Introducing our newest cute serif typeface, Barongko Pastry, a decorative font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Introducing our newest funny typeface, Hugie Bunny, a nice fun typeface. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Introducing our newest cute serif typeface, MEGLORIA, a cute typeface font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Sometimes lettering without any frills or formality gets a message across better than the use of fancier typefaces. The simple charm of the hand-lettered phrase "Safety Comes First" found on a vintage WPA (Works Progress Administration) poster served as the model for Basic Lettering JNL.

Gin And Tonic is a classical serif typeface family. In a cocktail of soft arches and sharp corners, this traditional type has a multifaceted flavor, just like a well-balanced drink. Inspired by turn-of-the-century quality produce, Gin And Tonic is a genuine victorian typeface, that brings class and authenticity to any graphic project. The type of lettering that could be seen in an old-west saloon. This serif font is provided in eight styles: Thin, Regular, Bold and Thin Italic, Regular Italic, Bold Italic. As well as the Outlined style and its complementary Outline Italic. Write in CAPS for decorative conjunction words. Example: Gin AND Juice, Bird OF Prey (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Designed by Olivier Gourvat in December 2015, Univia Pro is a new contemporary OpenType font family with modernity and versatility in mind. Distinctive with its pleasant look and extremely modern, Univia Pro has a lot of personality mostly achieved by smooth curves and round corners that forms a very identical style of the entire family. Univia Pro is perfect both for display and text use and due to its ultra modern look, it is more than excellent for e-books, web-sites, user interface font, mobile apps etc. The Univia Pro font family is heavily equipped with OpenType features: case sensitive, scientific superiors and inferiors, standard ligatures, old style, lining figures, proportional and tabular figures, slashed zeros, stylistic sets. It also provides broad language support. The font family offers 18 variations (9 weights plus italics): Thin, Thin Italic, Ultra Light, Ultra Light Italic, Light, Light Italic Book, Book Italic, Regular, Regular Italic, Bold, Bold Italic, Black, Black Italic, Ultra and Ultra Italic. Univia Pro supports Latin, Extended latin and Cyrillic languages.

Antique monumental incriptional majuscule, originally carved in stone, and sometimes called “Roman Capital”, is the origin of the upper-case part of our latin alphabet. Its narrowed form, derived from handwritten originals used between the first to third century A. D., served as the inspiration for the Mramor typeface, which I drew with ink on paper in 1988 under Jan Solpera’s leadership. After composing negative letters on a strip of film it was possible to use Mramor with the early phototypesetting devices. In 1994 with the help of Macintosh IIvi I added the lowercase letters and bolds, and issued this typeface as 14-font family. After some years of using Mramor for various purposes, I realized a need of modernization and humanizing its very fragile appearance, as well as removing numerous decorative and useless parts. Besides that, type design made a huge technical progress in past few years, so I was able to finish the remaining approximately 9600 glyphs contained in the present font system named Amor. It is already usual to combine sans and serif fonts within one family in order to distinguish (e. g. in a book) historical part from contemporary, a plain chapter from a special one, or, in quotations, to divide speaking persons. Sans-serif typefaces don't arise by simple removal of serifs; they have to be drawn completely separately, when occasionally many declined forms may be made, considered to the serifed original. Nevertheless, both parts of this type system appear consistent as for proportional, aesthetic and emotional atmosphere. Usage of type is often closely linked to its original inspiration, in this particular case with architecture and figurative sculpture. An inner “order” was also text setting in smaller sizes. A smooth scale of weights enriches the possibilities in designing of magazines, brochures, exposition catalogues and corporate identity. Economizing, but opened shape of characters is well legible and antique hint comes into play after longer reading.

Phillip Kelly first drew the Croissant typeface in 1978 for Letraset. Back in the 1970s and 80s, Letraset's rubdown lettersheets were a popular means of designing with type. Today, many of these nostalgic classics are available in digital format. Linotype is pleased to re-present Croissant. This experimental typeface is built up out of round, brush-like strokes, creating heavy, and black letters. These forms are best used for display signage and headline text. If you are designing for a local bakery or donut shop, this typeface may be the perfect fit. The dark, heavy character that Croissant lends to the page is similar to Cooper Black , one of the most renowned American type designs ever produced. If you are looking for a typeface with Croissant's feel, but need to set smaller headlines or text, check out that family's offerings."

This is a font from the 10th century and is still pretty. This is a classic format.

Halley is a modern, funny and casual script with an irregular base line that gives it a unique and modern look. All the glyphs have been carefully painted giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. Halley family pack comes in three styles: regular, italic and Shadow. Each font contains 746 “regular or irregular" glyphs, including up to seven alternatives in upper case and six in lower case, standard and discretionary ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. We have added some useful ornaments that will serve for the most demanding design project! Halley looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more

JT Olifer is family font of Jolicia Type designed by Laire Banyu Sandi Pawenang in October 2021, JT Olifer inspired by Modern Typography developed by us in our perspective, with a typeface detail in every corner we make more rounded, and give an inktrap accent to make unique impression special in every glyph, we really consider about aspect legibility, therefore we make family font amount 40 to assist the selection according to visual needs. Font type of JT Olifer contains several nuances that combain aesthetic, contemporary and modern, furthermore we make some alternates glyph that have a friendly and subtle impression, for example ‘f’ the alternate of this name our font we designed is more circular and smooth. JT Olifer has a total of 465 letters with regular, slanted and condensed styles support in 90 languages : Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu English Esperanto Estonian Faroese Filipino Finnish French Friulian GalicianGanda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic. Building on that internal analysis, Dokument Pro is the thoroughly reworked and expanded of the original main set released in 2005, with different widths still in the pipeline. This new version updates Jim’s work to six Pro weights and their italic counterparts, each of which takes advantage of OpenType stylistic sets to introduce different degrees of graduation from gothic to humanist. Dokument Pro is now a unique text sans family, with an adaptable personality suitable for the kind of edgy, uncompromising corporate and media typography that just tells it like it is, instead of having to resort to the common contemporary luring and baiting tactics. Dokument Pro’s range of weights, styles and features (over 775 glyphs per font, built-in small caps, alternates galore, and support for over 45 Latin languages) allows for multi-application versatility and clear, precise emotional delivery. This is the kind of straight-shooter sans that should be in every designer’s toolbelt. For more details on the fonts' features, text and display specimens and print tests, consult the Dokument Pro PDF availabe in the Gallery section of this page. 20% of Dokument Pro’s revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

La tipografía Qátana es una tipografía inspirada en el estilo románico serif y sans serif. Su estilo elegante y de fácil lectura ha logrado ser una tipografía esencial para redacciones de documentos, textos o libros. Cuenta con tres pesos bien marcados que dan un juego visual de resaltados y tenues. Además de las formas itálicas. The Qátana typeface is a typeface inspired by the Romanesque serif and sans serif style. Its elegant and easy-to-read style has become an essential typeface for writing documents, texts, or books. It features three well-marked weights that give a visual play of highlights and lows. In addition to the italic forms.

One of the most friendly Slab Serifs just got even more friendly. Museo Slab Rounded is the latest addition to the Museo font family. It has updated letterforms, spacing and kerning. It can perfectly be combined with Museo Sans Rounded. It comes in six weights with italics, that are not just slanted regulars. Key characters have been changed to give the italics more flow.

Introducing a versatile Vintage Sans Serif. Mighty Rooster includes 2 font files with Regular and Rough style. Mighty Rooster is a great font for achieving an authentic vintage aesthetic as seen in the display images or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. Mighty Rooster Features: Ligatures Alternate Multi-language Punctuation

Based on scans of some 1906 newspaper headlines detailing the devastation of the San Francisco earthquake, Newsbreaker JNL is a modern take on vintage typography. With a few letterform characteristics somewhat reminiscent of DeVinne, this typeface was perfect in its day for expressing news headlines - and it holds up just as well today for titling or banner ad copy. Available in regular and oblique versions.

The roots of Nouveau Handlettered JNL go back to the sheet music cover for the 1917 song "(Someday) Somebody's Gonna Get You". This simple style of sans serif titling has the casual, imperfect charm of the pen and ink lettering so prevalent in the decades before metal type and other technical advancements made the craft almost obsolete. The typeface is available in both regular and oblique versions.

Mersh is a type system that provides a wide range of options for any design project. The typeface comes with 9 weight in both regular and italic styles. Mersh is the result of exploring minimalist design trends and classic typography. Have the ability to be a display font and writing text well. Mers sans serif family is a very versatile font suitable for headlines, posters, logotypes, etc.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

British type designer Neville Brody created this display and sans FontFont in 1992. The family contains 2 weights: Regular and Condensed and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Gothic provides advanced typographical support with features such as ligatures and stylistic alternates. It comes with tabular lining and proportional lining figures.