2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

Milyuna is classic and stylish serif with high contrast. We made two different styles Regular and Italic which is suitable any purpose, such as heading, bussines card, quotes, or invitations. Includes: Milyuna Reguler Milyuna Italic Features Lowercase & Uppercase Numerals & Punctuations Multilingual characters (ÀÁÂÃÄÅÆÇÐĐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽ)

This is Range Sans, the sans-serif counterpart to Range Serif . It can be categorized as a grotesque, with the idiosyncratic angular details from the serif family making themselves known in the arches and bowls of the lower case. The range of weights is larger than Range Serif, with two more weights at the lighter end of the spectrum. The weights from light to black correspond to their seriffed sisters, so can be interchanged with them freely while maintaining a similar text color and vertical metrics. This is useful for adding emphasis; Range Sans is deliberately lacking an italic, but the italics from Range Serif work better than you might expect in running text, particularly for the light and regular weights. Range Sans has a contemporary, somewhat geometric look that lends itself to uses such as corporate identities, minimalist graphic design, and logos. The middle weights do work well in running text, however, with the angled details being less noticeable at small sizes. Designed for demanding typography, supporting most Latin-based languages, Range Sans is equipped with true small caps for all weights, an array of numeral styles (proportional- and tabular- lining and oldstyle figures, small cap figures, numerators, denominators, superscripts and subscripts/scientific inferiors), automatic fractions, a set of useful arrows, case-sensitive forms, and a range of currency symbols including recent additions: Turkish Lira, Indian Rupee and Russian Ruble.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.) Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

Amigo was designed by Arthur Baker in 1989 and consists of a single weight. Its basic forms are based on Venetian old face types, as can be seen for example in the slightly slanted cross stroke of the lower case e. But Baker also gave his figures eccentric contours, for example, a marked stroke contrast which gives the look of having been written with a broad-tipped pen, and the change in stroke is by no means regular in the lower case characters. The heavier upper parts become thinner as they progress downward, in contrast to the tendency of most text typefaces. The eccentricity of the forms give the characters a lively almost comic look and is best highlighted in large point sizes. However, Amigo is also legible in point sizes as small as 10 and well-suited for middle length texts and headlines.

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

Noyh A is altered from the form of the original Noyh to give an addition to the Handmade type. It’s delightful being used alone or in combination with Noyh. You may find it on art publications, in fancy cafes, or even on marriage invitation card. Features include Bistro which has rough edge and the smoother edge Cafe with options of texture to add variations to the type. It also comes with Manuscript and Handdrawn designs that match to them and support caption texts. Element and Handdrawn patterns are available to complement the 17 letters of Noyh A.

Chalk lettering without the mess! Chalky Fingers was designed by a genuine chalkboard artist as his go-to hand-lettering style for custom illustrating menu boards for bars and cafés – now available for all to enjoy as a font. A rough textured font, hand-drawn with real artists’ chalks and perfect for use on restaurant & cafe menu boards, signage, posters, displays, t-shirts, social media quotes, children’s books and food packaging. Chalky Fingers includes loads of swashes and arrows to give extra emphasis to your messages. Numbers, punctuation and multi-language characters are all included. Enjoy getting Chalky Fingers!

Cross Stitch Formal is based on upper case characters 20 stitches tall and contains upper case characters A-Z. All characters are linked by at least one stitch.

Zumbelsburg is an exuberant, calligraphic typeface. The lower-case letters of Zumbelsburg are fairly standard blackletter characters, but the upper-case letters are ornamental, often with large flourishes.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members. Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically. Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper.

Cross Stitch Brazen is based on upper case characters 13 stitches tall and contains the upper case characters A-Z, ampersand, question and exclamation marks, bullet, comma, and period.

MS UI Gothic™ features plain strokes similar to sans serif designs with proportional width Latin characters. It was modified for the display requirement of User Interfaces. This font file is 4.4 MB in size. MS Gothic is a trademark of Microsoft Corporation. MS UIGothic font Character Set: Latin-1, Japanese (Code Page 932)

Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish. To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.

Parlare (italian: to speak) is a modern handwritten signature script with unique organic forms. It benefits from 2 sets of uppercase letters in different sizes, end-of-word swashes, alternates and more than 100 ligatures to mimic a realistic handwriting. As a bonus, there is also 7 underline swooshes included. Parlare is an excellent choice if you are looking for a typeface to use for elegant branding, wedding invitations and stationary, book and album cover designs, packaging, handwritten quotes, unique social media posts, greeting cards, and so much more.

Leopard Varsity Font is designed to mimic the pattern of a leopard’s skin within the letterforms. Its unique characteristic lies in the intricate texture within the letters, resembling the spots or rosettes found on a leopard’s fur. Each letter incorporates these patterns in a way that adds depth and visual interest to the text, creating a bold and distinctive appearance reminiscent of the striking and organic design of a leopard’s coat. This feature makes it an eye-catching choice for projects aiming to evoke a sense of wildness, uniqueness, or adventurous spirit. **Uppercase

While searching online for vintage type inspirations, an image was spotted of an old letterhead for a steel manufacturing company. The hand lettering of the word 'Ludlum' only offered D,L,M and E as visual examples, but from this Jeff Levine has designed Eckhardt Dualine JNL - a Deco-flavored dual-line type font. As with a number of other releases that emulate hand-lettering or sign painting, Jeff has named this font in honor of his good friend, the late Albert Eckhardt, Jr.; who ran Allied Signs in Miami from 1959 until his passing.

Surf and Turf JNL was redrawn from hand-lettering on a souvenir folder for an event believed to be sponsored by Miami Beach's exclusive Surf Club on March 19, 1938. Entitled "Steeplechase Pier March 19 Surf Club Stroller", it's now lost to time whether the event recreated some of the fun and games of Atlantic City's famed Steeplechase Pier at the Surf Club, or if this was a special event trip to the New Jersey venue. It's also highly possible that the Steeplechase Pier referred to in the title was the one at Coney Island.

Step back in time with Antihistory, the ultimate vintage typeface. Unlike other aged fonts that mimic designs from the early 1900s, Antihistory is inspired by typography from the late twentieth century and beyond. With its distressed look and feel, this typeface is perfect for adding an authentic, retro touch to your designs. Whether you’re working on a vintage-inspired logo, poster, or website, Antihistory will transport your audience to a future bygone era. Available in Regular and Italic styles, Antihistory is incredibly versatile. Use the Regular style for bold headlines and eye-catching titles, while the Italic style adds a touch of elegance and sophistication to your designs. Plus, with its unique look and feel, Antihistory is sure to make your work stand out from the crowd. So, why settle for boring, modern fonts when you can add a touch of alternate universe history to your designs with Antihistory? Get your hands on this one-of-a-kind typeface today and start creating stunning gonzo-vintage designs that will leave a lasting impression. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Lazy Boutique is and exciting and beautiful piece of work. It's 100% handmade and slightly irregular in an organic way. I've added X different versions: Regular, Line, Fill and Curl - mix and match to find your favourite kind of look . Use Lazy Boutique for your products that needs a handmade, organic and exciting look!

Hand lettering from the 1958 movie poster for “Vertigo” (designed by Saul Bass) was the inspiration for the digital font Sinister Undertones JNL, which is available in both regular and oblique versions. The quirkiness of this irregular, squared-edge sans – despite its simplicity – perfectly captured the mood and drama of Alfred Hitchcock’s film production.

Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s. Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design. Excellent for parties, retro packaging or any number of uses.