The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

Plantin is a Renaissance Roman as seen through a late–industrial-revolution paradigm. Its forms aim to celebrate fine sixteenth century book typography with the requirements of mechanized typesetting and mass production in mind. How did this anomalous design come about? In 1912 Frank Hinman Pierpont of English Monotype visited the Plantin-Moretus Museum in Antwerp, returning home with “knowledge, hundreds of photographs, and a stack of antique typeset specimens including a few examples of Robert Granjon’s.” Together with Fritz Stelzer of the Monotype Drawing Office, Pierpont took one of these overinked proofs taken from worn type to use as the basis of a new text face for machine composition. Body text set in Plantin produces a dark, rich texture that’s suited to editorial and book work, though it also performs its tasks on screen with ease. Its historical roots lend the message it sets a sense of gravity and authenticity. The family covers four text weights complete with italics, with four condensed headline styles and a caps-only titling cut. Plantin font field guide including best practices, font pairings and alternatives.

The Strapwork is a symbolic font with the ornaments from the 16th century Mannerism era. These type of ornaments are called Strapwork and are combined with the Moreske ornament. Together they create a rich and refine style. As a prototype for this font I took the tables of ornament examples by etcher Balthasar Bos (1554). The font contains high quality vector graphics with a special attention paid to details. This collection consists of many friezes (borders). There are more than ten basic motifs and a great number of combinations. The ribbon elements are easily laid out by typing the combination of letters. The four typefaces help to combine ornaments in various tones and colors. By overlaying plants elements with ribbon elements you can get a multicolor richness and combinations variety. The font comes with a detail documentation and examples in PDF format. The Strapwork ornaments will ideally suit your needs in graphic design, textile industry or various decorations. The Strapwork font can be easily used not only in traditional approach but also in grunge stylistics, which will enrich your compositions.

Ansage does not claim to be neutral; it escapes from the rationalist sans of closed strokes and regular forms. Meaning Announcement in German, Ansage is versatile and communicates effectively across a broad range of media and formats such as branding, posters, websites, apps, titles and compositions with little spacing). Ansage is a sans serif font with a strong personality that emerges from an interest in and the study of a wide variety of typographic specimens of Gothic fonts from the nineteenth century. The design process behind Ansage brought about constant transformations in form; the result is a compact and robust font, with a large x-height, small ascenders and descenders, and open terminals that grow in expressiveness as it increases in weight. It is available in 10 weights, ranging from Hairline to Black, and 3 widths – Condensed, Regular and Expanded – plus italics, which make a total of 60 perfect variables to combine and contrast with each other. In addition, it also includes multiple open-type functions such as alternative styles, Old Style Figures, Tabular Forms, fractions, case sensitive, ligatures and more.

In Axios Pro the rational language of the early XX century geometric sanserifs is complemented with an structure deeply attached to the renaissance typefaces; the uppercase proportions proceed form the roman canon while its lowercase was constructed following the humanist ductus. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Axios Pro is available in variable font format and in 20 different individual styles (10 weights), with a set of more than 1000 glyphs per style, supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures, swashes, borders and many other resources to please your typographic urges. Designed by Rodrigo López Fuentes & Sergio Leiva Whittle

Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. High contrast is the key feature of Bodoni Sans. To maintain this contrast over a wide range of sizes, three optical sizes were drawn: Standard, Display and Text. Contrast adjustments were made for each optical size for optimal performance. The Standard was designed for the mid range of 12 to 60pt, Display for 48pt and above, and Text for 6 to 12pt. Web/Digital use was also considered while developing Bodoni Sans. The fonts were tested as web formats, and examined on a variety of screens, to ensure seamless use in both print and digital applications.

Introducing. Charming smile font. Beautiful and fun with a touch of vintage style. Equipped with various alternative characters add to the added value of this font. Great for t-shirt designs, social media posts, cover designs, stickers and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates & PUA Encoded. Obtained file format: Otf & Ttf. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks :)

Suddenly...it’s the World of Tomorrow! With the push of a button Dynatype automates your typesetting experience. Dynatype is actually Two fonts in One–without switching fonts you can instantly change from Dynatype’s “regular” style to its alternate connecting version with the simple push of a button. For more details download “The Dynatype Manual” from the Gallery Section. What is Dynatype? Dynatype is the upright, slightly more formal cousin of Dynascript. It shares many of the characteristics of it’s slightly older relation, but is drawn entirely from scratch and has it’s own unique character. Dynatype may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. Its design also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this notion, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a font unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynatype’s 677 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynatype one should ALWAYS select the “Standard Ligatures” and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf

Auline is Modern Luxury Serif Font is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. What's Included: Character set A-Z Normal & Italic Style Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in a pretty box". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in full-flowing draperies". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Chatnarong Jingsuphatada is a Thailand based typeface designer of foundry Typesketchbook. In 2014, he has created Orev, a type family that consists of 18 fonts, including 9 weights available as normal and oblique style. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Orev font family supports multiple languages and is available as both webfont and desktop font.

With the intention to create a family of modern calligraphy, Vild Scapes offers different feels in different effects. The Normal option cuts back the imperfections created from freehand writing, while Inkless keeps those details. There’s also the Rust option, which imitates letterpress printing effects. In addition, the family comes in three designs: Brush (big paint brush style), Script (small paint brush style), and Marker (brush tip maker style), offering you more possibilities for creativity.

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

Supra-compressed – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is a versatile OpenType family with lots of different weights.

Armetica is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, with 9 weights, as well as italics totaling 18 fonts. Armetica is a modern elegant typeface that would be perfect for branding, logos, headlines or captions. The font could also work as a stylish text overlay on any background image you like, minimalist and warm while still being versatile enough to use anywhere!

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Port Play ... Based on Density Slab Serif, now with other styles, Normal and Expand, equipped with alternative letters that are so wide that they give a strong, clear, masculine feel, and have good legibility. Port Play comes in regular, oblique, outline, and outline oblique styles along with regular and oblique variable files. This font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.