Musika" is a serene and elegant display typeface that is inspired by the vibe of soft jazz. Serene, elegant, soothing, somewhat sensual and at the same time feels like a warm hug. This typeface is made with the intention to be used in both titles and body text. The bold weight (even the light weight could also be used as a title card) holds really well as a title while the lighter weights (regular and light) can be used in body text. *This font includes letters, numbers, multi-language, and all essential marks needed. * Three (3) weights are currently available. (Light, Regular and Bold)

Kathmandu, the Nepalese capital in the foothills of the Himalayas, is not like any other city. That's why Kathmandu Bold is not like any other font going by the name of a town, either: This font is not as digital as Chicago but not as solid as Aachen. Kathmandu Bold's capital letters are slightly irregular, giving the font its unique character, which is extended and more black than bold. Everyone who has hitherto regarded "naïve" and "cool" as being an oppositional pair should check out this font by Ingo Juergens. For special needs, such as foreign languages, there is a host of special characters.

Ransite Medieval is a bold blackletter typeface. Put together and refined by Mans Greback in 2022, this Old-English style lettering is drawn based on studies of multiple historical documents and typographic resources. With black calligraphy strokes, this heavy middle ages typeface is decorative but clean and clear. Ransite Medieval is provided in four styles: Regular, Bold, Italic and Bold Italic Use it for a logotype or in a medieval context where you want a genuine, yet legible, typography. The font is built with OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Humanistic sanserif in 4 fonts The Parisine Office typeface family can be considered as the text version of the Parisine. When Parisine xheight fit Helvetica large xheight, Parisine Office is more close to Gill Sans in term of proportion, as it was developed for Ratp, the public transport in Paris to allow compatibility with documents set in Gill Sans without changing the length of text. Parisine Office by default is a humanistic sanserif available in 4 fonts perfect for text setting. The design of the italic lowercases is more cursive than in Parisine. About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Designed by Malaysian designer, Ong ChongWah, Abadi is a versatile sans serif typeface whose style lies between the humanist Gill Sans and the more rigid lineales such as Monotype Grotesque and Helvetica. These humanist characteristics give the Abadi fonts a friendliness in use and contribute as much to its legibility as the generous 'x' height. The italic font relates to the roman, yet has sufficient character to be effectively used independently. The range of weights and widths available give Abadi a wide spectrum of graphic applications, from small quantities of text in magazines and newspapers, to display use in packaging, advertising and even television.

Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course I did it on screen using bits and pieces of scanned red tape. Just use it as you like, I won't give you any red tape in how to use the fonts. »Red Tape« is since February 2012 on permanent display in the »German National Library« – next to the likes of »Bodoni«, »Garamond« and »Helvetica« – being part of the exhibition about type through the ages. Your (now a little famous) unproblematic type designer, Gert.

Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, it has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.