Adi Stern’s Noam Text shows that typographic progress is often in the small things — in the perfecting of familiar traditions and in staying loyal to the spirit of what came before. It can’t really be called progress unless it honours its history. In this way, TypeTogether is happy to introduce Noam Text: A Hebrew and Latin serif font that builds on its heritage with the twin tools of honour and progress. Since 1908, the Frank-Rühl fonts have dominated the Hebrew book and newspaper market. Noam Text’s design goal was to create a coherent family with both Latin and Hebrew serif text typefaces, each authentic to its own script, and which would serve as an alternative to last century’s predecessor. In short order, users will recognise Noam Text as a source of progress in its bilingual abilities. Hebrew and Latin have opposite reading directions, creating many issues: opposing directionality of the open counters; vertical stress in Latin, but horizontal in Hebrew; fewer extenders in Hebrew; and no Hebrew capital letters. All these have been taken into account in Noam Text’s modern design. Of unique importance — all punctuation marks have a Hebrew version, which makes each script complete and uncompromising. Among other technologically advanced details, Noam Text was programmed for all expected scenarios of mixing Hebrew, Latin, figures, and punctuation. Noam Text is intended mostly for setting long texts, so it strives to achieve maximum legibility in minimum space with its large x-height, short and fairly condensed Latin capitals, large and open counters, and low contrast. Originally derived from the Hebrew, the shallow horizontal curves and strong baseline serifs provide dynamism and enhance the reading flow. Noam Text Latin’s italic is rounded and reading friendly, is condensed to generate a lighter texture than the roman, and has a flowing stance. These virtues help it endure harsh printing conditions and subpar inks and paper. Noam Text’s three total weights provide a proper solution for integrating texts in both scripts, as well as a contemporary alternative for use in books, newspapers, and magazine design. Aligned with TypeTogether’s commitment to produce high-quality type for the global market, the complete Noam Text family displays an impressive amount of discretion, applying to wide use-cases by not edging too close to religious motifs or imbibing in secular indulgence. This means Noam Text can be the go-to family across the board and capitalise on the desire for clear typographic progress in this modern age.

Imagine being printer in the early nineteenth century, your stock isn’t the finest, your lead characters are worn out: Voilá Kandidat Rough. But wait, Kandidat isn’t the usual scan-an-old-book,-put-the-glyphs-in-a-font-and-you’re-done-font. Kandidat Rough has a variety of whopping 14 alternates for most characters. Our algorithm changes the letters automatically. All you have to do is turn on Contextual Alternates in your layout app. The algorithm is the best we’ve seen so far, and it’s so good that even same words appear in different forms. And should by coincidence words have the same glyphs, just assign a different Style Set to the first letter, and all other letters in the word will change as well (well, it depends a bit on your software). The mechanism isn’t perfect and maybe we stretched OpenType capabilities a bit over the top, but we yet haven’t seen any better routine for switching letters on the fly. Is it worth to mention that Kandidat Rough not only speaks English, but also German, French, Spanish, Dutch, Danish, Norwegian, Swedish, Croatian, Turkish and most likely some other languages? Maybe. To be sure whether your language is supported, this is the typeset of all letters: ABCDEFGHIJKLMNOPQRSTUVWXYZÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝĆČĐĞ݌ފŸŽ abcdefghijklmnopqrstuvwxyzàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿćčđğıœşšž Apart from that we also included the following punctuation and currency symbols: !"#$%&'()*+,-./:;?@[\]_{|}¡©«®°±¶·»¿×–—‘’‚“”„†•…‹›⁄≠☞ €¢$£¥ This sums up to nearly 3000 glyphs per font, and we have three of them: Regular, Italic and Bold. All neatly kerned. All in all a great repertoire for even the most demanding book or advert jobs with a look of old times. And now imagine you are sick of the rugged print experience Kandidat Rough delivers: go for Kandidat. This is our Scotch-ish ancestor the Rough version was made from. A sturdy, friendly, round, warm friend from the beginning of the nineteenth century. A bit dark, maybe. You will like it. Kandidat has the aforementioned type set plus complete Baltics, Eastern Europe and Cyrillic. Plus a couple of gimmicks like fleurons, stars, circled numbers, arrows, and, and, and… Kandidat Regular additionally has small caps for Latin based scripts (not Cyrillic). The spick and span Kandidat font set also consists of Regular, Italic and Bold cuts. The bold cut is on the very bold side and can nicely be used for headings, whereas Italic is a great companion for Regular. It took us some time and trouble to finish this project, but after all we are very proud of our little feat and hope you will enjoy Kandidat as much as we do. Enjoy!

My first font for 2009 was Aerle. It is a new dark sans serif font in my continuing objective of designing book fonts that I can really use. It made a little ripple in the industry, but more than that I found that I loved it with Aramus and Artimas — my latest book font family with the same proportions. In many ways, Aerle is a very different direction for me built on what I have learned on Aramus and other recent developments in my style. The concept came to me while using Bitstream's Mister Earl on a site online—though there is no direct reference. I wanted a more playful heavy sans with a much smaller x-height than I have been using lately, plus taller ascenders. As I was using Aerle, I constantly needed a light and bold version. The new direction I am taking is a result of a decision that my fonts, though I loved the character shapes, produced an even type color that is too dark or a little dense. Aerle was an attempt to get away from that look even though the letterspacing is quite tight. For Aerle Thin I pushed a little further in that direction and increased the letterspacing. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. This gives a little looseness and helps the lightness in feel I am looking for. It will be interesting to see where this all goes. Most new type around the world is far too perfect for my taste. While the shapes are exquisite, the feel is not human but digital mechanical. I find myself wanting to draw fonts that feel human — as if a person crafted them. In most ways this is a normal font for me in that it has caps, lowercase, small caps with the appropriate figures for each case. These small caps were very small (x-height as is proper). So Aerle's small caps are a little oversize because they plugged up too bad at x-height size. The bold is halfway between. These size variations seem important and work well in the text. This font has all the OpenType features in the set for 2009. There are several ligatures for your fun and enjoyment: bb gg sh sp st ch ck ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, & small caps; proportional lining figures, proportional oldstyle figures, & small cap figures; plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than fifty years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova. Hermann Zapf and Japanese type designer, Akira Kobayashi, collaborated on the project, which included re-working of the existing weights and the addition of several new weights: small caps, old style figures, light, heavy, and condensed. The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima nova has a complete range of beautifully designed real italics; the new italic forms, of the e, f and g are especially notable. The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage. Optima Nova® font field guide including best practices, font pairings and alternatives.

Akira Rosty is a very unique handwriting, the shape is modern but pleasing to the eye and the style is very natural. This modern calligraphy font includes a modern Love font which can be varied with the Normal font, This font is designed to have the potential to take your every creative idea to the highest level! These designs are used for branding, web and editorial design, print, crafts, quotes, It's great for logos, wedding invitations, romantic cards, labels, packaging, name spelling and more. Akira Rosty includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative,you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Akira Rosty is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Cataline Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. Cataline Script including alternate glyph and beautiful swirl in a font including stylistic sets, Ligatures etc. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). by using Windows Character Map with Adobe Photoshop (PS) https://www.youtube.com/watch?v=BScPsiubM1k by using Adobe Illustrator (AI) https://www.youtube.com/watch?v=y5XTaWYwWA4 How to access all alternative characters: http://youtu.be/iptSFA7feQ0nn http://cuttingforbusiness.com/2016/01/28/how-to-use-opentype-fonts-in-silhouette-studio-or-cricut- design-space/ https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by Gmail: Cooldesignlab@gmail.com. Thanks and happy designing :-)

Sparrowhawk Script is retro signage font, bold and clean. There are so many variations on each character. Include Opentype stylistic alternates. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, headlines, branding, packaging, etc. Sparrowhawk Script features 460+ glyphs and alternate characters. including initial and terminal letters, alternates, ornament, swash, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0 Sparrowhawk Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or advice, please contact me by e-mail "maximal.fonts@gmail.com"

Flece Display - Modern Sans Font is a versatile font that offers the perfect blend of modern style and elegance. It features two distinct styles: calligraphy and sans serif, providing a unique combination that is both luxurious and contemporary. This font is well-suited for various design projects, including logos, titles, book covers, headlines, magazines, products, invitations, and weddings, where a touch of sophistication and visual impact is desired. In addition to its stunning aesthetic, Flece Display also offers a range of features and a comprehensive font package. The font includes both calligraphy and sans serif styles, allowing you to switch seamlessly between the two to achieve the desired look for your design. It provides an extensive collection of characters and glyphs, ensuring versatility and creative possibilities. With its modern and elegant style, Flece Display - Modern Sans Font is the ideal choice for creating impactful and visually stunning designs. Whether you're designing a logo for a high-end brand, crafting attention-grabbing titles, or creating sophisticated invitations, this font will elevate your design projects with its luxurious and contemporary aesthetic. With its versatile features and comprehensive font package, Flece Display offers both convenience and creative flexibility, making it a valuable asset for designers.

I am very happy to finally release Chellora Typeface. Chellora is a bevelled, layered font which gives simple effects to letters. The effect allows it to be plated, giving it a smoother and smoother appearance. Chellora comes with 3 different styles: Regular, Shadow, Filled Outline, Chellora is a bold Sans that is perfect for Logos, Signage, Apparel, Headlines, Etc. This typeface is a great addition to any collection because it saves time with post-production effects, this allows you to easily measure effects. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Chellora Typeface is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Euroscript Pro is the handwriting of Ralph M. Unger, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and produce his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger's joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Th�ringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Euroscript Pro is a very beautiful, casual, informal and modern handwriting of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants.Euroscript Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc.Euroscript Pro is supplied in the complete Latin character set (West + East) plus Cyrillic.

Sedona is a quirky, all capitals, display font that evokes the American West, Native Americana, vacations, travel, campgrounds, rustic lodges, needle point, Christmas, holidays, Arts and Crafts movement, quilts, tiles, and alpine resorts. It is based on an isometric grid and individual shapes that conform to the grid's structure. Each letter or glyph is made up of numerous triangular shapes. The letters have gaps of space that create a dynamic texture. Our mind connects the triangles to complete the letter and recognize the familiar letterform. Sedona will create a unique identity for book cover titles, editorial headings, packaging, logotypes and signs. Create multicolored letters by selecting individual shapes within each letter and apply various colors. Simply convert type in Adobe Illustrator or InDesign with these two steps: 1. "Creating Outlines", 2. "Release Compound Path". You may also want to "Ungroup" the letters. Great care was taken to align the shapes perfectly. There are no overlapping or misaligned shapes. Sedona includes punctuation, numerals, and basic math glyphs.You will find some additional and alternate glyphs in the "Glyph Palette". Sedona does not include a lowercase or diacritics for foreign languages. You may type in lowercase but the letters will appear as uppercase.

Brendisa Script is modern calligraphy script font, every single letters has been carefully crafted to make your text looks beautiful. With modern script style this font will be perfect for many different project, examples: invitations, greeting cards, posters, name card, quotes, blog header, branding, logo, fashion, apparel, letter, stationery and more! Brendisa Script come with 540+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer. Brendisa Script : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-13 Character Variant Contextual If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email: jamalodin11@gmail.com

Raylig is a graceful serif but full of energy, Raylig is an experimental project full of selfishness in it, this project was designed by khaiuns in May 2021, he made it himself so it took about 4 months. Raylig is a desire to present the perfect font for your wide variety of projects so that this type of font can be selected for branding, especially in the UI / UX industry, also suitable for typographic layout for magazines, posters, books, etc. With hard work and spending a lot of time, comes the Raylig Serif font that has interesting things, such as: 10 styles: 5 Original, 5 Alternative 650 glyphs in each style Support for more than 190+ languages: Expanded Latin, and many other languages Each style has 33 really cool alternatives, and find something interesting Raylig also has classic characters, but it is also perfect for your modern design, you can see it on display, such as in thin body size (light), Raylig makes a neutral impression, but when the size is getting bigger (Bold), users are taken on a fun search to find interesting movements, graphic peculiarities, and unusual solutions. All letter patterns are perfectly adjusted. I hope you have a blast using Raylig. Thanks for use this font ~ Khaiuns X zelowtype

Meet Pamplemousse, a display font that's part fun, casual script and part elegant typeface! Pamplemousse is most decidedly a fellow who enjoys lazy Sunday mornings spent sipping mimosas or bloody marys over a plate of eggs benedict and the New York Times crossword puzzle. He enjoys dressing up for use in branding and headlines (he looks particularly dashing in all caps) and also sitting back and composing a casual note to a dear friend. Pamplemousse is mostly sweet and just a little sophisticated, and he likes being just as he is. Pamplemousse started out as a typeface based on the lettering of Gustav Klimt in his poster for the first exhibition of the Vienna Secession movement (Art Nouveau). This drifted into an homage to Rea Irvin's iconic masthead typeface for the New Yorker magazine. Finally, with the addition of a lowercase (absent from Irvin's typeface), a significant revision away from both Klimt and Irvin into a more casual space, Pamplemousse was born! Oh — why "pamplemousse?" "Pamplemousse" is French for grapefruit. What goes better in your Sunday gin and tonic than an aromatic slice of pamplemousse? Say it a few times. Preferably after a couple of those g & t's. You'll see how fun he can be...

Ionic No5 is a refresh of a classic Linotype Clarendon-style serif, another restored classic from the Monotype library, much like the recent updates to Walbaum and Helvetica Now. The original typeface was designed to be printed and read at small sizes, popular with newspapers in the 20th Century at its birth. The restoration and refinement of this typeface has bestowed a greater sense of clarity and directness, smartly stylish, and an utterly captivating appeal. Because these styles were so popular for books and newspapers for so long we associate them with being editorial or bookish, not dull, but thoughtful. Designers today can use that association to their advantage as a visual shortcut to convey similar meaning and tone. More attention was given on modernising the typeface with precious use and the introduction of sharp edges & finishes. The thinnest weights can give a dancing typewriter aesthetic, being low stroke contrast. The heavy weights have an unquestionable presence on the page. Overall, the typeface has a richness and almost illustrative quality about it. The true depth of Ionic No.5 could enable each weight to be a poster by itself. Ionic N°5™ font field guide including best practices, font pairings and alternatives.

Thrift is a beautifully curvaceous serif font with smooth curves and fine lines and plenty of OpenType features. Thrift is perfect for your next editorial, advertising, branding, book, or invitation project. Thrift Regular and Thrift Italic each include approximately 800 glyphs. Specific OpenType features include stylistic alternates, several stylistic sets with features like curved ascenders and descenders, multilingual support (including multiple currency symbols - for kicks I even included a Bitcoin symbol in there), standard and proportional oldstyle numbers, and four ampersand styles. It also includes 24 standard and discretionary ligatures that add character and interest to your typography. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access most of these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you have questions about this, ask me!) Mail support : julie@upupcreative.com Find inspiration (and sneak peeks at my next font-in-progress) on Instagram: http://instagram.com/julieatupupcreative Facebook : https://www.facebook.com/upupcreative Pinterest: https://www.pinterest.com/upupcreative My website: http://upupcreative.com Please enjoy! I can't wait to see what you make with Thrift! Feel free to use the #upupcreative and #thriftfont tags to show me what you've been up to!

By the 1990s, the availability of font creation software opened the door to an explosion of creativity, experimentation and exploration into the world of digital typography by amateur and professional alike. The undisputed king of the freeware fonts was Ray Larabie through his Larabie Fonts website. It seemed at the time that Ray’s output was endless, and he amassed dozens upon dozens of fonts that ranged from the ridiculous to the sublime. In fact, Ray was the driving force of encouragement and a behind-the-scenes “mentor” who helped Jeff Levine Fonts get underway in January of 2006. As Larabie’s focus changed to higher-quality commercial type design with the launch of Typodermic, Inc., many of his “less than perfect” font experiments were withdrawn and shelved. Ray eventually turned those lost (and sometimes questionable) typefaces into a bundled zip archive released into the public domain through Creative Commons. One particular design “Boron” (circa 1996) featured computer-oriented lettering as if etched onto a circuit board. Running with this idea, and with Ray's approval, the electronic elements were stripped away, the characters cleaned up and modified, and the font reworked in Retro Checkbook JNL, which is available in both regular and oblique versions.

According to the two most popular statistics companies in England and North America, eight out of every ten people like to dance. Talk about useless information! But with such a market statistic, we thought there would be some collections of dingbats out there with dancers in them. And surprise, surprise; we found not even one! So this was our opportunity to be the first to issue such a collection, and we are very pleased with the results. Dancebats is a font of 75 silhouettes of people dancing. All kinds of dancing. Ballet, techno, slam, rock, swing, aerobic, hip hop, jump, lounge, and much more. Take a close look at the silhouettes and find out why these are shapes that belong on every party design, bar none. The Dancebats outlines were tweaked for use at all sizes, from the very large, as in posters and signs, to the medium height, as in party flyers, invitations and publications, to the very small, as in web banners and pin-on buttons. We are anticipating these silhouettes to be used soon all over posters, signs and web sites everywhere, so get your hands on a copy and give yourself some ammunition for your next party design.

Bovary is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but in a modern point of view. Bovary is full of personality! When I designed it, I started from the Clauques Script. Therefore, Bovary can be perfectly combined with Clauques Sans. Bovary includes almost 900 glyphs with many stylistic variations, swashes, ending and initial forms, catchwords and ligatures for both uppercase and lowercase, assuring almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. All our fonts are carefully controlled and tested in both aspects: readability and technical aspects. We deal with the kerning pairs, optimization of hinting information to avoid pixel grid, and the precise programming of the OpenType features; as well as drawing smooth curves points and the final touch of each glyph. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette.
 This family font is perfect for logos, magazines and book covers, fashion, headlines and short phrases, cards, posters, websites, and packaging. Bovary is the brand new modern script, designed by Carine de Wandeleer and published by Eurotypo.

Silken is a stylish and contemporary handwriting font that combines the elegance of fonts such as Zapfino with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, but many of them border on being grungy and irregular. This font combines beauty with individuality and spontaneity. Silken comes in a number of styles, the primary style of which is Silken Scarf. This style has a strength and sophistication that is particularly appropriate for headlines and short passages of text (such as invitations, certificates, greeting cards etc.) Silken Thread is a variant of the font family that is even more delicate and polished than Silken Scarf. The third style, Silken Book, with a greater x-height and less dramatic capitals, is more readable and less extreme than the other two styles. It should be used for longer passages or where readability is of primary importance. Suggestions for use: - wedding stationery - greeting cards - valentines day mediaa - beauty product media - lingerie tags - women's magazine pages - classical music media - award certificates The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It includes all the accented characters used in the major European languages.

About the Product Hilston signature is a type of font that resembles elegant and beautiful handwriting, often used to give a personal and luxurious impression to graphic designs or documents. These fonts typically have smooth, squiggly accents, with rounded, curved edges, much like handwriting written with a pen or brush. The letters look stylish and flow, showing a distinctive luxury and elegance. Hilston is supported with additional characters that have Alternates, Ligatures and swashes that will help you achieve beautiful styles with your own creations. This font is often used in logo designs, wedding invitations, greeting cards, digital signatures, and other designs that want to give off a luxurious and elegant impression. FEATURES; -Uppercase, Lowercase, Foreign Support, Numbers and Punctuation -Alternative, Ligatures & Swash -Works on PC -Simple installation -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, even works in Microsoft Word - Fully accessible without additional design software. Hilston is encoded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. Thank you for visiting:)

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design. Praxis Next shines where space is at a premium. The regular designs are modestly narrow while the condensed typefaces perform with grace in the most crowded of environments. The bold designs create powerful headlines and banners and the lighter weights are ideal for both long and short-form text copy. Because of its many weights and proportions, Praxis Next is also an ideal design to build a brand identity. Praxis Next Variables are font files which are featuring two axis and have a preset instance from Light to Ultra and Condensed to Roman. Pair Praxis Next with old-style designs like Bembo® Book and Stempel Garamond™ to create a dynamic typographic contrast. Or complement the design with its serifed counterpart, Demos® Next . Unger also drew ITC Flora® as an alternative italic design. Looking for something a little different? Pair Praxis Next with Masqualero™ .

Drakoni Sans is a bold and rounded font that exudes a strict and angular aesthetic. Its clean lines and subtle curves give it a humanist touch, making it perfect for a wide range of designs. Designed with a vision of comic book headlines, Drakoni Sans is both playful and professional. Its bold and powerful presence commands attention, while its rounded edges and angled cuts add a touch of personality and charm. Available in four styles - Regular, Italic, Bold, and Bold Italic - Drakoni Sans offers versatility and flexibility for any project. Its clean and clear letterforms make it ideal for logos, headlines, and other display purposes. Whether you're looking to add a touch of softness to your designs or to create a bold and commanding presence, Drakoni Sans is the font for you. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Athelas Arabic, created by talented Iranian designer Sahar Afshar, is an elegant typeface for fine digital and printed books — perfect for Arabic literature’s captivating forms. Originally designed independently, it worked entirely on its own and yet already seemed a good fit for Athelas. So it was decided to give Athelas Arabic a thorough reworking to make them appropriate companions while maintaining the natural aesthetic qualities of Arabic. First, the Arabic letter sizes were readjusted so as to not appear larger next to the Latin, then weight and contrast were changed in the same way. Finally, the spacing and connections in the Arabic were considered to achieve comparable colour as the Latin in a block of text. Ultimately, both the Latin and Arabic are graceful designs based on classic proportions, prioritising the beauty, tranquility, and fluid nature of the wordsmith’s art. With extensive Middle Eastern language coverage and the expected OpenType features, Athelas Arabic is the counterpart for which Athelas Latin, Greek, and Cyrillic have been waiting. The graceful, elegant curves of the Athelas heritage have remained a hallmark in each script. With this release it will only gain a wider and quite appropriate audience. The complete Athelas family has been optimised for today’s varied screen uses, along with our entire catalogue.

Nuit, a delightfully handwritten family font with strong character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity, gives your words a wonderful flow. The fatness and thinness of their strokes give an impressive harmony. This new font family includes Regular, Italic, Bold and Bold Italic. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to four Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Nuit it is possible to write all in capitals. Nuit looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Nuit was made to make your project more beautiful and attractive.

This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.

This typeface finds a perfect balance between technical excellence, careful design of letter forms for extended reading, and a measured dose of charm and personality. Its informal feel allows for successfully typesetting a wide range of applications, from magazines and fiction books to advertising and websites. Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Pollen. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on “g” and “r”. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. ­The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of “e” and “c” are derived from drawings made with only one continuous line, with the pencil always touching the paper. The letters “g” and “y” express the intention to bring informal elements to a typeface intended for long text reading, usually characteristic of casual writing. Pollen consists of 3 basic styles with an extended OpenType Pro character set and large language support, perfectly serving the most common typographic needs.

Article to appear on the font family page: According to the Catholic faith, a well known náhuatl story called "Nican Mopohua" (translated as "Here it's narrate") about the Marianas apparitions on the Tepeyac's hill, to the north of the actual Mexico City. After four apparitions, La Virgen de Guadalupe (LVG) told Juan Diego (JD) that he must introduce himself to the first Bishop of Mexico. JD took in his "ayate" some roses (that aren't natives to Mexico's barren territories) and when he dropped them in front of the bishop, the image of LVG appeared in front of him with indigenous features. I’ve worked a lot in this font that appears to came out of nowhere, just like the image of LVG itself, the fact is that I started first sketching some flowers, because I wanted to do something related to this mexican story, so, taking some features from this flowers I started sketching some letters, for example “r” and “i” and the counter forms for some letters like “a” and “o” (that I didn’t use by the way) and the punctuation marks, all inspired by this leaf forms. Lighter weight coming soon! Hope you like it. Any comments: rodrigonabo@gmail.com

Buryland Font is Handmade Script, Sans, Serif inspired by Retro and Modern hand lettering style, so you can use this font into any style of your design. Buryland Font has three styles for each font, Regular, Stamped, and Outline. Buryland Font also has a standard Multilingual Support. With bonus illustration in this package, this fonts are great for Logotype, Branding Design, Logo Design, Digital Lettering Arts, Instagram Design, T-Shirt/Apparel, Badge, Packaging, Poster, Magazine, Book Cover, Quotes, Signs, Advertising Design, and any design needs. Buryland Font Features : - Upper and Lowercase Standard Characters, Punctuation, Numerals - OpenType Features such as Standard Ligatures, Discretionary Ligatures and Stylistic Set (ss01 – ss10) - PUA Encoded Characters - Fully accessible without additional design software. - Includes a range of multilingual characters. You can access all those alternate characters by using a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 or higher. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Mix and match the alternate characters to add an attractive message to your design. Need help? Please, Feel free to contact me by e-mail yyudhara@gmail.com for any question about my font, Extended License document and more. Good Luck and Have fun ! YdhraStudio

Helostar Script is a modern calligraphy font that features a varying baseline, smooth lines, a classic and elegant touch. Can be used for various purposes such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, labels, news, posters, badges etc. Helostar Script features 400+ glyphs characters. Including 150+ ligatures, alternates and multiple language support. It has OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Helostar Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, don't hesitate to contact me by email : megatype04@gmail.com Thanks so much for looking and enjoy it!

Introducing Magilio - A Chic Serif Fonts Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :) Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Continue your branding with the ever popular Viva Beautiful font. A new hand-painted brush script collection by Cultivated Mind. Viva Beautiful is back with nine new fonts that include six scripts, a caps font, free words font, free extras and plenty of alternates/ligatures. There are five sets of alternates for every letter adding to the uniqueness of your designs. The new Viva Beautiful scripts are a much cleaner brush script than the original. All scripts come in pro and regular versions. Both versions are Latin Pro. Pro scripts include 260 alternates and 8 common ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps font is a basic version that includes 5 common ligatures and looks great paired with the scripts. Regular versions include Latin Pro characters but do not include alternates and ligatures. Viva Beautiful Collection works best for beauty products, music branding, film, television, cookbooks, book covers, food marketing, magazines, and websites. Check out Cultivated Mind Type on Instagram for fun Viva design ideas. Bring beauty to your designs with Viva Beautiful! Fonts designed by Cindy Kinash. Poster designs by Corinne Alexandra.

“Hi! I’m Hyptis – the script font based on brush handwriting. I was drawn with a soft, wet brush and digitally cleaned with care, but some of my characters keep their natural texture. If you are looking for a font for logos, postcards, product packaging, quotes, text overlays – or anything else – I am a good choice!” Hyptis has two types of embedded auto-replacement: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac). Hyptis also has wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total). And finally, Hyptis comes with a bonus font, Hyptis Swashes, that includes a set of 26 swashes – linear, round or oval. To type it you could simply use small letters from ‘a’ to ’z’.

Broken letters or Gothic letters, also known as German letters, are the typeface used in Europe West from the 12th century to the 17th century. Meanwhile, Danish spoke it until 1875 and German, Estonian and Latvian spoke it well into the 20th century. Fracture is one of the broken typefaces that is often considered to represent the entire broken typeface. Broken letters are sometimes also called Old English, but not in the Old English or Anglo-Saxon sense that was born centuries earlier. This group of letters is so named because it contains Latin letters that have breaks in the curvature of the letters, either in part or in whole designs. The fracture arises from a sudden dip when writing certain parts of the letter. In contrast, letters with perfect, unbroken curves, such as Antikua, are created from smooth, flowing writing movements. Callimathy is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. In addition, Young Best font is also supported with multilingual characters that can be used in several international languages. Callimathy font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Universo and Universo Stencil by Mauro Andrés and Peggo Fonts is a display font family for “Caos Sagrado” specially designed for informative fanzine and magazines. Its name “Universo” comes from the quote “we have to talk about the horrible things of Universe” with the main idea of supporting and help to expose social problems. Inspired on Retro-Futuristic fonts and poster design and old scientific publications that is becoming a new design trend nowadays, and strongly influenced by the Italian type designer Aldo Novarese’s work, developed in the 50’s. "Universo CS" and "Universo CS Stencil" were produced between mid-September and October 2018 by Mauro Andrés under the creative direction of Victoria Rivas and those versions were publicly showed at “Impresionante” (a massive independent printing expo in Chile) with a printed specimen. That phase of the project was updated and completed in March 2019 and was lastly finished between November 2019 and April 7, 2020, developing it in six styles, under the co-production of Peggo Fonts. "Universo" and "Universo Stencil" are both suitable for headlines and short text lines, music and concert posters, books and magazines covers, branding, logotype and graphic design. All stylistic alternates are accessible via OpenType features or character map.