Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​

Bozon™ is a modern, minimalist geometric grotesk typeface. Letter shapes are crafted with the highest care for proportions and legibility. This clean, sharp sans serif is a great choice for all kinds of modern projects including branding, logo design and display use. Bozon™ family consists of 10 weights with corresponding italic styles, that give total of 20 styles. Italic styles were hand drawn to get sharp and fine letter shapes. The family has extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular, circled and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Gilway is a playful, rounded display with tons of personality. This versatile typeface is inspired by the earliest examples of rounded types from the 19th century, such as Caslon Rounded (1836) and Schmale Runde Grotesk (1885). Gilway has a distinctive hand-lettered feel because of its subtle variances, which make it powerful and impactful yet incredibly friendly. Layered options allow you to combine the various styles, and a unique Opentype feature makes your letters dance! To take full advantage of Gilway's features, please download this one-sheet pdf file. Please take a look at this video demo to see Gilway family in action ! Gilway’s design is suited for a wide range of uses, including headlines, displays, packaging and logotypes.

The Applied Sans™ family is a reinterpretation of the first sans serif typefaces used in what was then called, “jobbing or trade” work – typefaces like Venus and Ideal Grotesk. While built on the foundation of these late 19th and early 20th century designs, Applied Sans adds to it all the required features for modern typographic communication. The design benefits from a large x-height, open counters, generous apertures and a subtle modulation in stroke weight. These ensure character legibility and make for a design that is inviting and easy to read. Applied Sans family’s wide range, precise gradation of weights and extensive language support guarantees the design’s effectiveness in a wide and varied range of uses.

Promea is a Grotesk font meticulously designed with precise engineering in mind. Its amount of kerning, support for tabular/proportional figures, small caps, slashed zero, and fractions will make sure it performs well in all types of environments. Even the auto-centering colon among numbers will make your typography shine! The stylistic inktraps combined with low x-height and high contrast will surely bring you the sharpest typographic experience ever. The font is perfect for text environments like magazines, but it excels at displaying its full range of characteristics. Features: Smallcaps Tabular & proportional figures Small figures & fractions Slashed zero Double/single-story a & g Colon auto-centering vertically among figures (e.g. 10:00)

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.

Geometra is a new font family from Swedish type designer Bo Berndal and the T4 font foundry. Somewhere between a slab serif and a sans it has a crisp, geometric feel and is both 20’s retro and modern. Its soft curves and openness makes it very readable in smaller print. The powerful serifs give the font lots of character in larger sizes. Geometra comes in three weights, regular, semibold and bold.

Introducing, new font, Billy Magie - a stylish stencil serif with ligatures and alternates! Billy Magie is a stylish and bold stencil serif with a bunch of ligatures and alternates that will make your presentation looks amazing and sophisticated! This font will make your project looks more clean and modern. You can use this font for logo, poster, event, or your social media post. Billy Magie also support Multi Language. and already PUA Encoded!

Big Band JNL is a classic Art Deco typeface in every sense of the word. Large, bold and innovative in its sectional construction, the font is based on a lettering example found in a 1941 Speedball® Lettering Pen instruction book. The basic alphabet was used for the model, with a new set of numbers and additional characters created by Jeff Levine in order to make this font fully functional in today’s digital designs.

Opulence is a font designed to show the world you mean business. Inspired by Times New Roman, this contemporary serif typeface is perfect for business cards, logos, presentations and web. Crafted to promote a modern, clean and elegant solution for your projects. Not only is it a solid, bold choice for a title, it also shows its strength a subtitling and body text. Opulence contains 187 beautiful characters with latin and western language support.

Hi, introducing an Amber Taste Pro font. It's a vintage typeface with classic shape. Seven weights variations from thin to bold is available. Actually this font set is a remastered version of my best selling font Amber Taste with lots of improvements. Pro version has much more characters, including multilingual west european support. All the contours was cleaned up and several glyphs has a new more organic shape. Thank you and have a nice day!

BAR SADY is a revival of a typeface based on famous lettering from "BAR SADY". The project was implemented as part of the Warsaw Participatory Budget 2023. Mateusz Machalski & Małgorzata Bartosik were responsible for the new digital version of the typeface. In the first phase, the original lettering was lifted, then extended to a full set of characters (A-Z). Finally, the bold style was created. The whole family is available under a free license.

DeLumary is a new unique and funny display font. This font adopts a bold, cute, firm, and trendy style. Very suitable to meet your various design needs that are trending now. With a style like this, this font will be suitable in use for comics, logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Introducing the majestic "Kingstone Serif Fonts," a typeface that exudes power, elegance, and timeless appeal. With its commanding presence and exquisite details, this font is designed to make a bold statement in your designs. Let the "Kingstone Serif Fonts" reign over your projects and elevate them to new heights of sophistication. Its sturdy serifs and balanced letterforms exude a sense of authority, making it ideal for prestigious branding, editorial designs, and luxury packaging.

Aqualita is bold and italic script font, with flexible character, and the top of each glyph slightly sloping. Font features: - Standard ligatures - Stylistic Alternates - Stylistic sets Font file included: Aqualita OTF Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Skyfire is a Sans Serif font inspired by digital interfaces, spaceships, and galaxies, embodying cosmic adventure and progress. Its sleek design is perfect for branding and tech projects, promising a future full of possibilities. Ideal for space-related work, it immerses viewers in a universe of wonders. With Skyfire, each stroke is a cosmic journey, merging imagination with design. A guiding light for bold projects, it leads to new horizons and innovates in typography.

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

Say hello to the new modern blackletter font, SMORENS Smorens is a unique modern blackletter font. With an elegant modern style, it adds a bold touch to your projects and will inspire you to create something unique and modern. Besides that, this font is also equipped with alternative characters, ligatures and multi-language support. Smorens is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel designs, and album covers.

Knightsbridge is a robust, bold italic, which Alan Meeks designed in 1975. This typeface appears to be a wholly new interpretation of the alphabet, free from specific typographical/historical references. This courageous assertiveness extends into the very design of the letterforms, making them feel secure and assured on the page. Knightsbridge is the perfect typeface for newsletter and magazine headlines, and it may be used for various advertising typesetting purposes as well.

Shintia Script is highly legible script typeface. It is a bold, classic and fun Vintage Script font with almost 247 glyphs and opentype features with stylistic alternates. It can be used for various purposes such as posters, t-shirts, signage, logos, news, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Brasty Vintage by Holyline is a Retro serif typeface with reguler and oblique style . It's very unique, fancy, bold and with 50+ alternates that you can combine to get perfect and beautiful shapes easily to use. Brasty Vintage perfect for headline, custom logo,packaging, wedding designs, invitations, watermark,social media posts, label, anything for your creativity and Brasty Vintage is perfect typeface if you want something new with your project. Happy creating!

Presenting Cenios: An expanded sans-serif font that ushers in a new era of design. With its generously spaced letterforms and contemporary charm, Cenios injects a fresh modernity into your projects. Embrace the broadened possibilities with Cenios' expansive style, perfect for making bold statements and maximizing visual impact. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy.

The Quickstep Bold, a 'quick' font, originally made for the 25th anniversary of SSP Printing Co. in Amsterdam. First used for an intro spread of a Brian Eno quote in Wired Magazine (#3.05, May 1995): "The problem with computers is that they don't have enough Africa in them. What's pissing me off is that they use so little of my body". For a less outspoken expression, the Quickstep Sans was developed later.

Konichiwa! Introducing our brand new font "The Last Shuriken" a Japanese-style typeface. Inspired by modern Japanese food branding and anime title. Designed in a bold stroke, this font is an all-caps font that has the same cap height and different shapes. The Last Shuriken is perfect for display, especially for Japanese food, title, logo, poster, short quote, movie, games, apparel. Complete with stylistic alternates and PUA Encoded with multilingual support! Thank you. Ramz.

Hello friends! The 'Wolfie' font family is coming; a dynamic and new vintage feel. It's perfect for branding, logo, packaging, header, title, etc. Wolfie is great if you pair it with an 80s illustration, it will make the design even more dope. Wolfie are available in 3 Widths (Condensed - Ultra Condensed - Normal) with matches 5 weights (Light - Semi Light - Regular - SemiBold - Bold) total 30 fonts and support for 75+ language. Happy creating :)

Articulat® CF is a streamlined, updated take on midcentury type design. Strong, sharp, and well-spoken, Articulat was built from scratch to be bold, clean, and clear. Articulat® CF pairs well with itself, as it has many weights to choose from. It also works well with fonts that contrast strongly, such as Wayfinder® CF and Olivette CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.