Vtg Stencil Germany No.101 is modeled after historic stencil plates from Bavaria. The design is a blackletter chancery, a romantic reprise of a style that was common in German writing offices from the 14th to the 16th century. The flourishes stylistically quote the Baroque period. A talented mind, perhaps around 1890, has transformed the textura shapes into a modular stencil system. Many elements are repeated throughout the glyph set - see for example the initial swashes on the letters A, B, U etc. Overall, this decorative blackletter doesn’t look like a stencil design. Maybe it was originally used by a sign painter, and all the typical stencil bridges would have been painted over in the final work. If you’re looking for a decorative blackletter font with a unique touch and a romantic feel, you will love Germany No.101.

Argos, a type face with a strong personality. A rounded serif type family which uses exclusively modern design elements. While it possesses decorative qualities, thanks to its hearty serif weights it can be successfully used as a text type. Argos comes in 6 weights and with its extended character set it permits a wide range of applications. Each font is equipped with ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Argos supports Western European as well as Central and Eastern European languages.

Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated strength renders it excellent for texts, and its clear and distinct details are an advantage in display sizes. Foro comes in 16 styles and in OpenType format. All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows. Foro supports Western European, Central and Eastern European languages.

Musika" is a serene and elegant display typeface that is inspired by the vibe of soft jazz. Serene, elegant, soothing, somewhat sensual and at the same time feels like a warm hug. This typeface is made with the intention to be used in both titles and body text. The bold weight (even the light weight could also be used as a title card) holds really well as a title while the lighter weights (regular and light) can be used in body text. *This font includes letters, numbers, multi-language, and all essential marks needed. * Three (3) weights are currently available. (Light, Regular and Bold)

Kathmandu, the Nepalese capital in the foothills of the Himalayas, is not like any other city. That's why Kathmandu Bold is not like any other font going by the name of a town, either: This font is not as digital as Chicago but not as solid as Aachen. Kathmandu Bold's capital letters are slightly irregular, giving the font its unique character, which is extended and more black than bold. Everyone who has hitherto regarded "naïve" and "cool" as being an oppositional pair should check out this font by Ingo Juergens. For special needs, such as foreign languages, there is a host of special characters.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

A style example found within the pages of a vintage type foundry catalog inspired Case Lot JNL. The design is a classic early 20th Century sans with chamfered corners.

Happy-Go-Lucky is my interpretation of an antique typeface of the nineteenth century. The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

Ransite Medieval is a bold blackletter typeface. Put together and refined by Mans Greback in 2022, this Old-English style lettering is drawn based on studies of multiple historical documents and typographic resources. With black calligraphy strokes, this heavy middle ages typeface is decorative but clean and clear. Ransite Medieval is provided in four styles: Regular, Bold, Italic and Bold Italic Use it for a logotype or in a medieval context where you want a genuine, yet legible, typography. The font is built with OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, it has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.

Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The Farfa fonts were designed for institutional use, commissioned by the City of Fara in Sabina, Italy. This project started from the study of the manuscripts found in the Abbey of Farfa, penned in a variant of the lower case of “Carolingian” typical style of that area. The Capital, ligatures and Small Caps, however, are based on the uncial writing that often appears in those codes and manuscripts. Farfa Abbey is a territorial abbey in northern Lazio, central Italy. It is one of the most famous abbeys of Europe. It belongs to the Benedictine Order and is located about 60 km from Rome, in the commune of Fara Sabina The origin of the Abbey is still unknown. Archaeological discoveries seem to prove that the first monastic establishment was built on the ruins of a pagan temple. The Vandals destroyed the first monastery in the fifth century. Only a few documents from the sixth-century prove the early presence of the monastic community. It had the heritage of Charlemagne (S VIII), the Lombard chiefs, and later the Carolingians, succeeded in withdrawing Farfa from obedience to the Bishops of Rieti, and in securing many immunities and privileges for the monastery. Farfa was at this period the most important monastery in Italy both from the point of view of worldly possession and ecclesiastical dignity.