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  1. Chizz High, a unique creation by Apostrophic Labs, is an intriguing typeface that captivates the eye and stimulates the imagination. It belongs to a family of fonts that are not just tools for writin...
  2. As of my last update in April 2023, there wasn't a widely recognized font specifically named "BOODAS DREIECKE". However, the inspiration drawn from the name can conjure a vivid, imaginative depiction...
  3. Gravicon, as a concept for a font, may not be a universally recognized or standardized font in the realm of typography as of my last update in 2023, so I'll approach this description with a creative ...
  4. As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
  5. PDRPT, crafted by the renowned typeface designer Billy Argel, showcases an intricate amalgamation of artistic innovation and typographic expertise. Embodying Argel's signature style, PDRPT resonates ...
  6. Nascent, a font created by The Type Fetish, stands out as a remarkable addition to the diverse world of typography. This typeface exudes a unique blend of modernity and functionality, making it a ver...
  7. The King & Queen font is a captivating and ornate typeface that seems to transport its audience directly into the heart of a medieval fairytale. Its design is rich in decorative elements, with flouri...
  8. "Bowellberalta" is a distinctive and captivating font created by the talented designer Kirk Shelton. This font is a perfect blend of classic elegance and modern flair, making it a versatile choice fo...
  9. RussianQuality, a typeface crafted by Samuel Park, stands as a distinctive font imbued with a unique character that captures the essence of traditional Russian typographic design while injecting mode...
  10. The font AmazObitaemOstrovV.2, crafted by the talented Amazingmax, stands as a unique testament to creativity and artistic exploration in the realm of typography. At first glance, this font captures ...
  11. Doris PP, designed by Paulo Pedott, is a font that promises to bring a unique charm to any design project it graces. It exhibits a blend of contemporary style with a nod to vintage aesthetics, making...
  12. The font named Tapeworm presents a distinctive and imaginative approach to typography that is playful, whimsical, yet can evoke a slightly eerie or unsettling aesthetic depending on its application. ...
  13. Hardcore, designed by Mattia Marchi, is a font that captures the spirit of rebellion and strength, embedding within its characters the very essence of hardcore culture. This font isn't just a set of ...
  14. "Royal Acidbath" is not just a font; it's a trip down a lane where artistry and eccentricity meet to create something truly unique and captivating. Developed by Sharkshock Productions, this font enca...
  15. Sure! Klarissa is an intriguing font designed by Dieter Steffmann, a talented typographer known for his revival of historical typefaces and his original designs. This font stands out for its intricat...
  16. LaPointe's Road¼, crafted by the talented Albertine Nerevan, emerges as a genuinely expressive font, embodying a perfect blend of vintage charm and contemporary flair. This font is a tribute to the a...
  17. Mainframe BB by Blambot Fonts is a unique and forward-thinking typeface that captures the spirit of digital innovation and the nostalgia of retro computing. Designed with precision and a keen eye for...
  18. The KR Batty font, designed by the talented Kat Rakos, embodies whimsy, creativity, and a touch of the eerie, perfectly capturing the essence of its name. This unique typography stands out for its pl...
  19. The KG Beautiful Ending font, crafted by the talented Kimberly Geswein, stands as a testament to the beauty of handwritten artistry in the digital age. This font captures the essence of personal touc...
  20. "Staggering Bob" offers an indelible impression of whimsy and joviality, well-suited for projects that demand a touch of lightheartedness and flair. Imagine letters that seem to dance and frolic acro...
  21. "Top Secret" is a captivating font created by the talented Koczman Bálint, that whisks you away to a world of intrigue and espionage straight out of a Cold War-era spy novel. Its design is heavily in...
  22. Jellyka, End_less Voyage is a font created by Jellyka Nerevan, a designer known for her work in creating distinctive and unique handwriting-style typographies. This particular font mirrors the essenc...
  23. Lombardic by Altsys Metamorphosis isn't just a font; it's a dive into the rich tapestry of medieval manuscript art brought into the digital age. Altsys Metamorphosis, known for their work in pioneeri...
  24. The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
  25. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  26. "Child's Play" isn't just a font; it's a joyride back to the days of yore, when the toughest decision of the day was choosing between crayons or markers. This font mimics the erratic yet sincere hand...
  27. The Desyrel font, masterfully designed by Apostrophic Labs, emanates a unique charm that gracefully bridges the gap between whimsicality and legibility, making it a delightful choice for various desi...
  28. "TRASHED" by Last Soundtrack is a captivating display of creative chaos, intricately designed to bring a rugged, edgy feel to the table. At first glance, the font boldly defies traditional typographi...
  29. Fangtasia is a unique and captivating font that immediately grabs attention with its distinctive character. Created by SpideRaY, a designer known for crafting fonts with personality and depth, Fangta...
  30. "Martians Spacewarped My Dad" is a distinctive and imaginative font created by GemFonts | Graham Meade, an artist known for their unique and captivating typeface designs. This font draws its inspirat...
  31. The Hello Ween font by Billy Argel is a captivating typeface that exudes an eerie charm, making it perfect for projects that require a touch of mystery or spookiness. This font stands out with its un...
  32. The "Narnia BLL" font, as its name evokes, brings to mind the magic and adventure of the fantastical world created by C.S. Lewis. This typeface, though not officially recognized as a part of the Narn...
  33. Regency Gothic, as its name suggests, is a font that channels the architectural and decorative styles prevalent during the Regency era, which occurred in the early 19th century. This typeface manages...
  34. "VladTepesII (Vlads Dad)" designed by Bolt Cutter Design, conjures an image of a font that is deeply rooted in historical grandeur and mystery, much like the legacy of Vlad the Impaler, the inspirati...
  35. Sure thing! "84 Rock!" by Jonathan Paquette is a font that captures the rebellious spirit and raw energy of the 1980s rock scene. This display font is characterized by its bold, edgy design that seem...
  36. Lady Starlight by Ray Larabie is a distinctive font that captures the essence of whimsicality and enchantment. Ray Larabie, known for his diverse and prolific contributions to the world of typography...
  37. The Buffied font, designed by GemFonts/Graham Meade, stands out as a unique testament to the enduring impact of creative typography in visual communication. It is a display font that captures the ess...
  38. "Night Club 70s" by Jambo! is an evocative and captivating typeface that immediately transports you into the heart of the 1970s disco era. This unique font perfectly encapsulates the vibrant, high-en...
  39. The font by Jérôme Delage is a striking and distinctive typeface that showcases the artistic flair and creativity of its designer. This font is characterized by its brush-stroke texture, which give...
  40. Alright, diving into the world of fonts, let's talk about the D3 Calligraphism font by D3. This font feels like it's straight out of an artist's brush, swirling with creativity and bursting with expr...
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