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  1. Transatlantic Cruise by Roland Hüse Design, $13.00
    Transatlantic Cruise is an elegant outline script, would look best on Menu headlines, Invitations, Logos and Postcards (especially sent from cruise ships! :) It contains basic latin western and central european language extensions and accents.
  2. Molenilo by Nurrontype, $15.00
    Molen is a reverse contrast display font with unique characteristic. It would make your project different than any others. Each glyphs was create to make a harmony. It's gonna be enlighten your work, definitely.
  3. Club - Personal use only
  4. Outlaw - Personal use only
  5. ALCATRAZ - Personal use only
  6. Teatral - Personal use only
  7. HeummSwifthongcha142 - Unknown license
  8. Shanghai - Unknown license
  9. KG Lego House - Personal use only
  10. Staubach - 100% free
  11. 84 Rock! - Personal use only
  12. Digital tech - Personal use only
  13. Cher Font - Unknown license
  14. Regency Gothic - Unknown license
  15. Old Town - Personal use only
  16. GarbageG - Unknown license
  17. Espresso - Unknown license
  18. PlasterCaster - Unknown license
  19. GASMASK - Personal use only
  20. Drebiek - Unknown license
  21. Big Top - Unknown license
  22. Kings of Pacifica - Personal use only
  23. VTCSuperMarketSaleTallTilt - Unknown license
  24. SF Piezolectric Inline - Unknown license
  25. Ebola - Unknown license
  26. Tattoo - Unknown license
  27. Avain - Personal use only
  28. Wonton - Unknown license
  29. Riquoth - Unknown license
  30. Alpha Dance - Unknown license
  31. Nudista by Suitcase Type Foundry, $39.00
    Nudista is a monolinear, geometric sans-serif based on the proportions of the Purista typeface, released in 2007. The forms are not based strictly on square shape, but rather on a pleasant oval, round shape. The letter outlines are smooth, even technicist, the geometric precision is however compensated in places where it would get in the way of legibility and compromise the desired visual impact. Nudista was originally conceived as a display type, but it is sufficiently legible even in text sizes. Thus, it suits short texts in corporate prints. Carefully chiselled letter curves are sturdy and well suited for the harsh conditions of low-resolution printing devices, they work well on computer screens and mobile phone displays. However, Nudista works best in corporate systems, navigation and orientation systems, where it may be, also thanks to the sufficient range of weights, a good alternative to the well-known and thus a little overused DIN. Naked typeface with no needless decorations humbly serves in all places where too expressive types could be disturbing.
  32. Yes Dear by HiH, $8.00
    Yes Dear is a hopefully humorous acknowledgement that men and women communicate differently — one of those Mars-Venus things. Women tend to talk about their feelings. Men hide in the cave. It sounds funny, but it can have serious consequences in people’s lives and their relationships. T. D. Jakes deals with the subject effectively in his DVD, He-Motions. We guys need to find our way out of the cave. Our women need to recognize what is going on and gently help us emerge from the cave. Men and women were certainly never meant to be identical, but it would be useful if we could learn to communicate our feelings in more healthy and effective ways. Yes Dear has a full character set, including accented caps. Two empty frames are provided at positions 135 & 137. The Gallery includes a PDF file showing some text and the full character set and a JPG looking out from the cave. A lot going on outside the cave. Be sure and take a look.
  33. Cypher by Typeco, $29.00
    Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words. This font family was first inspired by an experiment to try to make a legible upper and lower alphabet with the smallest grid possible that would still describe the letterforms. The original conclusion was that it could be done in a 3x6 grid. This made a fun design exercise, but it makes a lousy font. The grid was expanded a bit for aesthetic reasons to a 3x8 grid, But not restricted so severely and so occasionally goes wider than 3 for the certain letterforms. From this a whole family of widths and weights was born, and rather than simply obliquing for italics, a true italic of sorts was created. Cypher is a versatile family of 24 fonts – 4 widths, each with 3 weights and their accompanying italics.
  34. Brody by Linotype, $40.99
    Not to be confused with the prolific, 1980s British super-star graphic and type designer Neville Brody, this brush script typeface was designed in 1953 by the American type designer Harold Broderson. Broderson worked for ATF (the American Type Founders), who were the original publishers of this design. Body is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brody. If you need the original version with more lettered characters then Brophy Script is a good alternate,
  35. Mosquito by Monotype, $29.99
    Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime. Mosquito represented a sort of recreation," says de Berranger. "When I grew tired of working on one design I could work on the other and then come back to the first, full of courage and desire!" Mosquito is built from simple, straightforward shapes, but its distinctive stroke terminals and slight oblique weight stress distinguish the design from more conventional sans serif faces. The relatively large x-height and open counters add to the legibility of the design. The capitals are straightforward (with just a hint of Peignot), while the lowercase has a softer, more inviting demeanor. "I drew Mosquito with the hope that it would be pleasant to look at and to read," says de Berranger. "I think the end result is almost feminine." Mosquito comes in three weights, with complementary italic designs and a suite of small caps, old style figures and alternate characters."
  36. Cougher by Context, $10.00
    A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
  37. KG Always A Good Time by Kimberly Geswein, $5.00
    Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.
  38. Safety Goggles by Ali Hamidi, $10.00
    Safety Goggles is a bold, strong, masculine display font. This font is perfect for SVG design, sticker, home decoration, quotes, headings, blogs, logos, invitations and more!
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