Strima is a geometric sans serif typeface that stands for minimalism and legibility. With over 1000 glyphs and extensive language support Strima offers full professional typographic features. The Strima family consists of 4 weights: light, book, medium and bold.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

Frisco Bay JNL is an entirely original design from Jeff Levine with strong Art Deco influences. A medium weight letter form, this design finds itself at home in any application where a touch of elegance from the past is needed.

Really excited to introduce Catellos is a serif family and comes with with two variant: Medium and Bold with many alternates and ligatures. It is suitable to create any branding, product packaging, invitation, quotes, t-shirts, labels, posters, logos and more.

Edgewater Small extends the popular Edgewater and Edgewater Square families with the inclusion of lower-case characters, creating a flexible typeface perfect for individual use in medium-to-large sizes or in concert with its sibling fonts in the series.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

The font series Andron MC introduces a new feature to the repertoire of the Andron family: middlecase glyphs (intermediate between upper- and lowercase) – and uncial letters. Middlecase glyphs reach a medium height compared to full caps height and lowercase x-height. However, ‘uncial’ means the historic transitional lettershapes of the medieval ages which have gained no status in the bicameral typographic system of modern times. In all three of the Andron MC fonts middlecase (“MC”) glyphs dwell on the lowercase positions. These are coined in uncial fashion in the MC Uncial and MC Medieval fonts but appear as capital glyphs in MC Capital. The same variation occurs with the uppercase positions: whereas standard Roman/capital glyphs are there in MC Uncial and MC Capital, MC Medieval features uncial majuscules here instead. At the end that makes three different combinations of uncial and capital sorts. These fonts can be used for a great variety of purposes. The uncial sets are particularly well-suited for any typographic matter related to the middle ages. MC Capital is a worthwhile alternative choice when titling is to be possibly set in CAPITALS or Small caps. Andron MC adds a fascinating new aspect to the classical Andron fonts family. It enhances again the unique scope of typographical possibilities Andron is praised for since quite some time now. All three Andron MC fonts support full Latin, Greek (monotonic), Coptic and Gothic character ranges. Each font contains about 1000 glyphs.

Vivizza Bold - Modern, classy and elegant! New stylish multifunctional Serif from Julia Visht! Perfect at large and medium size - Vivizza Bold does well from large eye-catching headlines , to medium headings. Two different models of letter spacing for uppercase and lowercase letters! Carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Great for web-design, logo creating, modern branding, posters, headers, advertising and so much more. -Multilingual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic,Indonesian, Irish, Swiss German, Portuguese, Finnish. Stylish Serif for Stylish Projects!

Taking the name from substance of the best quality perfumery, Musk present an elegant form of high contrast sans serif combine with an expressive connected script. The sans serif contain three weight; regular, medium and bold within it’s quality for display and also text. Each glyphs shown an unique variation of forms, especially the terminals in regards to achieve legibility and readability. The sans serif contain three weight; regular, medium and bold within it’s quality for display and legible for body text. With over than 240 glyphs. Some open type features contain in Musk sans; old style figures and standard ligature and the Musk script contain swash.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

SK Cynic is a modern geometric experimental font. Inspired by modern industrial graphic design. The font form is based on a 8x8 grid, which makes it stricter and more accurate. Bevels are created at the corners of each letter, giving the symbols a special industrial look. The font is multilingual and supports almost all Latin and Cyrillic languages. For some characters, stylistic alternatives are provided for better readability. The font will give any work a unique look and is suitable for use on print and on the Internet. This font delivered in 8 styles: Thin, Light, Regular, Medium, Bold, Outline Light, Outline, Outline Medium

Scientia (means 'knowledge', 'science' in Latin) is a neutral serif typeface in eight styles. It contains four weights (Regular, Medium, Bold, Black) with corresponding italics. All the styles support Western and Central European Latin, basic and Asian Cyrillic and Greek. Regular and Medium styles include smallcaps for all supported languages. In addition to the standard set of non-alphabetic characters Scientia has arrows and some supplemental mathematical symbols. The font was created by Natalia Vasilyeva. Being a professional book designer, Natalia uses Scientia in astronomy books. Scientia is a good choice for literary fiction and academic non-fiction texts. The typeface was released by ParaType in 2016.

Linotype Finerliner is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contest. The American artist Gary Munch, from whom we also have Linotype Ergo and Ergo Sketch, designed Linotype Finerliner as a handwriting font with calligraphic influences. The small, regularly formed lower case letters contrast nicely with the generous, sweeping capitals. The font is available in a light and medium weight and displays no stroke contrast. The lighter weight, micro, is best used for shorter texts in point sizes 18 or larger and the medium weight, macro, is mainly intended for headlines in larger point sizes.

Introducing Rubrical, a script font that gives personalized feel to the design with a confident presence. This typeface is characterized by its substantial weight, giving your design a bold and impactful appearance. Rubrical maintains consistent proportions across all its letters, offering a sense of stability. It also adds a sense of warmth and personality. It has flowing and connected letterforms that are embellished with graceful swings that adorn select letters. These decorative elements, which can include ornate initials or elegant swinging flourishes, add a touch of sophistication and artistic flair to your text. They create a visual journey that is engaging, unique, and memorable. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Rubrical fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Standbyte is an exquisite script font that beautifully captures the essence of cursive handwriting with delicate brush details. This typeface combines the fluidity of handwritten script with the artistic touch of brush strokes, resulting in a captivating and elegant design. Standbyte's flowing letterforms emulate the natural movement of cursive handwriting, giving it a sense of authenticity and warmth. The brush details add a touch of artistic flair, creating subtle variations in stroke width that infuse the font with a handcrafted charm. Its flowing, interconnected letters lend themselves well to creating seamless and eye-catching appearance. Because of its legibility you can use this font in a variation of text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Standbyte fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Ramadan Greeting is a captivating display font that pays homage to the graceful aesthetics of Arabic calligraphy. Ramadan Greeting is more than just a font; it's a bridge between heritage and modern design. It's a versatile tool that allows you to infuse your projects with the timeless beauty and cultural richness of Arabic calligraphy. The characters in Ramadan Greeting are thoughtfully designed with rounded, soft shapes that exude a sense of warmth and approachability. The high contrast between the strokes adds a traditional and authentic flair while maintaining legibility and clarity, even at display sizes. In addition, you can also enjoy the features here. Features: Stylistic Sets Alternates -Multilingual Supports PUA Encoded Numerals and Punctuations Ramadan Greeting fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Introducing The Daylight - A Calligraphy Font. A beautifully handcrafted calligraphy font that’ll make your guests sing and elevate your projects! Every swash, stroke, and curve was created to entice happiness and elegance. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. The Daylight includes gorgeous swashes and ligatures that give the font even more flair! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Hello Seoul is a striking display font that is inspired by the vibrant energy of Seoul. With Hello Seoul, you have a display font that says "hello" with a contemporary flair; it's a celebration of Korean style and modern design. The characters in Hello Seoul stand tall with a sleek, non-thick weight, offering a refined and contemporary look. The rectangular shapes and sharp corners lend a structured and modern vibe to each letter, reflecting the architectural and cultural landscape of Seoul. Hello Seoul is more than a font; it's an invitation to explore the dynamic spirit of the city. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Hello Seoul fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The challenge was to create a single typeface weight that was versatile enough without a large font family, and could be put to use with a variety of media formats, from book text to advertising spreads, all while remaining legible and delightful to read. Originally designed between the years 2002 and 2004, the inspiration for the design originated from the concepts of Stefano Giovannoni's uber-contemporary industrial designs and architecture. Where to start with such a font design was obvious to Diphthong Regular's designer, Max Hancock; to create a transitional, slab serif form that was corky and serious, interchangeably. The characteristics of the font followed a postmodern playfulness, popular in many sub-cultures looking for an alternative to the harsher, cut-shape, deconstructivist styles. And, the unique objective behind the design was to make it so that the usual difficult combination of the t and h (hth) in language was legible as well as pleasant to look at, thus the reason for the name. The soft, subtle roundings add a flair of utilitarianism while the cut edge ascenders help to blur the line between cute and diametrical mannerisms.

Maxengine is a bold script font that refuses to conform. This rebellious yet playful typeface marries boldness with a touch of whimsy, creating a dynamic and unique script that captures attention and refuses to be confined by traditional design norms. The characters in Maxengine boast a rounded shape, bringing a sense of friendliness and approachability to the bold script. What truly sets it apart is the intentionally uneven outline details, adding an element of spontaneity and creative flair to each letter. This unconventional approach results in a font that exudes personality and breaks away from the ordinary. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Maxengine fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Biotrons is not your ordinary bold display serif font—it's a visual powerhouse that commands attention with its unique design. This font is a daring exploration of boldness and precision, bringing a cutting-edge aesthetic to the world of script typography. The characters in Biotrons are defined by their bold strokes and sharp corners, creating a strong and impactful visual presence. The deliberately uneven outlines add an element of unpredictability, giving each letter a sense of individuality and flair. Biotrons is a font that thrives on breaking away from the expected norms, offering a dynamic and modern take on the traditional script. Enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Biotrons fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

This typeface got its name from "anyar", which means "new/modern" in local Indonesian (Javanese). Just like it's name, this typeface gives a modern and simple look. Anjara's medium contrast makes it easily stand out in any compositions, especially it's bold version.

CP Company Flash is the version of CP Company designed for use in Adobe Flash. Available in three versions: Big to be used at 16pt, Medium at 16pt and Small at 8pt. Originally designed to be used in the cpcompany.com web site

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

Larque is a slab serif text typeface. The tall x-height and the open counters makes the font very legible at small sizes. Larque includes extended latin characters, ligatures, oldstyle figures and Open Type features. It is available in roman and medium weight.

Amity Signature is a stylish and versatile font family featuring four distinct weights: Light, Regular, Medium, and Bold. This collection offers an elegant impression and flexibility for all design needs, such as logos, branding, signatures, posters, labels, product packaging, invitation designs, and more.

Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua, an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

Evening Sans is a slightly more formal, upright version of sibling font Morning Sans, most effectively used in small-to-medium sizes for print material. Its semi-condensed width and large x-height add to its legibility, particularly in long blocks of text.