Morton, another modern grotesque typeface which deliver a extraordinary unique within typeface with the style of condensed let you create more impact with your design. Morton Type Family available in nine weights, the Thin weight deliver you a simple hair line stem until you reach the bold weight, you will get more dynamic with three stem weights which give you a modern, old school look and feel.

Inspired by hand lettering on the 1950s packaging for E-Z Letter stencils, Stencil Merchandise JNL is a bold sans serif stencil, and is available in both regular and oblique versions.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 12 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

blossom lovely is an elegant monoline script font that works just fine. I've always dreamed of designing a font that feels welcoming, Smooth lines, single weight lines and charming variations of blossom lovely achieve the ideal balance of humanity and clarity. This font is perfect for branding and marketing campaigns that call for personality and friendliness. My goal with this font is to create a readable script font that will serve a variety of purposes. This font maintains personality in creating a consistent character set. It has a handmade taste and provides a hint of authenticity; perfect for your upcoming project. Do not miss!

Delizious! A combination of retro, vintage and modern calligraphy styles to find exotic nuances in the characters. Vintage-style swashes, it's simple and still looks elegant. Consistent thickness is a characteristic of retro fonts. The position of letters that look up and down makes them look like they are dancing, a characteristic of modern calligraphy letters that are trending today. Basically this is a simple font, you can see it. Specific OpenType features include Contextual Alternates, Stylistic Alternates, Swashes, Standard Ligatures, also Multilingual accent support. With Opentype features, You can access glyphs very easily. An advantage of Opentype and I like it very much. In Adobe software, You ca turn off your “opentype” feature to accesses random/selected letters. This font support Multilingual Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Hope you all love it. Thank you!

Eco is a personal development of the lettering used in a 1970s logo of a little known company named Ageco. The only letters faithful to the logo's ones are E, C and O.

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Belle Story is a beauty serif family. This hi-contrast display font Consists of 2 styles Display & Regular and each style has 10 weights from thin to black with fine lines and smooth curves to make this font perfect for luxury, classy, high-end branding, logo, and many more. Belle Story also includes a Variable style as well as multilingual support, numbers, and currency symbols, and dozens of alternates.

The newest addition to the Outside the Line collection of picture Doodle fonts... Christmas Doodles. The perfect font for that quickie Christmas party flyer. It includes gifts, gift tags, gingerbread man, gingerbread house, candy canes, hot cocoa, bow, crackers, 2 kinds of trees, poinsettia, jingle bell, ornaments, snowflakes and a star. This font works well with Holiday Doodles and Holiday Doodles Too which have some Christmas icons in them.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

Sans-serif with ornate, swashy capitals, AcornSwash is an elegant decorative face. The differences between the two versions of the font are in letters I, Z, a, e, f g, j, k, and o.

Sign Man JNL is a reworking of Sign Shop JNL, with a lighter font weight and a number of changed characters (including extended horizontal crossbars on the B,E,F,H,K,P and R).

Introducing our latest product Bethany Script! handwritten fonts companion designed to convey elegance and style. Bethany is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic.

From the same page of a vintage German lettering textbook entitled “50 Alphabete fur Technikur und Fachschulen” (loosely translated to “50 Alphabets for Technicians and Specialized Schools”) that inspired Trippy Hippy JNL comes Eleckatrical Banana JNL. It’s another novelty, free form Art Nouveau hand lettered alphabet that works well in recreating 1920s period pieces or for designing a retro-inspired rock and roll concert poster reminiscent of the 1960s. The name of the typeface is from a line in the 1966 pop hit “Mellow Yellow by Donovan (Leitch), and his extended pronunciation of ‘electrical’: “…E-lec-a-tric-cal’ banana is going to be the very next craze…” Caps only Fonts. Eleckatrical Banana JNL is available in both regular and oblique versions.

Sard is a modern and sleek sans-serif font designed for maximum readability and legibility. With its clean and cruise lines, Sard is perfect for any project that requires a professional and sophisticated look. Its minimalistic design is versatile and can be used in a variety of settings, from business documents to branding and marketing materials. Sard is a great choice for designers who want a font that is both contemporary and classic. It includes upright and Italic style, each of them has eight weights from thin to extra bold. Font Includes: Full alphabet with Uppercase and Lowercase A-z Numbers, fractions Punctuation and symbols Alternates for uppercase "C, K" Alternates for lowercase "a, с, e, f, g, k, t, y" Standard ligatures "ff, fi, fi"

The Coast is a Sans Serif type family inspired by enamel signs from the 1920s. The Coast has a large x-height which gives the font a friendly look and guarantees great performance in very small sizes. The Coast family also works great in huge sizes since it has some very special and highly elaborated characters like the small “e” and “g” which distinguishes it from an ordinary Sans Serif. The family includes real small caps, small capital figures, medieval and monospaced lining figures for information in tables. Coast and Coast Wide both come with a variety of special characters, alternates, mathematical symbols and the unusual ligature “rt”. Also on board: the german capital letter “sharp s” = ẞ. That’s about it.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

BECOME Display Font Family It tries to display playful ideas in well-balanced styles. Hello, designers. We always seek new innovations, but run into the world of forms and frames, presently. This font family presupposes pleasant imagination and provocation, but controls the change of various styles so as not to lose a sense of balance. B, E, M and W glyphs started from the same skeleton, but the detailed correction work for interpolation transformation was all applied differently. It is designed to be well suited to any layout while providing a unique stimulus. It can be a great display for all ages, from kids to seniors, and covers publishing, web, app and graphic design areas. OpenType Features Stylistic Sets(ss01) : C,E,G,H,L,N,O,Q,U,Z(Uppercases), a,b,c,d,e,g,i,j,l,,n,o,p,q,u,z(lowercases) Stylistic Sets(ss02) : ↑↗→↘↓↙←↖↔↕ ligatures : fi,fl oldstyle figures tabular figures fractions

Webbies contains a set of 94 web-related dingbats. Use them in your e-shop, personal website, forum or wherever else you please! Webbies is best used at (any multiple of) size 15pt without anti-aliasing.

Piercing is part of a series of typographic experiments from the young Swiss designer Michael Parson. In the Piercing family, which contains three separate weights, Parson has successfully transformed the movements of points and lines into a fabulous display of alphabets. But you can use Piercing as your key to the techno scene: these letters, made up of fine lines terminated by dots, virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. Piercing is one of ten experiments in constructed letter design that Parson has included in the Take Type 5 collection from Linotype GmbH."

Morganhand is a very individual typeface based on the handwriting of Finnish outsider artist Heikki Morgan Hämäläinen. Its economical lines make it very serviceable for numerous uses like cards, notes, prints, comics and so on. Morganhand Outline is based on Morganhand Regular, a handwritten font imitating the writing of Finnish outsider artist Heikki Morgan Hämäläinen. Every drawn line of each glyph is outlined giving a fun expression. The two fonts can be used separately or mixed together. Mightly usable in cards, notes, prints, comics etc. Morganhand Outline supports many European languages. Morganhand supports many European languages. The font works fine with its sister Morganhand Outline which is kind of a modification of it.

Boleo is a typeface designed to work in short texts such as headlines, banners, logos, signs, packaging and posters. It is a display font but has a good legibility thanks to well-proportioned shapes which let it works fine both on paper and screen. Boleo’s shapes remind to ribbons in motion, so that its lines, all curved, can be traced all at once. Boleo displays in three weights: regular, bold and black.

Fanky Bubble is the newest typeface with a bubble graffiti style. There are three styles of font. Regular, line, and extrude styles Inspired by a throwup of graffiti. The entire typography has been designed to work on large sizes. This font is good to use on posters, zines, hero websites, stickers, and t-shirts. Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Alternate & Ligature - multilingual - PUA encoded Please contact us if you have any questions.

Created in 2010 by Olivier Gourvat, Mozziano is an elegant cross between geometric and round shapes. Its post-retro style opposes also fine and thick lines. This font can be used for very short texts however it is particularly effective for headlines in larger point sizes so that its details are emphasized. Mozziano best used in experimental designs. Mozziano contain an extensive character set that includes support for Central and Eastern European languages.