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  1. Pea Mystie - Personal use only
  2. Pea Lyndal - Unknown license
  3. Pea Superamy - Unknown license
  4. Pea Marcie - Unknown license
  5. Pea Friend - Unknown license
  6. Pea Protani - Unknown license
  7. Pea Monica - Unknown license
  8. Pea Kristin - Unknown license
  9. Pea Steph - Unknown license
  10. Pea Kareen - Unknown license
  11. Pea Tangee - Unknown license
  12. Pea Jamie - Unknown license
  13. Pea Melanie - Unknown license
  14. Pea Sarahloo - Unknown license
  15. Pea HeidiQ - Unknown license
  16. Pea Johanna - Unknown license
  17. Pea Lis - Unknown license
  18. Pea Jennifer - Unknown license
  19. Pea Angedawn - Unknown license
  20. Pea Katie - Unknown license
  21. Pea Whinney - Unknown license
  22. Pea Stefanieva - Unknown license
  23. Pea Jessica - Unknown license
  24. Anywhere - Unknown license
  25. Pea Julie - Unknown license
  26. Pea Karynsig - Unknown license
  27. Pea Donna - Unknown license
  28. Pea Jane - Personal use only
  29. Pea Melissa - Unknown license
  30. Pea Gretchie - Unknown license
  31. Pea Nancy - Unknown license
  32. Pea Hunzer - Unknown license
  33. Pea Amy - Unknown license
  34. Pea Haylie - Unknown license
  35. Pea Jessi - Unknown license
  36. Pea Alisha - Unknown license
  37. Pea Rachael - Unknown license
  38. Flexion Pro by Red Rooster Collection, $60.00
    Flexion developed out of design philosophy and ambigramatic artwork of John Langdon. Based on the contents in John’s book Wordplay, author Dan Brown hired John to create ambigrams for his forthcoming novel Angels & Demons. Mr. Brown was so impressed with his work he even named the main character Robert Langdon after John. After the success of Angels & Demons, Dan Brown wrote The Da Vinci Code. When the movie adaptation of that book was in the works, Dan suggested that John create titles for the movie based on ambigrams. John contacted Hal Taylor to create a font based on the lettering treatment to be used for the credits at the end of the movie. Unfortunately, it was decided that the film was running long and the original title concept was scrapped. By this time, Hal was well into developing a full type family, including small caps, alternate characters, lining and ranging figures. John was impressed with the way the design was turning out and decided that it had enough merit to be released as Flexion.
  39. Linotype Gaius by Linotype, $29.99
    Gaius is a beautiful script face with a nice relationship between the broad-edged pen and the proportions of the letterforms. It is very flexible and gives a personal touch due to its various alternate fonts with swash beginners, ending and ligature letterforms. Like Zapfino from Hermann Zapf, Gaius offers a great variety and makes the text more personal and readable.
  40. Alfonsina by Eduardo Dulin, $20.00
    Alfonsina is a high contrast condensed didone typeface well-suited to classy magazines, short text, branding design, packaging and advertising. With a great set of alternates and swashes, allowing for more stylized designs. This font of thin serifs includes italic, strengthening the concept of its design. Alfonsina contains a set of more than 500 characters and supports a variety of languages.
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