Hey there! Are you on the hunt for a new typeface that’s cool and laid-back? Well, look no further because Soap is here to sweep you off your feet! This typeface is the epitome of chill, taking the classic Cooper Black and smoothing it out even more. Soap’s unicase letterforms are so soft and inviting, you’ll feel like you’re sinking into a warm bath. And let’s talk about the spacing—it’s so tight you could bounce a quarter off of it. And here’s the best part: Soap is versatile enough to use for both headlines and body copy. That’s right, this typeface can do it all! Plus, with an alternate lowercase-style T available in OpenType adept applications, you’ll have even more creative freedom. But wait, there’s more! Soap comes in not just one, but three unique styles: Clean, Soap Stamp, and Soap Spraypaint. The latter two are perfect for adding a touch of grime and edginess to your designs, with straggly letter variations that prevent any boring repetition. So if you want to add some laid-back coolness to your next project, give Soap a try. It’s the perfect blend of classic and contemporary, and it’s sure to make a splash! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Lettering has an unusual way of adapting itself to many needs. The type style for Sporting Chance JNL was based on metal house identification letters used for Welcome Home JNL. The same type of block design was prevalent in 1920s-1930s era window signage via die-cut foil characters. Yet we tend to nowadays associate block lettering with sports-themed items. No matter the application, Sporting Chance JNL will fill the bill.

An attempt to go back towards the beauty of fine book printing, inspired in Britain's literary classics. Athelas takes full advantage of the typographic silence, that white space in the margins, between the columns, the lines, the words, the lettershapes and finally, within the characters themselves. It is also intended to take advantage of the great advances and technical developments made in offset printing. Athelas shows its best side in finely crafted book editions and good printing conditions. Athelas has a large character set that covers most of the languages that use the Latin script. Although inspired in British literature, this typeface respects the cultural values behind different languages, where diacritic marks have an utterly important role. Athelas features four weights and about 800 characters per weight, including small caps, discretionary ligatures, fractions, a complete range of numerals for every use and a set of ornaments and arrows.

Rosa Love is a laid back and legible handwritten font. Dedicated with love to my daughter, Rosa!

Gothic Ritual is inspired by well known franchise Diablo that made its initial release back in 1996.

Add a touch of class and bring back the elegance of the 1930s with Regal Suite JNL.

HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Easy Game is my laid back, easy to read, fun to watch comic and all-purpose font!

Record Store Stencil is based on classic stencil lettering from the first half of the 20th century. The font features Upper and lowercase, small caps, in upright, italic, and backslant. The font's multipart letterforms are ideal for color application. Available are two color variations, Black with Red accents and Blue with Red accents, with cycling activated through contextual alternates.

Rock Face was inspired by a crude but effective home made sign I came across advertising a garage sale. The lettering was created using sticky black insulation tape which, like a child's drawing, had a certain naive charm. The type design presented here is obviously more considered, but I like to think it has the same raw dynamism.

Sidiqie is a modern sans serif with a monoline and minimalist style. With smooth, neat lines, and with just a hint of contrast, Sidiqie works beautifully for logos, branding, and web titles. See examples for some examples of how you can use them. Includes Sidiqie Light Sidiqie Reguler Sidiqie Bold Sidiqie Black Support for western languages

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

Gestura is a Connecting script font that has an angled terminal upturned tail at the end of the ascender, and a flat terminal at the end of each letter, giving a bold impression in a script font. Gestura consists of 14 styles from Light to Black with each matching italics, 2 Variable Font; Upright and Oblique.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

The family comes in five weights from Thin to Black, all with true italics; and a variable file in weight and slant. Concasse is multi-purpose and reads well in body copy, the open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Mymra fonts – an upgraded version of Mymra Forte and Mymra Mono (2009), with a careful re-dress of glyph shapes, and the extension of glyph amounts – which enables support of more Latin languages. One more weight – Black – has been added to the original three of Mymra Forte fonts. Fonts are intended for use in a vast variety of publications.

Sunbird is a happy, rounded, cartoonish font family. It comes in three weights: regular, medium and black - each with its very own Italic style. Sunbird is quite versatile: it looks good as a display font, but setting a (short) text in it could work as well. Its versatility makes Sunbird an ideal font for product packaging and posters.

Bonega is a display font inspired by classic typography on ancient stone inscriptions. Consist of 4 weight (light, regular, bold, black) with each matching italics. With sharp and manly characteristics, Bonega family is suitable for powerful headlines, logotypes, beautiful signs, posters and more. Contains more than 400 glyphs including stylistic sets that make your typographic design more attractive.

Hierra is a reinterpretation or redraw letter design of a font that appears in the collection of fonts of Dan X. Solo. Strong German flavor this is a letter of rough edges and a special blackness that recalls ancient typefaces Art & Crafts. Hierra is also presented in the Rough version which increases their antique woodtype appearance.

Coop Blackletter's core concept was to create a more friendly blackletter typeface by pulling together two very different sources of inspiration. The design is a synthesis of the rounded, affable features and heavier weight of Cooper Black with the underlying composition and calligraphic contrast of a Fraktur. It's kinda chunky, soft around the edges, and not entirely unreadable.

Bovino is a display serif font family. It was formed in a strong and sharp characters. The moderate x height and high contrast strokes make it attractive for titles and large size usage. Bovino contain more than 400 glyphs which covered broad latin languages, its consist of 9 styles from thin to black with each matching italics.

FRUTTA (Fruit) is a new typeface made with the ever expanding food industry in mind. But don’t let that deter you from using our font on the cover of the forthcoming cd of the Black Keys or Beady Eye or Damon Albarn or Paul Weller or Daft Punk or Whatever... Concept/Art Direction/Design: André Toet © 2017

The prolific hand lettering of Samuel Welo is showcased in his “Studio Handbook for Artists and Advertisers” (published in both 1927 and 1960). A thick and thin Art Deco design in the 1960 edition – somewhat reminiscent of Futura Black (but with significant differences) is now available as Sign Work Deco JNL in both regular and oblique versions.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Braggadocio is a very black typeface. Braggadocio is a strange hybrid with characteristics of both sans serif and modern faces; and it belongs very much to its time. Like high society in the 1920's, it should not be taken too seriously. Use the Braggadocio font for display lines in advertising, magazines and light hearted communications.

I often experiment with different shadow techniques. One day I accidentally scaled, instead of repositioning, some black text behind the white copy on top and noticed something very different and interesting happen. It was an intriguing effect. It took some clever handiwork to make it work properly across the entire alphabet. And behold, Eclipse was born.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

The type family “Curlaight” has whimsical curly shapes but has some level of uniformity with straight lines and angles. These modern retro feel fonts look great for children’s books, posters, book covers, packaging labels, or even logos like TV and movie titles. Seven weights - thin, light, regular, medium, semibold, bold, and black - are available for your creative projects.

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Corvone is a heavy bullnosed display family, inspired by the post war era's ideas of modernity. Two faces are offered, plain—a solid black face, and regular—which employs a three-dimensional pipeline effect to add real emphasis. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.

Breathless was inspired by movie posters of the Nouvelle Vague era when Jean Seberg and Jean-Paul Belmondo were young and films where in black and white. So I named this very spiky affair after that phantastic movie of my youth A bout des souffle or like it was called in English, Breathless. -Your breathless type designer, Gert Wiescher

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.