Boink Dropshadow is a variation on my ITC Boink font. This is a great font for headlines & fun to design with.

Jacaranda JNL is a casual and fun font—resembling lettering made with the broad side of a chisel-tipped marker. Perfect for anything that is relaxed and not-too-serious, it is flexible and versatile for many ad projects.

Flatpen is a font that was written with a pen we used to call "Redis-Pen". It had a flat, round tip that enabled you to write letters, with the same width of stroke.

ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.

CrappyJoe got its name because I wrote all characters with a felt-pen with a broken tip. It's still very readable though.

To design a font Blezja, I was inspired by an old metal tin from 1907 from Potsdam, which was used to store earplugs. From a few letters I created whole typeface - lower and uppercase characters.

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.