Imagine a font that put on its Sunday best, but with a cheeky twist, and you've got yourself Belta Bold by Antipixel. This isn't your run-of-the-mill, stiff-upper-lip typeface. No, sir! Belta Bold is...
Ah, Rusty Sign by GemFonts, the brainchild of Graham Meade, is a font that walks the fine line between elegantly aged and outright rebellion against the sleek, clean fonts that populate our digital s...
Targa - Personal use only
Byron - Personal use only

This is a perfect font for historical or fantasy titles. It is influenced by ancient Nordic runes. the strokes flare slightly, to a concave terminal for a finely carved appearance. There are two sets of capitals in PR-Vanaheim-DC (Dual Capitals); one set of narrow letters, more closely related to Runic forms, and one set which includes wider and circular letters, which can be freely combined with the narrow letters for the variety associated with hand lettering. There is one version with dots placed in the centre of large counters and one version without the dots. The broad caps character set includes characters which allow for tight spacing; a dropped L, and a tall T. There are also two different lowercase sets, one modern, and one archaic, all of which can be freely mixed to fine tune the appearance of your text. Here is the brief description of the available faces: PR-Vanaheim-Med-DC-01 Duplex Caps PR-Vanaheim-Med-DC-02 Duplex Caps, Dotted counters and dot space PR-Vanaheim-Med-DC-03 Duplex Caps, Dotted counters PR-Vanaheim-Med-LC-04 Broad Caps, with modern style lower case. PR-Vanaheim-Med-LC-05 Narrow Caps, with modern style lower case. PR-Vanaheim-Med-LC-06 Broad Caps, with archaic lower case. PR-Vanaheim-Med-LC-07 Narrow Caps, with archaic lower case.
Ah, the Zodiastic font by the whimsical artists of alphabets at Fontalicious—a name that sounds like a cross between a zodiac enthusiast and a plastic material, doesn't it? If fonts could dance, Zodi...
Prepare yourself to delve into the whimsically wicked world of EvilGenius BB, a font that could only spring from the vibrant minds at Blambot Fonts. This is a font that puts on a cape, laughs maniaca...
Ah, Argillites by RockboyStudio - the font that sounds like it could be a long-lost dinosaur species or an ancient mineral coveted by trendy interior designers! But no, it’s neither. It’s something f...
Zorque, designed by the prolific typeface designer Ray Larabie, is a font that packs quite the visual punch. It blends futuristic sensibilities with a dash of whimsy, making it stand out in a sea of ...
As of my last update, the font named "Badgery" doesn't appear to be a widely recognized or specific typeface in the vast collection of commercial and free fonts available in the graphic design world....
Ah, the font Dismembered - a name that immediately evokes a sense of gothic charm mixed with the unapologetic flair of a horror movie poster. Imagine, if you will, each letter painstakingly carved ou...
Picture it: a font that stalks the night, looming from the shadowy corners of design like the legendary vampire it's named after. "Nosferatu," conjured into being by the creative blood magicians at K...
Ah, FellFel, the font! If fonts were characters at a grand dinner party, FellFel would be that intriguing guest who captures attention the moment they step through the door. You might not find FellFe...
Ah, Tucker Handwritten! Imagine a script so carefree and whimsical, it's like each letter rolled out of bed, stretched, and decided to dance its way onto the page. If fonts were people, Tucker Handwr...
Ah, Cable by Phuxer Designs, the font that purportedly could tie the digital world together, or so it claimed, with a wink and a nudge. Imagine if a 1980s sci-fi movie and a contemporary digital art ...

Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour. To my knowledge, Klothilde is one of the first script Variable fonts in different weights. No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature. Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature. For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.
"My Nerd" is a distinctive font created by renowned font designers Kevin and Amanda, known for their playful and innovative approach to typography. This font stands out due to its quirky and endearin...
The "Grunt Reaper" is a distinctive font created by the renowned typeface designer known as PizzaDude. It stands out for its unique blend of playful irregularity and bold assertiveness, a hallmark of...
The Killer Boots font by PizzaDude is a distinct typeface that embodies a playful and edgy character, seemingly designed to stand out and make a bold statement. Its roots are undoubtedly entrenched i...
The DIG DUG font, masterfully crafted by the enigmatic and presumably arachnid-inspired designer known as SpideRaY, is a delightful, quirky homage to the classic 1982 arcade game of the same name. Th...
Sure thing! Castorgate - Messed by Apostorganic Labs is a fascinating and distinctive font that truly stands out with its unique characteristics. It is part of the broader creative work that the Apos...
Sure thing! Rainy Days by PizzaDude is a truly special font that carries a unique essence, making it stand out in a sea of typefaces. At its core, Rainy Days embodies a playful yet slightly melanchol...
Absolutely! Imagine delving into the creative world of typography and stumbling upon a font that's as distinctive and expressive as its name suggests: Johnyokonysm. This isn't just any font; it's a j...
Hacjiuza Dirty by Dirt2 isn't just any font – it's like the rebel of the typography world, marching to the beat of its own drum. Created by Dirt2, a name already suggesting a flair for the unique and...
Imagine diving headfirst into a vibrant, eccentric carnival where every letter is doing its own funky dance, and you'll start to capture the essence of the Messaround font by dincTYPE. Conceived in t...
Imagine diving into a world where the very concept of order is thrown out the window, and the rule book is not just ignored but shredded, burned, and then danced upon. That's the essence of Turmoil (...
Ah, the Frankfurt font, crafted by the distinguished Alan Carr, not to be confused with the British comedian of the same name—though one could argue that Mr. Carr's creation brings its own form of vi...
Halter Pinchy by Apostrophic Labs is a typographic journey beyond the ordinary, embracing the quirky side of type design with open arms. This font, crafted with care and a sense of adventure, stands ...
Ah, Lelim 200, a typographic enigma birthed from the creative chambers of Stefan Motzigemba's mind! If fonts were people, Lelim 200 would be that effortlessly cool friend who knows all the best coffe...
Sure, I'd be happy to give you a glimpse into the world of the "Advanced Pixel-7" font, crafted by the creative minds over at Style-7. This font takes you on a nostalgic journey back to the days of v...
Oh, Havelseen! Imagine if your charmingly eccentric aunt, who spends her summers sailing through Europe in a hand-painted boat, decided to become a typographer. That's Havelseen for you. It's not jus...
Once upon a time, in the mystical land of AEnigma, there was a font that decided it didn't want to play by the rules. Its name? Bandwidth Bandless BRK. This font was the digital equivalent of that qu...

Full Sans is a geometric sans in the tradition of Futura, Avant Garde and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Full Sans is the younger brother of original Full Neue, Full Slab and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Full Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Sans LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Sans LC comes 5 weights and italics also Full Sans SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Sans is the perfect font for web use. You can enjoy using it. UPDATE: 08 March 2019 - Fixed extension of glyhps "y" and "g". - "LineGap" error has been fixed. - Fixed bug in "onum", "pnum", "tnum" and "tnum" software in OpenType feature.