In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there. The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features. This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.

An ad for the annual Variety Club Convention appeared in the March 18, 1940 issue of "The Film Daily. The main headline was hand lettered in a classic Art Deco "solid" style of sans serif - ultra bold and with no counters - but had one additional feature: 'engraved' lines to the left of each character. This has now been expanded into the digital typeface Trade Convention JNL, which is available in both regular and oblique versions. Variety Clubs (now know as Variety - The Children's Charity) was founded in Pittsburgh, Pennsylvania in 1928 by entertainers specifically to aid children. Their history can be found at https://variety.org/who-we-are/history

Condell Bio Poster is part of the bigger Condell family: a project that involves series of typographies that started to be conceived and developed since 2006. It also includes a bigger legibility version and a sans serif. Condell Bio is very versatile and can be used in the agroindustrial production. Thanks to its strongness and its charm, it can be used in different projects where a short and powerful message is required. For instance in a brand marketing campaign. The Condell project follows in terms of time the design of Comalle (a font also designed by Juan Pablo de Gregorio in 2006), but if we compare them, Condell seems to look for a major range of uses rather than a mere stylistic inspiration. And even if it keeps in its shape some organic forms, Condell seems to be much more similar to a sans serif traditional typography. Condell's fat and soft forms and its nice endings, inspired through spontaneous brush strokes, give it a very peculiar pleasant connotation. Its Italic (10 degrees inclination) have been produced singularly, not automatically calculated by the software. Condell Bio Poster is composed of 2 styles: the regular and the italic. Each one of them have 599 characters and is composed of 206 languages.

BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.

SIAS opens a new chapter in Irish vernacular typography: the Andron-2-Irish font family. The genes of the insular typographic heritage have been blended with the timeless classical style of the versatile Andron series. Whereas most Irish-style fonts available more or less stick to ancient designs, Andron-2-EIR is different: it’s an entirely new design in which Irishness meets the beauty of a matured Venetian Roman text face. Envision a new horizon for setting Irish text in its own visual mode! Now you can utilize Italics, Semibold and Small capitals for Irish just as you have been doing in other languages for a long time. But the icing on the cake is the fifth font: Andron Irish Middlecase honours the rich medieval tradition of Ireland by a special uncial-style glyph set. It corresponds to the Andron MC series. Last but not least the Irish type connoisseur will relish this font package for it’s unique utilization of Opentype functionality. In Opentype-aware applications, by just ticking a box you can switch to the special insular forms of s and r. By ticking another box you can transform the text from modern-day orthography to the traditional spelling with lenited consonants. This built-in intelligence has never been implemented in any Irish font before. Briefly, the Opentype substitution features are: [Ligatures] – default basic f-ligatures; [Descretionary Ligatures] – more ligatures for typographic reason, mainly t- and long-s-combinations; [Style set 1] – turns all lowercase r and s into their insular glyph variants; [Style set 2] – replaces all consonant-h digraphs by dotted consonants (ḃċḋḟġṁṗṡẛṫ, ḂĊḊḞĠṀṖṠṪ), works for lowercase, uppercase and upper-lowercase alike; [Style set 3] – provides another range of additional special ligatures (for Regular and Italic only); [Oldstyle figures] – turns the default lining figures into proportional oldstyle figures. Andron Irish will also perfectly combine with every other Andron product in mixed settings. For an overview please go to the SIAS main page. For a quick reference go to Andron Latin, Andron Greek, Andron English or Andron MC. For more wonderful new Irish fonts look at Hibernica and Ardagh!

The Corps 86 is a Sans military style font, first conceptualize was inspired by the classic vintage military stencil design. I wanted a typeface that could be a solid base for any military inspired project The Corps 86 Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, label stickers, stationary, gift wrap, packaging, clothes, buttons, pendants, holiday gifts, print on fabrics and so much more

What started as a small project for Mike Humphrey of Chiltern Image Service in the UK ended up as Air Corps JNL, a typeface featuring retro letters and numbers from military aircraft. Expanded to a full character set with punctuation, foreign accents, monetary figures and the like, Air Corps JNL is also available in an oblique version.

Bill Corporate M3 supports Central, Eastern European and Western European languages.

Mecha Corps futuristic sans serif font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Mecha Corps futuristic sans serif font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Mecha Corps futuristic sans serif font. Cheers, Maulana Creative

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage"."

Fat and sassy, this ultrabold brush font is based on the works of lettering legend Mike Stevens as seen in his book, Mastering Layout. A natural choice for can't-miss headlines, this typeface also works surprising well for short blocks of body copy. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

A fatter, more kid-friendly version of KG Lego House, this font is designed specifically for elementary teachers who requested a neat, legible font with a thicker outline.

Released by the Compugraphic Corporation in 1979, the Garth Graphic font family is based on a design by John Matt from the 1960's, reworked by Renee LeWinter and Constance Blanchard. Garth Graphic was named after Bill Garth, a founder of Compugraphic. A fairly strong old style face suitable for text setting; the heavier weights and condensed forms are most used for display work.