6,742 search results (0.03 seconds)
  1. Spider Web Block - Unknown license
  2. MusicalSymbols - Unknown license
  3. 1820 Modern by GLC, $38.00
    This family was inspired mainly (Normal and Italic style ) by a Didot pattern font used in Rennes (France, Britanny) by Cousin-Danelle, printers, for Antiquités historiques et monumentales ‡ visiter de Montfort ‡ Corseul, par Dinan... Saint Malo... etc. an historic guidebook for a journey through a part of (French) Brittany in 1820, and many other books. The present version contains 1820 Modern Normal and Italic, 1820 Modern Large Normal and 1820 Modern Narrow Normal, each style with small caps. This font may be used together with 1906 French News and/or 1906 Titrage.
  4. ThunderBay - Unknown license
  5. Renfrew - Unknown license
  6. Keystroke - Unknown license
  7. Carleton - Unknown license
  8. Cobya by Creativemedialab, $20.00
    Cobya is inspired by the waves and the ocean. Some letter like A,W,V reflects the dynamic and beautiful shape of the waves. Try All Capitals and play with the spacing for a modern and fashionable look. Cobya consists of three widths condensed, normal and expanded. Each width has 9 weights, also a variable format. Cobya has distinctive and unique characteristics, so it is very suitable when used as a branding logo or fashion design concept.
  9. Pulpo by Floodfonts, $49.00
    A friendly and comfortable typeface inspired by Century Schoolbook and Clarendon. Despite the strength and sturdiness of the design, each letter shape carries warmth and an echo of the human hand, concealing some nostalgia. The family is ideally suited for editorial, advertising and packaging as well as web and app design. A massive body combined with low stroke contrast, make it very suitable on screen and for small text sizes on newsprint paper. For more information visit the microsite.
  10. Audebaud by MADType, $39.00
    This wood type revival is a rare specimen, indeed. Audebaud is a charming and bold 19th Century Clarendon of French lineage. With its rounded terminals, and unique proportions; this font will instill a joie de vivre in any design. The design was inspired by the work of Constant Audebaud. Audebaud was an engraver of wooden type that was used for posters and the like. His work appeared in the 1880s in the Deux-Sèvres département of France.
  11. Bringhum by Letterhend, $14.00
    Introducing Bringhum, a bold and nostalgic typeface that captures the essence of the 90s era. Immerse yourself in its retro charm. This font is exceptionally well-suited for a range of applications, particularly for logos and various formal formats such as invitations, labels, magazines, books, greeting stationery, novels, and diverse advertising materials. Features :Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures , Multilingual, & PUA encoded
  12. Dutch Initials - Unknown license
  13. bulkyRefuse Type - Unknown license
  14. Smurfin' - Unknown license
  15. FoxScript - Unknown license
  16. Langó - Unknown license
  17. Bebigel by The Ampersand Forest, $25.00
    Meet Bebigel! (Say "bɛ'-bi-gɛl," with a hard g). Bouncy and fun, but also a strong Clarendon slab serif in four weights, supporting Latin and all Cyrillics. Great for branding, titling, packaging and signage — wherever strong letters with big personality are required. And if you need a little less personality, just turn on Stylistic Set One ("Butch it up!") and find simpler versions of the more ornate letters. Dedicated to the great Robert Love and made with love in The Ampersand Forest.
  18. Pacmania - Unknown license
  19. Gutta Percha by HiH, $8.00
    Gutta Percha is a font for golfers. It takers its name from a hard, resilient natural substance that comes from the sap of trees grown in southeast Asia and which was used for the hard core of golf balls well into the twentieth century, when it was gradually replaced with synthetic material. It therefore seemed an appropriate name for a font using the image of a golfer of the 1920s. The letters are from our font Besley Clarendon, reduced to 70%. That means that Gutta Percha set at 40 points will have the same size letters as Besley Clarendon set at 28 points. However, it should be noted that the two fonts have different baselines. If you use them together you will have to manually adjust the vertical alignment. Gutta Percha is obviously a very specialized font, both because of the subject matter and because the uppercase is designed for use as dropped caps. There may not be many uses for it, but when it is right, it will be really right. Whether you are publishing a book about the history of golf or a clubhouse bulletin, Gutta Percha will surely be noticed.
  20. ResotE by Glukfonts, $7.00
    ResotE-Pastels family was created inspired by the poetry of natural colors: the elegance of Pearls, the freshness of Mint, romanticism of Lavender and Cherry Blossom. Fully vector color Letters allow you to create any size headers, banners or advertising slogans. Because of the predefined pastel colors, of course, fonts work best on darker backgrounds. Automatic contextual alternates and ligatures built into the fonts compensate for whitespace area differences. Normal OTF ResotE (AllCaps) font is included in the package, which allows you to create text in smaller sizes in style of the ResotE family. Technical info to use: The package contains 6 color font variants in OpenTypeSVG TTF format and a normal TTF font in Black White. To be able to use the color files you need to have installed Adobe Photoshop CC2017, Adobe Illustrator CC2018, Mozilla Fire­fox or Microsoft Edge.
  21. 1543HumaneJenson - Personal use only
  22. Izmir by Ahmet Altun, $19.00
    Izmir is a modern, geometric font family. Izmir font family consists of 44 fonts in two widths, normal and narrow where each width consists of regular and italic styles in 11 weights. Each weight is equipped with useful OpenType features. A local ampersand has been added to use in Turkish in normal weights and italics. The combination of normal and narrow weights can be an excellent choice for any graphic design and display use.
  23. TM Paramount - Unknown license
  24. Stenblak by Ascender, $29.99
    Stenblak is a rough, stencil blackletter design created by Terrance Weinzierl. There is just the right amount of grunge and texture to make Stenblak stand out from other formal blackletter designs. Stenblak would be great for any printed Halloween materials as well as posters, flyers and greeting cards. Stenblak is available in OpenType and TrueType font formats and is best used in medium to large headline sizes.
  25. Pokerface by Ascender, $29.99
    Pokerface is an industrious mixed-case display font devised on the theme of playing cards, designed by Jim Ford. Most letterforms in the font have 'four of a kind' while some are only available in pairs. It features Clarendon-style slab serif and grotesque sans serif forms. Furthermore, the letterforms are 'shuffled' to give a random appearance in standard text. It fuses a utilitarian sturdiness with a soft and friendly feel, and adds a bold flare to headlines, logos and posters. Character Set - Latin 1, OpenType extras.
  26. Haunted - 100% free
  27. Neil - Unknown license
  28. Trancet - Unknown license
  29. TM Tail Lights - Unknown license
  30. Halis Grotesque by Ahmet Altun, $19.00
    The Halis Grotesque font family comes in eight weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. The name of the font means “pure, clean.” The Halis Grotesque Font Family has the new Turkish Lira Sign as well as an alternative ampersand created by Prof. Halis Biçer, renowned in Turkey for his expertise in typography, calligraphy, and graphic design. That’s why this font’s name is inscribed with a dedication to the venerable Halis Biçer. The spaces between characters are wide enough to be legible even at very small sizes. With the HALIS GROTESQUE FONT FAMILY, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Halis Grotesque also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile.
  31. DomoAregato - Unknown license
  32. BigRedDAy - Unknown license
  33. Delima by Monotype, $29.99
    The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.
  34. Hyundai - Personal use only
  35. Gr-Memories - Unknown license
  36. Mirenath by Arterfak Project, $13.00
    Introducing Merinath Typeface a rounded vintage monoline. Merinath is clean modern-vintage display font which inspired from old school letterpress and rounded sans serif shapes. This font was created and explored become 3 styles with over 500 glyphs on each font. Also with many features that give you many options in your design project. You can access the open type features by accessing Font Book (Mac) and Character Map (Win) or you can get it in design software like Photoshop, Illustrator, CorelDraw, InDesign etc. Here's what you'll get : - Merinath Normal : Looks good for a headline, editorial, body text, and other formal styles. - Merinath Rounded : With the inky effect, this style is awesome for old school, hipster, vintage, typographic, sign board, logo design and letterpress effect. - Merinath Bold : Suitable for food, kids, logotype and other joyful designs. TTF & OTF format features : - Uppercase - Lowercase - Numbers - Symbols - Ligatures - Stylistic alternates - Contextual alternates - Swashes - Stylistic set 01 - Stylistic set 02 - Multilingual characters : Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish,French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu Thank you for visits and enjoy!
  37. BitchSlap - Unknown license
  38. Fizzo - Unknown license
  39. Kautiva Pro by Sudtipos, $99.00
    Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.
  40. Kautiva by Sudtipos, $35.00
    Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.
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