Maldini Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

Hello floral is a modern handdwriting design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Hello floral includes a change in the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters using Adobe Illustrator: Hello floral is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use Character Map to view and copy one of the additional characters to insert into your favorite text editor / application.

This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone quite a ways from the original. It was dark and a bit heavy. But I loved the look and the readability. This came to a head when I started my first book on all-digital printing written from 1994-1995, and published early in 1996. I needed fonts to show the typography I was talking about. At that point oldstyle figures, true small caps, and discretionary ligatures were rare. More than that text fonts for book design had lining OR oldstyle figures, lowercase OR small caps—never both. So, I designed the Diaconia family (using the Greek word for minister). It was fairly rough. I knew very little. I later redesigned and updated Diaconia into Bergsland Pro —released in 2004. It was still rough (though I impressed myself). In 2006, I found myself needing a readable sans serif. So I went to Bergsland Pro, and eliminated the serifs. I named the font Brinar. I kept a flare in place for the serifs and cupped the ends. I was stunned. People loved it. It’s remained my bestseller until very recently. So, at the end of 2016 I decided that Brinar really needed some help. The flares were basically random. The stem width and modulation variances all needed to be fixed. My old OpenType feature code was quite limited and clumsy. So, I created the 6-font Biblia family. I cleaned up or redesigned all the glyphs. I updated the fonts to the 2017 set of features: small caps, small cap figures, oldstyle figures, fractions, lining figures, ligatures and discretionary ligatures. These are fonts designed for book production and work well for text or heads.

An elegant family designed to be legible while saving maximum row space.

A collection of 174 corner deco, geometric, fan, palm and arc designs.

A decorative font design of many borders, ornaments and frame like illustrations.

An innovative font from Oporto Design, Indice is clean, modern and urban.

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

An inline shadowed Clarendon designed in 1973 for VGC by Ernst Volker.

FleurAloha are flowery embellishments Hawaiian style! Your very "Aloha" designer, Gert Wiescher

Fiendstar Shaded has been designed to complement the Fiendstar family of fonts.

Based on the popular VGC typeface designed by Ronald Arnholm in 1972.

Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch.

Apollo13 is a custom decorative typeface for any type of graphic design.

Niju was designed and published by Mikaele Biana. Niju contains 1 style.

Outlined techno font designed on the 1990s. Perfect for true expressive artworks

Rudolfo is based on the calligraphy of Art Nouveau designer Rudolph Koch.

A set of figures designed at ParaType in 1992 by Elvira Slysh.

This font will help the beginner designer create their own wedding invitations.

Contains 21 isometric designs with six variations of each totaling 126 ornaments.

An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.

Fiendstar Cameo has been designed to complement the Fiendstar family of fonts.

Pure romantic and personal with lots of grace and tender designed curves.

A collection of 174 flower designs based on '50s and '60s textiles.

Make your designs stand out with a fresh and clearly crafted handwriting.

Transactive JNL is a simple dot matrix font design from Jeff Levine.