This font is characterised by a sleek shape.There are two versions, regular and black. Included: -Uppercase and Lowercase -Number and Punctuation

Reverse Gothic JNL is a design based on vintage reverse letterpress type for creating interesting headlines with white-on-black text.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra

JH Rawan is a modern geometric typeface; it is derived from JH Dima black ; typical for corporate identity, headlines, branding & signage...

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

Bureau Grot is now accepted as the essence of tooth and character in an English 19th-century sans. The current family was first developed by David Berlow in 1989 from original specimens of the grotesques released by Stephenson Blake in Sheffield. These met with immediate success at the Tribune Companies and Newsweek, who had commissioned custom versions at the behest of Roger Black. Further weights were designed by Berlow for the launches of Entertainment Weekly and the Madrid daily El Sol, bringing the total to twelve styles by 1993. Jill Pichotta, Christian Schwartz, and Richard Lipton expanded the styles further, at which point the family name was shortened from Bureau Grotesque to Bureau Grot; FB 1989–2006

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

These handletterered brush fonts were created by Tim Sale and fontmeister JG Roshell for our bestselling book, TIM SALE: BLACK AND WHITE!

A black weight decorative typeface with an engraved flare. Merchant was designed for all media and requires subjective display kerning and compensation.

A true north font of 152 characters, inspired by the black metal culture but more readable. UPPERCASE 
lowercase 
Numerals 
Punctuation 152 characters

Churchward 69 is a ten weight typeface family originally designed during the late 1960’s by the late type designer Joseph Churchward. From the extremely condensed Regular weight to the outlandishly heavy Ultra Black, this square sans serif makes an audacious statement. Even the Italics are extreme at their 17 degree angle! Churchward 69 includes 5 weights, Regular, Bold, Extra Bold, Black, and the gorgeous Ultra Black, and their italics. Joseph sure knew how to draw heavy weights! All members of the Churchward 69 family have OpenType features, including proportional and tabular figures, unlimited fractions, superior and inferior figures, and ordinals. Each font also has an extensive character set to support many western European languages.

Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

'Andara' is a handwritten font. We created this font for any modern branding brand. Unique and natural hand touch gives a different impression, this can make attention to take a closer look at your brand. Some agencies like this font for branding modern products, you can also make a large number of logos with one font as this font is suitable for use on web logos, signatures, portfolios, prints, headers, magazines, book covers, printed t-shirts, crafts, and cosmetic packaging. Hope this is a font worthy of your collection. Thank you,

Stupid Meeting is an all caps display sans that didn't quite get its full 8 hours of sleep. A lot of attitude went into the design process and it shows throughout the entire character set. From a distance it looks fairly pedestrian but the closer you get, the rougher it gets around the edges. It's very simple, yet extremely playful. This family is available in 3 different styles. Use Stupid Meeting for a cartoon, product packaging, or a logo. Try the Eroded version for menu lettering or a band poster. Caps only Fonts.

ZebraSkin is an exciting, contemporary display font, incorporating the distinctive markings of one of Africa's most striking animals. One style is available: ZebraSkin Aarde, based on the Aarde Black font. It is best used in conjunction with Aarde Black or Aarde Outline. The popularity of the "animal skin" look in contmporary clothing and soft furnishing design make ZebraSkin a must for artists on the creative edge of contemporary design.

Seasons Greetings is intended to bring Christmas cheer. It has a very limited character set, with all the letters being lower-case. One set of letters is white on black Christmas balls, while the other is black on white Christmas balls. The lower-case letters can be layered on top of the upper-case letters to give bi-colored lettering. The letters on the Christmas ornaments are from the typeface Cuthbert.

Opheline is modern display serif family of 9 fonts. The family consists of 9 weights, ranging from thin to black. The thin version reflects elegance and soft texture, while the black version represents modern and strong appearance. The vast range of Opheline family will help you to tackle your designs problem that need professional or classical touch; from the professional-look branding of law firm to classic-historical product branding.

Piano Keys is a musically-inspired font. It can be used for commercial as well as educational projects. In other versions, I tried to accurately replicate the pattern of black and white keys across the character set. Of course when used, the randomness of text and characters often produced less than realistic results when needed. This version allows black and white keys to be accurately arranged, if desired.

From the pages of the 1939 French lettering book “Modèles de lettres modernes par Georges Léculier” (“Models of Modern Lettering”) comes an attractive and unusual set of initial drop caps made from square letters adorned with multiple vertical lines. Originally designed as white letters on black backgrounds, an additional set with black letters on white backgrounds comprise Deco Drop Caps JNL; available in both regular and oblique versions.

Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy

Pocket Initials JNL contains twenty-six initials inside of a white-into-black pattern for monograms, page headers, stationery and other creative projects.

Sketchetik is a hand-drawn font in four styles: light, regular, bold and black. It is recommended for use as a display typeface.

Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.

Happy Cloud is a fun, tall handwritten font created by Cultivated Mind. This font features five font weights (Light/Regular/Bold/Black/Heavy).

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Drunk Cowboy is a bouncy version of the popular Old West type style, inspired by hand-made signage in Paducah, Kentucky. The strokes are loopy and loose. The exaggerated terminals give this font a loud, boisterous presence. Drunk Cowboy is a brutish rogue that emanates the fierce independence of Rio as played by Marlon Brando in One Eyed Jacks, but it is most like Paul Newman's Butch Cassidy—a mischievous wise-cracker. And there's gold worth mining for in this font. Dig deep enough and you'll find swash characters and special ligatures, like Th, ST, CT, NT and other popular letter combinations found in the Cowboy dialect.

Salty Cracker is a display font with Black Letter elements. The symbols have a nice shape and long ascenders and descenders. Display font Latin

JH Tania 2x is geometric typeface, including a double stripe & a black weights. It has a modern design ideal for logos / branding and titles..

Belynos, a simple and elegant didone. Plus a bit of triangular! Font family contains from Light to Black and suitable italic for various designs.

Unicase wide slab-serif with numerous alternatives and decorative elements. In Ribbon styles kerning for black ribbons released as Discretionary Ligatures. Lets do wide!

Gemline is an Art Deco inspired display font featuring Inline and Black weights with 2 fill options for adding colorful effects quickly and easily.

Mayonez is a typeface with rational structure and axis but softened with rounded contours and cupped serifs, getting as result a balance between seriousness and friendliness. The shapes have a soft appearance but without lacking definition. A more fluid structure influenced by calligraphy is proposed for the italic variants, in this case the uppercase letters adopted a simplified semiserif structure that works better with the lowercase letters. Also the figures are very different from the roman version and follow more faithfully the italic style. In an attempt to give Cyrillic lowercase romans a fresh look, symmetrical serifs inherited from the versal tendency are mostly avoided thus getting simpler structures closer to the latin forms. This type is good for commercial and editorial uses like advertising, packaging and pages with showy headlines where a warm touch wants to be given. The character set includes a group of figures and currency symbols with standard height and another suited to match better with lowercase letters. Mayonez was selected to be part of the Communication Arts Typography annual in 2015.

Shabaq is a heavy, ultra black Arabic font. It is suitable for 'Display' and large print use cases, especially billboards and advertisement. It also performs well as a title and header font. Shabaq is a geometrical font based on the charactristics of the traditional Naskh typeface with a perfectly fresh and modern appearance. Shabaq is super-black, dazzles the eyes of the beholder and leaves them deeply influenced. Shabaq supports Arabic, Persian and Kurdish languages.

A pair of scissors and a bunch of papers; that is the foundation of Paper Cuts. It’s available in two different styles, Paper Cuts and Paper Cuts Black. The black version was the first stage in the progress and Paper Cuts is the second one where the negative space appears. Also, you get Paper Cuts Ornaments for free. It dilates your possibilities further. Buy them separately or in a “Nice Price” family set.

Rolling gemstones… The name "Eris" is again borrowed from Greek mythology, is related to the myth "the apples of Hesperides" which were gold and one of them got the Erida!!! More about this myth can be found on the web... And in this font (as in one section in the "Cyceon" font) I have mixed in the lower case with the capitals in many letters.I tried here to give a different illustration in lowercase letters, simply because of whims or because the monotony is tiring me!!! One can also mix here with two levels to get a third color depiction using the “ErisPro-Black” with “ErisPro-Strap” or “ErisPro-BlackIt” with “ErisPro-StrapIt” This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics and supports Latin, Greek and Cyrillic.