The vintage display font family Vernyhora. The typeface is intended to be used in those places where the letters when it is necessary to transmit the strong character, stability and historicity. The font has got 6 weights. It contains extended Cyrillic and Latin alphabets. It also consists of the alternative set of characters from the old Ukrainian alphabet. It can be used for the state institutions names. It was planned to be a font of old cities and towns. From the very beginning the font was created in order to execute signboards at the entrance of towns. For the font creation the author was inspired by the graphic designers of the early 20th century, such as Georgiy Narbut and Fedir Krychevs'kyi. From the Ukrainian language the font name is translated into English as mountains mover.

What font to choose when it comes to malevolent, wry or downright bad seeded phrases? Negroni can show a nervous, chaotic facade ideal for those rancorous posters, flyers or anonymous messages. Subtly irregular contours and a slight, almost imperceptible difference in the weight of each letter make up Negroni's shy, embittered essence.

Murisa Rania is our next very attractive font. Have you ever imagined a font that is formed from brush strokes whose ink is almost dry? That's what this font is made of. Murisa Rania combines elements of art and high technique in its creation to create a unique, attractive and beautiful font.

If you like minimalism and geometry, symmetrical and line design, I suggest you get acquainted with the Geommaze font. I created it with love and attention to detail. It was inspired by computer chip, architectural shapes, maze of road junctions. Try "Geommaze" in these topics and the result will be really awesome!

Part of the Zoot Suite of offbeat handwriting fonts, Herringbone is based on a fast and sloppy formal script the designer has been using since he was a child. For use when handwriting fonts are too informal and script fonts too formal. Herringbone is a happy medium. For a bolder look, try Houndstooth.

Okaycat Font Foundry proudly presents "Cat Talk"! An excellent illustrated picture font containing so many cute cats on the capital letters and small letters without cats to compliment, for easy cat designs. If you're looking for related fonts without cats, you might want to try our Maple Street and Maple Lane fonts.

Part of the Zoot Suite of offbeat handwriting fonts, Herringbone is based on a fast and sloppy formal script the designer has been using since he was a child. For use when handwriting fonts are too informal and script fonts too formal. Herringbone is a happy medium. For a lighter look, try Herringbone.

Think Road... This idea originated during the year-end holidays, trying to casually scribble on paper so it becomes handwritten, Think Road includes uppercase and lowercase letters, numerals, and supports multilingual. This smooth handwriting is perfect for creating signature logos and watermarks for photography studio or blogger, best for initial or branding logos

Willcather is a handwritten font, with sharp details. Written with a dry brush pen with quick movements, and relaxed. Comes with two font styles, it will be beautiful, and unique when combining both into one unit. And be perfect, when coupled with swash. Suitable for branding, advertising, headlines, packaging design, and more.

The Zapf Renaissance Antiqua type family was designed by Hermann Zapf for the German Scangraphic Dr. Böger GmbH in Hamburg, from 1984–1986. The typefaces were engineered for use in digital CRT phototypesetting. This version was based on Scangraphic SH version (For Display use) and not on the SB version (for text use).

Conundrum is a cool, rough brush font, quickly painted on paper, so it looks natural and organic. If you want a font character that is unique and different than others, Conundrum is worth a try. With this bold concept it would be suitable if used for movie titles, magazine titles, covers, posters, etc.

Two typefaces of snowflake designs; the alternative has the same designs but rotated 30 degrees.

Apollon is an angular display font. Made for social media posts and game design purposes.

Lost Souls is intended to represent something old, retro and innovative at the same time.

Deadspace is a sci fi display typeface suitable video games, movie posters, logos and headlines.

Sporting broad, unadorned caps and just a dash of flair, ATF Wedding Gothic is like an engravers gothic at a black tie affair. It comes from the same tradition as other social gothics from the turn of the twentieth century, such as Engravers gothic and Copperplate. But where these are the faces of business cards and common announcements, ATF Wedding Gothic is a special occasion. Its swaying ‘R’ and ‘Q’, its characterful figures, and spritely-yet-sturdy insouciance make ATF Wedding Gothic well suited for tasteful engagements of all sorts. Yet there is much more here than the name implies. Originally offered long ago as metal type in a single, wide weight, this digital interpretation expands what was once a novelty design into a surprisingly versatile family of nine weights. An additional, narrower, standard width brings the count to eighteen fonts. From Thin to Medium, ATF Wedding Gothic retains the airy elegance of its source, while the heavier side of the family takes on an altogether different feel, more reminiscent of wooden poster type.

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch designed for printing use, Kabel is a carefully constructed and drawn. The basic forms were influenced by the Ancient Roman stone-carved letters, which consisted of just a few pure and clear geometric forms, such as circles, squares, and triangles. Koch also infused Kabel with some elements of Art Deco, making it appear quite different from other geometric modernist typefaces from the 1920s, like Futura. Linotype has two versions of Kabel in its library. Kabel has a shorter x-height, with longer ascenders and descenders, making it a bit truer to Koch's original design than the second version, ITC Kabel, which was designed by Victor Caruso. This version, also known in the United States as Cable, has a larger x-height, shorter ascenders and descenders, more weights ,and a diamond shaped i-dot. Typefaces in the same oeuvre include Avenir Next, ITC Avant Garde Gothic, Metrolite, Metromedium, Metroblack, and Erbar, just to name just a few."

This typeface was inspired by the rough surroundings of a modern city and reflects the contradicting nature of an emerging global youth culture. Ever since its first release—back in late 1999— it is constantly on our ‘most wanted’ list and has been part of numerous product campaigns. Music, mobile telephony, food and beverages, politics, you name it. Coca-Cola used it, José Cuervo used it for about 3 years. The new ‘Pro’ version goes one step ahead. You may now capture the essence of the younger generation in every major European language. PF Fuel has been extended with the full array of Cyrillic characters as well as matching frames for this extra stamped look. Furthermore there more alternate characters than ever. Create a custom look, when same characters sit close, or one next to the other. You may find these useful—alternate characters either in the lowercase positions, or access them through the ‘stylistic alternates’ OpenType Pro feature. If you need some extra fuel, this is where to get it!

This is a free abridged edition of the full-featured Gutenberg B and Gutenberg C fonts. Although (as the name suggests) it was originally conceived as the first release in the B42-type series, it actually represents the colophon to this series. In addition to having a narrower scope, the font differs from its full-featured predecesors in both letter and word spacing, as well as in glyph design, using exclusively straight lines for every glyph and providing a significantly rough appearance at medium to large point sizes. The font includes the usual standard characters for typesetting modern texts, as well as a few special characters, alternates and ligatures that can be used for typesetting nearly as in Johann Gutenberg’s 42-line Bible and later incunabula. Please note that the use of this free font is subject to the same terms and conditions as those for Alter Littera’s pay fonts. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg A” Font Page.