Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Hydrargyrum is the Latin form of a Greek word meaning "liquid silver" - mercury. The Hydrargyrum typefaces are designed with characteristics both of a metal and a liquid. The basic shapes of the letters are generally rigid and rectangular (particularly in style C), but the forms are enhanced by fluid curves and gently rounded corners. Hydrargyrum is not recommended for use at small sizes or in lengthy passages of text. It performs best in display-sized settings. Hydrargyrum consists of three styles, each in medium and semibold weights with matching obliques. The A style features solid, standard letterforms including the two-story a and g. Style B substitutes the a, g, M, and N (and related glyphs including numero and trademark symbols) for alternate shapes. The third subfamily takes the rectangular theme to an extreme, eliminating as many slanted strokes as possible from the letterforms. This makes some C-style letters ambiguous with one another, such as the U's and V's. As such, the C style is best used carefully even at larger sizes. The Hydrargyrum fonts are style linked within each style subfamily with, for example, Hydrargyrum A Medium as the regular style, Hydrargyrum A Medium Oblique as the italic, Hydrargyrum A SemiBold as the bold option, etc.

Fifth Reign is a decorative medieval typeface. This wonderful typeface of brings us to the golden times of epic knight sagas. Fifth Reign is the typeface of a Royal House, of vikings, kings and queens. Use it for a Middle Ages game, a fantasy headline, or as a logotype for anything of historical theme. With usage in any modern software, the letters will automatically overlap and embrace in an elegant way. To make heraldic symbols, copy these icons: 🐉 🐎 👑 🗡 🦁 🦅 🦌 + ♖ × ✝ ⚓ ＊ ⚔ † ‡ Alternatively write %A %B %C ... etc to create the heraldry. (Download required.) Dragon, Horse, Crown, Sword, Eagle, Deer, Cross, Anchor are some of the logos. The Fifth Reign family consists of three styles: The weights Thin, Bold and Medium, made to balance against each other and allow for usage in any scale. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Greek and Cyrillic, as well as all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

Why you little Numbskull! Nitwit! Visigoth! Dimwitted Jackass! Interplanetary Goat! Highwayman! Sea-gherkin! Jellyfish! KnowNothing! Filibuster! Cachinnating cockatoo! Artichoke! Two-timing Troglodyte! Bald-headed budgerigar! Odd-toed Ungulate! Autocrat! Carpetseller! Duck-billed platypus! Dunderheaded coconut! Ectoplasm! Steamroller! Iconoclast! Kleptomaniac! Raggle taggle ruminant! Orangutang! Rapscallion! Ten thousand thundering typhoons! Whippersnapper! Billions of billious barbecued blue blistering barnacles -- you-you... YOU BLOCKHEAD! With its sturdy stance and over 100 friendly interlocking letter pairs, this font was made famous in the logo and branding for the video game CLASH OF CLANS, and infamous in the logo and branding for the Image comic THE BEEF.

Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.

Introducing Bradrock, a vintage slab serif typeface. Inspired by old-school cowboy design, and circus-style. Bradrock has a more decorative typeface by adding bold bifurcated serif on the letterforms. This font is a perfect choice for vintage or old-school themes. Bradrock is an all-caps font, which represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logos, mugs, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Small-caps Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-03 That's all, folks! Thank you for visiting.

The geometry of Paul Renner’s sans letterforms was tempered by optical correction to follow earlier typeface proportions, with capitals close to old-style forms, yet still retaining the spirit of the New Typography. His early experimental characters were included as alternatives in the sans which was to become the Futura released by Bauer in 1927–30. Unusually, old style figures also appeared in his early versions but they too were soon discarded. Foundry Architype Renner as a new four weight family has been developed from the original Renner Regular and Bold, created by The Foundry for the first Architype Collections in the early 1990s. This new family features the old style figures and the experimental elements.

Aye, me lovelies, this be Scurvy Dog, a grand font! The letters were etched into a dead man's chest with a blunt rapier, pickled in brine and covered in spew. Ye could be using this crafty penmanship for yer logs or writing yer dear ol' mothers a letter.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

Kwersity is a boxy, geometric, slab-serifed typeface with strokes of uniform weight. Its circular elements are almost rectangular. The narrower style has a high x-height. Both the narrower and wider variants come in three weights, regular, semi-bold, and bold. (In its original, pre-2020 form, what is now semi-bold was bold. What is now bold is new as of 2020.) There is also a shadow version; Kwersity-semibold can be layered on top of it to color the interior of the letters.

Bussi is an inline font family full of extras. It is rich with alternatives and symbols, which makes it a playful font to use. It was inspired by hand lettering and bullet journaling. The font is perfect for branding and packaging to bring your extra brand personality—an ideal font to use for stationery design or even movie titles. Versatile and high-quality Bussi will be your new font love. Bussi was inspired by hand lettering and bullet journaling. The first drafts were designed during studying for my high school graduation, where I would focus more on the headline lettering than on the actual content. I tried to motivate myself by lettering joyful, swirly headlines, and keywords. Originally designed as a caps-only headline font, over the years more and more letters and symbols were added, resulting in nearly 1400 glyphs and 5 different stylistic sets. Designed by Stella Chupik and Schriftlabor team.

Kingsad is inspired by the contemporary trends of visual design nowadays. Combining the modern and elegant vibes with the breakthrough of typography hierarchy, but still holding on to the function and voices of the sans-serif core. Contains 5 styles in a family from thin to bold to expand the versatility usage. Perfectly fit for your logo and modern visual branding touch. In short, Kingsad is an easy font to go with.