Katigert – is a rather friendly italic with a touch of measured severity, combines very sharp angles and bold shapes. The font works best for display. The font includes extended Cyrillic and Latin alphabets, punctuation marks and currencies.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.

Hello, introducing the new font Thursday Routine. Thursday Routine is a Bold Friendly font. The font is available on Italic too. Good reading, Readability 100%. Perfect for your graphic. What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Support

In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième follow the original Peignot Série 16 as close as possible. The regular font has the original small caps, while all members of the family are enhanced, next to the ranging ones, with old style figures. Also superior and inferior figures are available. The original series did not have a bold version. This was, however, carefully drawn for this digital rendition. The Série 16 and its versions for the composing machines were much used for the type setting of scientific publications. That is why a comprehensive set of mathematical and sundry characters are added to the Seizième fonts. Next to the accented characters for the several West and East European languages the Seizième was also enhanced with a Cyrillic, also available in regular, italic and bold versions.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated representation of the calligrapher’s individual pen strokes that create a cohesive character which is enhanced with the stencil. Unlike other stencils, TWINE emphasizes calligraphic strokes, so you will find it very legible even in small point sizes. Check it out! Furthermore, twine is inspired by Plantin, an old-style serif typeface named after the printer Christophe Plantin, which is based on the 16th century Gros Cicero face cut by Robert Granjon. Twine is a great choice when you need a font that is timeless, contemporary and distinctive. Perfect for Advertising, Corporate identities and Packaging design, Museum display, Technology, Hospitality, Travel, and Retail applications. Twine is available in TWINE Regular, TWINE Italic, TWINE Bold, TWINE Bold Italic. It is a Stencil that is Distinctive, Contemporary, and Timeless.

Are you prepared to add a retro energy and the vivacious pop culture of the 1980s to your creative projects? Look no further than Tokyo City Pop, the ideal retro pop font that is ready to give your creative pursuits a fresh and vibrant edge! Tokyo City Pop yells instead than merely speaking. Its text is bold and funky, dancing across the page and vibrating with the energy of a busy city. Each word evokes a burst of vitality, embodying the youthful spirit and inventiveness that characterize urban landscape. This typeface is perfect for an vintage stuff, retro poster layout, magazine design, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Moodboard is a unique blend of hand-drawn and AI-generated design, bringing a fresh twist to the retro serif font. With bold rounded letterforms and a funky vibe, Moodboard is perfect for young-at-heart audiences. Its combination of sketch and machine learning makes it usable and versatile, while still retaining its cool new-retro feel. Use Moodboard in logotypes, headlines, and graphics for a standout, youthful look. Its designer Mans Greback has created an exceptional mix of vintage and modern design elements in Moodboard font. Choose Moodboard for your next project to add a touch of fun and boldness to your designs! The Moodboard family consists of six high-quality fonts: Regular, Italic, Light, Light Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Simplicity, delicacy and elegance are the words that best characterize Rufina. Based on an idea that was conceived long before its “birth”, Rufina was created from dark-text on light-background combinations. Refined and at the same time distant, Rufina seduces the viewer in a subtle and elegant manner. Blending of contrasty, Bodoni-influenced forms with the emotive touch of the calligraphers pen. This family consists of two weights, their italic counterparts, plus a set of alternate cuts — each containing a selection of illustrative ornaments.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. Villa is the abbreviation for Carrer Villarroel (Villarroel Street), where the Villarroel Pharmacy has been displaying this sign since the first quarter of the twentieth century. The Eixample Villa typeface system consists of sturdy letters free of ornaments with an industrial aspect. Only the treatment of the curves borrows modernist features. Like the rest of the families in the Eixample series, Villa shows its origin as a display font, but it has been engineered to give good results at small sizes as well.

Sinkin Sans Narrow is a simple, pleasantly proportioned and easy to read sans-serif, available in all 9 standard web weights, 100 to 900, plus italics, so the face is a comprehensive illustration of the CSS web font numerical scale. Sinkin Sans fonts are designed with tiny, inconspicuous notches that sink into verticals at the intersections of strokes, adding highlights to congested corners. The incisions make right angles appear sharper and improve definition in more intricate characters. Sinkin Sans Narrow inherits the enviable clarity and readability of the luxuriously wide original family. The Narrow typeface, however, is designed to economise on space within busy web pages and has been sensitively condensed for maximum legibility. Each weight of Sinkin Sans Narrow is supplied with a free Italic.

In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Though the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used to crossbreed two completely different typefaces. IngrianEuroikaH is a hybrid resulting from such crossbreeding of two very different parents. Euroika is a decorative font with high contrast and thin, square serifs while Ingriana is a relaxed, informal typeface. IngrianEuroikaH was constructed in 1995-6; updates in 2012 and 2020 cleaned up many of the remaining oddities that resulted when parts of the parent fonts clashed. The family retains some peculiarities from the method of its construction but is highly readable as text. The IngrianEuroikaH family has six styles: regular, semibold, bold, italic, semibold italic and bold italic.

Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold italic.

Fact or Fiction? Are you troubled by strange noises in your font folder? Do you experience feelings of dread in Illustrator, Photoshop or Procreate? Have you or any of your family ever been haunted by an ampersand, cedilla or tilde? If the answer is yes, please don’t wait another minute. BEYOND BELIEF is ready to Believe YOU! Six weights of non-judgmental understanding and faith in everything you have to say -- even the most outrageous font conflicts and naming “coincidences”. Some say this font resembles our tall, friendly sans-serif font Tall Tales, but we don't know what they're talking about. Beyond Belief includes six fonts (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lower case alphabets, automatic alternate letters, Crossbar I Technology and Western & Central European language support.

Montauk Pro is named after a small village in Suffolk County, New York on the South Shore of Long Island. It is the easternmost area in Long Island, and thus the easternmost area in New York State. It is home to Montauk Point State Park, site of the Montauk Point Lighthouse. It is named after the Montauk Indians. Montauk Pro is a casual, jaunty and quite beautiful handwriting script. It comes with six styles as light, light italic, regular, regular italic, bold and bold italic, each style with about 1.000 characters covering the complete Latin glyph set for West and East including Baltic and Turkish, including a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.

Heartland font family is a pack of the bold connected script and rounded sans. Font is great to use for logotype, menu and product labels, prints, posters, branding, social media. This pack include 3 fonts: - Heartland Script - Heartland Sans - Heartland Sans Condensed - Heartland Italic Sans - Heartland Bold Sans Download Heartland for your next project today! Thank you and have a great day!

The Redob Racing Font is a strong-looking font that gives your project a bold and sporty personality. This font was designed with attention to detail to make your design project stand out from the rest. A bold, masculine font that’s perfect for creating that “in your project” look. Comes in 6 different styles: Regular, Round & Italic, each with a slightly different feel.

A futurist headline typeface exploring the concept of sub-baseline interconnectivity and flow. Boasting over 450 glyphs, this typeface comes with an enormous amount of ligatures to achieve optimum flow between letterforms. Its sources of inspiration are endless (old science fiction, Arabic letterforms and 90s UK garage/rap album artwork featuring futurist custom type.) The typeface is best suited to headlines and larger type. Currently available in Bold with an Italic version coming in the not too distant future. Enjoy!

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Regon is a modern sans serif typeface/font family (18 fonts) designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Styles: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black (All with Italic). Features: Uppercase, Lowercase, Number, Punctuation, Symbol, Multilingual. All the pictures used in the preview are not included. They are intended only for illustration purpose.

Clinto Slab Serif By. xdCreative Clinto Slab Serif is part of the Clinto Sans font family, built with geometric construction, strong contrast, and sharp lines. It combines the additional feature of ink traps. The font comes with a total of 18 styles and 9 weights, including their respective italic versions. Clinto Slab Serif is a type of font characterized by thick, rectangular serifs. It creates a strong, bold, and robust impression. With its distinct and bold serifs, the Clinto slab serif font is suitable for titles, headlines, and attention-grabbing text. Clinto slab serif font also has historical roots in the Industrial Revolution era and is commonly used in poster design, logos, branding, and editorial design. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments.

The English stone carver, artist, and typographer Eric Gill conceived the Joanna typeface as a personal design for use in books printed at his Joanna Press."" Gill saw his press work there as a continuation of the British Arts and Crafts Movement, pioneered in the 19th Century by William Morris. Joanna is notable for its almost vertical ""upright"" italics, and the unusally small size of its italic characters. Joanna is versatile and extremely legible. The letterforms are a bit narrow, so the face is very economic as well. A lot of text may be packed densely together onto a page with Joanna. Joanna mixes very well with other typefaces designed by Eric Gill; especially Gill Sans.