HU Sansans is a San-serif latin alphabet font. It is a solid and trendy full square typeface that contains powerful and bright energy. I created a young and bright feeling by making a blank at the bottom of the first consonant of the initial letter, and the curve of the first part continued the bright feeling of the font. By configuring 4 types of font families, the usability of typefaces has been increased.

'HU Retroround' is a font that captures the feel of the retro typefaces used on signboards during Korea's modernization era. This font has a variable function, allowing users to fine-tune the thickness they want. (Available only in Adobe programs.) Six basic weights are provided so that they can be used even in programs that do not apply the variable function.

HU Specialmovie is a retro, wide square typeface, characterized by streamlined, narrow stroke ends. The first consonants are designed to be large with full modules to improve readability. The grapheme 'O', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall.

HU mobydick is a body font with square modules and a wide space composition. Sharp right-angled joints and strong endings. And thin strokes are combined to complete a harmonious typeface for body text. The gray level of the body text is set low, so it can be used for light work.

English HU Garaetteok is a cute headline typeface that expresses a straight stroke and end in a round shape. The characteristics of the writing were added with straight strokes and lively curves. There are 1 weights of HU Garaetteok : Extra bold Cyrillic HU Garetteok - это милый типограф заголовка, который выражает прямые штрихи и заканчивается в круглой форме. Характеристики письма были добавлены прямыми штрихами и оживленными кривыми. Есть 1 вес HU Garetteok : Extra gras Greek HU Garaetteok είναι μια χαριτωμένη γραμματοσειρά επικεφαλίδα που εκφράζει ένα ευθύ εγκεφαλικό επεισόδιο και να τελειώσει σε ένα στρογγυλό σχήμα. Τα χαρακτηριστικά της γραφής προστέθηκαν με ευθείες πινελιές και ζωντανές καμπύλες. Υπάρχουν 1 βάρη hu Garaetteok: Εξαιρετικά τολμηρό

This is a headline typeface created by imagining the appearance of waves in a square glass tube. It is a typeface that adds a wave shape to the gothic style in a full square module. HU BlueoceanKR includes Korean.

English It is a font made based on the handwriting written by a designer who said it was HUMois, and it is a font with a speedy and natural tilt as if taking notes. Cyrillic Это шрифт, сделанный на основе почерка, написанного дизайнером, который сказал, что это HUMOIS, и это шрифт с быстрым и естественным наклоном, как если бы принимал заметки. Greek Είναι μια γραμματοσειρά φτιαγμένη με βάση το χειρόγραφο που έγραψε ένας σχεδιαστής που είπε ότι ήταν HUMois, και είναι μια γραμματοσειρά με γρήγορη και φυσική κλίση σαν να κρατά σημειώσεις.

Bernandes is a new modern script font with an irregular base line. Trendy and feminine style. Bernandes looks beautiful in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and more. Perfect for use in ink or watercolors. Includes initial and terminal letters, alternatives and support for many languages. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swashes, using Character Maps (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

Ed Benguiat drew the PL Bernhardt font which was released in 1970. PL Bernhardt was modeled after a 1930/1931 design by Lucian Bernhard. All terminals on non-vertical strokes are diagonal so that lower and uppercase X looks as though they are dancing.

Bernhardt Standard, which was designed in 2003 by Julius de Goede, is a flowing Bastarde script. Bastarde is one of the sub-categories of Blackletter typefaces. The term Blackletter refers to typefaces that have evolved out of Northern Europe’s medieval manuscript tradition. Often called gothic, or Old English, these letters are identifiable by the traces of the wide-nibbed pen stroke within their forms. Of all of the various sorts of Blackletter styles, Bastarde scripts are the most flowing, or Italic. The first Bastarde typefaces, cut in the late 1400s, were based on French handwriting styles, especially those styles popular in Burgundy. The flowing nature of Bernhardt Standard makes it similar to some other sorts of Blackletter typefaces as well. Bernhardt Standard, because of its handwritten roots, is also similar to Kurrent, a style of handwriting that was popular in Germany prior the 20th Century. Bernhardt Standard is a very calligraphic face, suitable for formal applications. This typeface would be an excellent choice for certificates or awards. The old style figures in the font allow for nice short settings of text as well.

Bernard Script Is a calligraphy Vintage script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Pagoda attracts like a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Bernard Script comes with a Clean and Aged version, beautiful upper and lower case, binding and loved by many finishes. It has Multilingual support (Western European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards, and more. Products include: Clean & Aged Script Versions Alternative Upper & Lowercase Styles fastener Recommended for use in Adobe Illustrator or Photoshop. Special features do not work in Microsoft Word. Font Glyphs

In the early years of the twentieth century a number of romans with a soft and slightly script like quality were evolved. Although they did not represent the future in terms of the major design influences that were to appear after the First World War, they were a break with the past, and were developed further in the nineteen twenties and thirties. Monotype Bernard Condensed is closely associated with this period, a condensed roman evoking an easy charm. The Monotype Bernard Condensed font offers many display applications where warmth and friendliness is required.

Bernard Wacker is a modern and classic slab serif font with a unique and fancy look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Moldern is a modern-style serif with stylish ligature explorations. Moldern combines decorative, vintage, and minimalist style with a bold weight that is suitable for display. This font has a classy impression, feminine and expensive. You can apply this font for branding, fashion, logo, magazine, books, labels, invitations, cards, and more! Here's what you'll get : Uppercase Lowercase Stylistic set Stylistic alternates Ligatures Number & symbols Multilingual support Thank you for watching. Happy designing!

Moderna is a sans serif family inspired in simplicity of Modernism. Its contruction neutral and clean has been especially designed for short texts, headlines, logos and branding. With sixteen variants includes unicase version, some alternate characters, arrows and labels.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator's poster work. Lucian Bernhard's lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide. It has a unique personality. This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures. And an easier-to-identify "flagged" figure one and the new euro symbol are now located in each individual style. Bernhard Gothic is also available in the OpenType Std format. Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

This extremely heavy informal script was created in the early 1920s by Lucian Bernhard. Like so many of his designs, this typeface has its roots in his earlier poster work. Bernhard Brushscript invokes a rather warm, pleasant feeling despite a number of quirky characters. Originally created for the Bauer Foundry of Frankfurt, Germany, the face looks as though it’s been drawn with a brush and contains looping ascenders and descenders. Perfect for situations where a quaint and casual lettering effect is desired. The Bernhard Brushscript is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Lucian Bernhard designed this typeface for American Type Founders in 1929. Bernhard Fashion sports tall ascenders, stylish embellishments, and much taller than normal capitals that drop below the baseline. This extra light typeface radiates elegance and lightness. SoftMaker’s Bernhard Fashion Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

A version of Bernhard Gothic Medium. Quite useful for advertising.

Bernhard Condensed No2 a freely drawn heading typeface published by SoftMaker.

Introducing Moderately, a chunky and friendly typeface that makes a bold statement. This high-impact font is specifically crafted for designers seeking a display typeface with presence, perfect for applications where large, expressive type is a must. The defining features of Moderately include a generous x-height, soft curves, and tight spacing, ensuring a punchy and fresh aesthetic. Moderately is a deliberate departure from your contemporary sans with nary a straight line to see, embracing the organic and dynamic qualities reminiscent of blocky Art Nouveau typefaces, notably inspired by the works of Alfred Roller. While drawing influence from psychedelic / Art Nouveau revival typefaces of the 1960s, Moderately strikes a contemporary balance, delivering a design that is both impactful and approachable. Each glyph in Moderately attempts to maximize its space within the em square, incorporating slim carve outs for counters and apertures. The name "Moderately" adds a touch of irony, as this typeface is anything but plain – it exudes affable confidence and subtle flair. Created with versatility in mind, Moderately offers broad support for Latin-based languages, ensuring its adaptability for a wide range of creative projects.

Eidetic Modern is the sanserif counterpart to Eidetic Neo. Both families were developed in tandem, however the Modern was the first to be published by PSY/OPS [1997]. Eidetic Modern's features -- gently tapered stems, buffed corners and junctures, vertical stress, non-classical proportions -- combine to create a unique, contemporary humanist sans.

Craw Modern was designed by Freeman Craw in 1958 and first released by The American Typefounders Company, (ATF). In typography, 'Modern' is a style of typeface (classification) developed in the late 18th century that continued through much of the 19th century. Characterized by high contrast between thick and thin strokes and flat serifs. Bodoni is among the most popular of the Moderns. Moderns are also known as Didone and New Antiqua.

Introducing our cutting-edge techno font, designed to add a futuristic and sleek aesthetic to your designs. Inspired by the sleek designs of technology and the digital age, this font captures the essence of innovation and progress. Its clean and precise letterforms, along with its distinct futuristic style, make it an excellent choice for technology-based branding, gaming graphics, sci-fi posters, and digital interfaces.

Its one  of the modern Arabic fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays.