Dourcha Script is a new modern script font with an irregular base line. Handwriting style, trendy and feminine. Dourcha Script looks good on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes beginning and end letters, alternates, ligatures and multiple language support.

British designer Tim Donaldson created the lively typeface Etruscan in 1995. Based on Etruscan letters from ancient Italy, this unusual and condensed sans serif face whimsically mixes soft lowercase characters with more angular capitals. Etruscan brings light and airy classical form into contemporary documents, and a sunny Mediterranean flair and jollity into your projects.

Nurhayati Font is a new modern script calligraphy font with an irregular baseline. Trendy and feminine style. Nurhayati Font Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support

Jamarius Script - This handwritten font is a new modern script with an irregular base line. Trendy and feminine. Jamarius Script looks beautiful in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and more. Perfect for use in ink or watercolors. Including beginning and end letters, alternatives and support for many languages.

Brasserie, the font, is a tribute to all brasseries since they are wonderful places to relax and enjoy food, wine and friends. It is also a salute to Parisian neon sign makers who continue in their difficult quest to adapt type, including script, into fragile, gas-filled, electric glass tubes. I tried to capture the spirit of these neon signs and combined it with the loosely styled handwritten menus written on blackboards that are usually placed outside Brasseries. You will find Brasserie to be very useful in many situations where you need clarity with style in a reasonably compact width. It is also creates an unusually even texture in sentences. Brasserie is a fairly upright script with a large x-height, which helps to save on overall width. Like a brasserie, the font is a relaxed and informal script, useful for logo, packaging, menus, editorial, advertising, invitations, etc and is available for Mac and PC in Opentype, Truetype and Postscript versions. In France, a brasserie is a café doubling as a restaurant with a relaxed setting, which serves single dishes and other meals. It can be expected to have professional service and printed menus (unlike a bistro which may have neither), but has more informal eating hours than a full-fledged restaurant. Typically, a brasserie is open every day of the week and the same menu is served all day. The word 'brasserie' is also French for brewery and, by extension, "the brewing business".

Frescito is a modern sans-serif typeface that embodies a fresh, cool, and street-smart aesthetic. Designed to be both balanced and versatile, its clear and legible monoline style is designed for branding and advertising in editorial and digital design. Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts Inspired by the energetic spirit of the city and its vibration, Mans Greback set out to create a typeface that would stand out against vivid moment; a type that would work in a traditional café just as well as for contemporary merchandise. The result is a font that combines the best of both worlds: an air of freshness and modernity with an unpretentious, timeless and classy appeal. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Liliana is a geometrical typeface, born throughout comprehensive formal studies while testing new ways of displaying certain words and sentences. The essential structure of Liliana is very conservative: It can look similar to other geometrical typographies, however, it has unique features that make this project very special. Liliana is a typeface that will work perfectly while setting short texts, words, and phrases as well. It shall perform greatly even when the paragraph is too short. Thanks to the versatility of its alternate characters, Liliana is perfect to achieve eye-catching texts. The spirit of this typography is focused on its “s” character, which originates from manuscript writings and provides a very special identity. If the text does not contain the letter "s", the intended personality can still be achieved by using alternate characters such as "f", "l", “r” and “L”, which are aligned with the same concept. On top of that, may all this still not be enough, you can furthermore use its ligatures and swashes. It is actually hard not to set a spectacular text with Liliana! Liliana is a typeface optimal for being used in marketing assets, packaging design, magazines, branding, film captions, headlines, editorial, quotes, logos, corporate identity, and motion graphics. The italic version has a 10-degree slant. This feature is intended to convey a gorgeous feeling of tension, power, and agility. It’s very interesting to realize how the dynamism in the italic characters works when compared with the regular ones. The typeface has 9 weights, ranging from “thin” to “heavy”, and two versions: "regular" and "italic". Its 18 files contain 642 characters with ligatures, alternates, and swashes. It supports 219 Latin-based languages, spanning through 212 different countries. Liliana supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

Fibonacci Heap font is a decorative slab serif, inspired typeface in modern performance. This font includes 2 style Reguler and Outline. It is perfect for logos, posters, headlines, apparel and more.

Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal graphic complement to collateral of a natural or environmental character. It is named after a native American word for 'Great Spirit'.

The concept of this letter is a young alligator. Young crocodiles have lean bodies and are agile. It has uncontrollable power, and the angular leather vinyl and teeth feel vivid. This font was created to convey the most compressed energy possible through a collection of compressed squares. Although it doesn't attack, it is quite an aggressive letter.

ITC Temble was designed by Andreu Balius and draws influences from the European mediaeval period of King Arthur. The characters combine the angular qualities of mediaeval metallurgy with a modern tempo and the symbols included in the font exhibit the same stylistic forms. ITC Temble is perfect for work which should have a mediaeval or mystical appearance.

Benderville comes with a solid construction, an ample x-height, an angular edge, and an attitude to match. A sort of rangy slab-serif with a voice all its own -- a voice that seems to holler "Hey! What you lookin' at?" Its sturdy single weight has a complete character set, including ligatures, diacriticals, and other symbols.

A self made bamboo or reed stick nicely cut down to a broad edged nib must have been the tool with which the designer Andrew Weed wrote his letters for the typeface Pine.Its irregular outline is the result of the flowing of the ink. Ideal for a headline or a poster which reflects the personal touch of the tool.

Bettiya is a new modern script font with an irregular base line. It's trendy and feminine. Bettiya Script looks clean and beautiful in a variety of designs such as in invitations, thank you cards, quotes, greeting cards, T-shirt designs, product labels, branding, logos, business cards, and more. Bettiya includes several lowercase alternatives and has multi-lingual support.

A single-weight display font, Steel Grrrder Groove is a constructivist inline stencil design best used in short display settings or as an introductory drop cap to grab attention. The design is sharp, angular and slightly condensed with a striking inline groove giving it an air of chiselled chunkiness. It’s groovy but in a slightly robotic way.

Tumbletype offers two faces with a fun antique look. This is a rough and tumble Roman face with a hand-cast and much-used look, ideal for recreating early printed documents. Use it for headings and feature paragraphs. It's the irregularity of this face which makes it so special-give it a try and join in the fun!

ADD A LITTLE ZIG AND ZAG with Harmonics - a bold and angular font great for short texts and headlines. Create different affects by toggling between lowercase and uppercase letters - use lowercase for top-heavy triangular text, use uppercase for bottom-heavy triangular text, or mix upper & lower for a zig-zag affect. A great addition to any library.

One Ton is a really chunky stencil face that sticks to some strict rules, giving it a distinctively industrial, angular look. It's designed so that the spaces between characters all align in a strong grid. It can bring a ton of personality to signage, branding, editorial and packaging projects where you can afford to be a bit experimental.

This typeface has been influenced by the Melbourne city landscape. One building in particular reflects this typeface, this building is located at 90 Flinders Street, Melbourne, Australia. This font is also influenced by computer age fonts such as Bubbledot and Digital. This typeface aims to be bold, angular, dynamic and original. Its primary function is heading use.

The devil does indeed find work for idle hands. This was designed by Dan X. Solo about with no excuse whatsoever. The name comes from the fact that a circus that we regularly did work for used it in one of their programs, the only time it was ever used as far as we can recall.

Cloudia is a versatile, modern font with an attention-grabbing angularity. It has a thoroughly mechanical, science fiction look; but with slightly unconventional vowel shapes to give it a dynamic edge. Its precisely cut letters need to be displayed as large as possible for maximum impact. Perfect for book titles, magazines, band logos, movie titles, stencils and video games.

Carolinea is a hand lettered script fonts, using brush & ink combines a style brush calligraphy, irregular baseline, a rough edges, bold and organic. Including initial and terminal letters, ornament, ligatures and multiple language support. Can be used for various purposes such as posters, logos, t-shirt, signage, businnes card, magazines, book cover, wedding invitation, greeting cards etc.

This strong angular cousin of RM Hunky offers a bold display face. The distinctive nature of this design will be a welcome addition to any designers collection of useful fonts. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Semper is slightly angular since it is in part based on callygraphic lettering. That is not as evident as in the italic of Jenson Classico. On the contrary, the text looks even and harmonious, which makes the typeface easy to use. The name is Latin meaning always, but you knew that already. Semper was released in 1993.

A modern geometric typeface influenced by the work of Dutch designer Wim Crouwel . The angular nature of the design lends itself strongly towards large display applications but because each character is formed from a consistent grid, stylish body copy can also be achieved. Details include 6 weights, a complete character set, manually edited kerning and Euro symbol.

Arlequin is a high-contrast sans serif decorative font. The most distinguished characteristic of this typeface is its lowercase letters. Their shapes, a high-contrast clash of bold angular fragments with arched thin counterparts, make for a dramatic impact on entire font visual impression. Arlequin is recommended for use as a headline or short-text font.

Born in the lab as a research experiment, Reboot is great for that certain 70’s sci-fi need. It’s filled with the angular curves of the technology of yore, with full diacriticals for Eastern European Cold War era galactic display copy. It’s the first font of a series of research experiments, varying from rectilinear to ovoid.

On the Ground is a picture font made from drawings of found objects. These object were found on the ground while walking around different cities in the United States. The font uses varying drawing styles (from detailed to pictographic) but they all have a similar irregularity, unifying the characters. Perfect for animations, signs, greeting cards, posters, etc.

Stay Gladin Script Font Trio is a new modern script font with an irregular baseline. Stylish and feminine. Stay Gladin Script looks beautiful in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolor. Includes start and end letters, alternatives and support for many languages. Thanks You.