with computer style forms, and suddenly noticed an optical effect in this style. There you go!

ArcticPatrol is a modern angular font influenced by military related computer games. Examples include: Ghost Recon and Medal of Honor.

PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

The Stroke typeface is based on a broad nib pen theory taken to its extreme, using idealization of computer-generated pen stroke.

Videomax looks like something from the future - perhaps even something from a future where the world lies in ruins and is about to be taken over by hostile aliens. The worn letters represent the decades of war against the computers...or the aliens...or maybe the letters comes from a sign of a computer company from the eighties, which was recently found in an abandoned place. The speculations are many, but one thing is definitely true: Videomax got that grungy / computer / worldwar feeling! Write your text, and watch how the randomness of letters make your text look really good. I've put it 4 different versions of each letter, which makes it look really nice and worn!

Since the advent of computer lettering in comicbooks, it has become commonplace to use letterforms with a mechanical look for mechanical sound effects. In my time as a hand-letterer of comicbooks I used hand-drawn letterforms for all sound effects, including mechanical ones. The advantages of computer lettering now allow me to use more mechanical looking effects where appropriate. Iron Warrior is the result. For more information: homepage.mac.com/

A second VGC face, this one by S. Biggenden, borrowing from the structure of MICR figures to lend computer associations to the page.