This rather modern versions of a Gothic style blackletter were originally drawn by Georg Trump in 1936 and 1937 respectively. To access all ligatures, I recommend to activate both OT features, standard and discretionary ligatures.

Black beer, strong Gothic. It is designed for logos, prints, headlines and more. The font has 4 styles, base, blurred, outlined, and aged. Contains basic characters and punctuation marks as well as extended multilingual characters.

Progreso is a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s. Supports most European languages, including modern Greek and most languages that use the Cyrillic alphabet.

Sinkwitz Gotisch is a new release of the font of the same name originally designed by Paul Sinkwitz in 1942. The Sinkwitz Gotisch was 1942 by Schriftguss AG Dresden font cast first cast and later supplied by the East German firm VEB Typoart. Paul Sinkwitz (1899-1981) has created them. This font displays not the characteristics of a chunky Gothic, which have influenced the image of national socialism. Paul Sinkwitz was a painter, graphic artist, wood engraver, was interested in religious topics, which he had presented in numerous graphics. But also his interpretation of his Gothic font is modern, without having the font this is ugly. In addition to the GOTISCH he created Roman Uppercase letters, which perfectly harmonize with the lowercase letters. This extra font is called BASTARD. The digital version of Sinkwitz is a beneficial addition to a Gothic with calligraphic character and should be in any historically interested graphic design.

A pen stroke Roman with a medium thick to thin contrast and slightly flared stroke endings. Capital was designed for all media and works best at 30 point and above. Capital requires subjective display kerning and compensation.

Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e.""

The Livingstone is an unique blackletter decorative font. It’s suitable for use in various projects such as gothic lettering, tattoo, headlines, posters, magazines, newspapers, t-shirts, labels, and every other design which needs a striking typeface.

Pindunk is a typeface inspired from gothic style. The Pindunk typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

Candlebright is a gothic calligraphy font with 345 glyphs, including stylistic alternates, swashes, ligatures, and a set of matching ornaments. Candlebright's smooth lines and round corners make it warmer than the average blackletter font, and it can be used for both vintage-inspired and modern designs. Candlebright works particularly well in logotype designs, or as a display font in editorial or website designs. The set of matching ornaments is perfect to add a touch of elegance to any design, and you can use it to achieve eye-catching social media and promotional designs.

Gothamburg is a blackletter or square gothic face. The shapes of many of the letters were inspired by sets of letters in Oscar Ogg’s The 26 Letters (Thomas Y. Crowell Company, 1963, 1948) illustrating the gothic style of the middle ages. The Plain and Bold versions differ not just in pen width, but also in pen angle. The Plain version has less contrast between the thin and thick strokes. The ShadowedInside style has the letter shapes of the plain style but the spacing of the shadowed style. It can be layered with the shadowed style to easily create two-color lettering.

Surf Serif is the font that retains some features and proportions of the old-style antiqua, but is adapted for modern conditions, mainly screen ones. Its uncompromising hard lines and corners create an expressive contemporary image being used in larger point sizes accidents. In the text sizes the font proportions, its triangular serifs and the displaced stresses cause some associations with the early Renaissance and even a gothic style. It makes the text useful where brutal modernity must be combined with historical allusions. For example the font seems to be suitable for decoration and advertising of modern Gothic fashion.

Intoducing Alkenyz, with a blackletter style, brings Alkenyz font more elegant, dense, and gothic. Complete by 2 Variation Family fonts with highly decorated caps. Alkenyz font sets come up with capital, lowercase letters, numerics, punctuation, and Multilingual Support. Alkenyz is perfect and suitable for logotype, Music Events, Tatto, Books title, Branding, Barbershops Lettering logos and many more can be discovered for stunning and gothic feels with this font. I really hope that you can work with this item and bring your design to the next level. Need any information or support about these items, please contact me : Thank you Aliptype

Look no further KINURE from Blackletter for the perfect Gothic font! This is a professional-grade font that you should use to design Labels, Retro, Stamps, Badges, Oktoberfest Posters, or anything else. It’s perfect for any kind of project that needs a bit of a gothic touch. Plus, it comes in a variety of beautiful, harmonized shapes so you can use the perfect word for your project. Whether you’re looking for a font for your logo, label, or badge, or you’re looking for a font for your latest music video or movie, KINURE Blackletter is the way to go!

Tazugane Info is a screen-ready Japanese font family, that follows on the debut of Monotype's first original Japanese typeface – Tazugane Gothic. It offers a more restrained personality, with calligraphic design details pared back to create a geometric letterform – a good alternative for designers looking for a matter-of-fact alternative to the warmer Tazugane Gothic tone of voice. Tazugane Info was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Info includes Reiwa designed as a single ligature and is encoded as U+32FF. “While Tazugane Gothic fits perfectly when your job requires an organic and friendly tone of voice, Tazugane Info provides a more solid look,” says Kobayashi. “I hope that having two options will make it easier to choose an appropriate tone of voice to convey information or brand messaging.” Its strokes create a smooth uninterrupted flow that's designed for use on-screen. Although books, newspapers and magazines are traditionally set vertically in Japan, smartphones, information panels and car navigation systems are all set horizontally – and Tazugane Info has been tailored to this environment, featuring a new set of kana phonetic symbols. Tazugane Info is available in 10 weights, and includes the complete set of kanji and latin found in Tazugane Gothic.

This willowy wonder is based on Morris Fuller Benton’s Stymie Obelisk, one in a series of typefaces he designed for American Type Founders in the 1930s. An obvious choice when real estate is at a premium, its classic forms will add just the right amount of punch to any headline it graces. Both versions include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

In 1994, John Benson designed the typefaces Caliban, Alexa and Balzano, all with similar characteristics. The typefaces are distinguished by their calligraphic style and their closeness to handwritten script. Caliban looks as though it were written with a broad tipped pen, with reserved yet lively figures which retain their legibility. Caliban is a good typefaces to use in short and middle length texts as well as headlines, wherever a personal touch is desired.

Front Row JNL is an all-caps reinterpretation of Morris Fuller Benton's 1937 type design "Empire", and is available in both regular and oblique versions. As is often the case when a digital type font is based on a few letter examples found on a printed sample [in this case, the sheet music of the 1946 Guy Lombardo hit "What More Can I Ask For"], the missing characters were drawn from scratch.

A wooden face, rather prosaically named Gothic Bold, from Hamilton's 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The Wilson Wells is an unique blackletter decorative font. It’s suitable for use in various projects such as gothic lettering, tattoo, headlines, posters, magazines, newspapers, t-shirts, labels, and every other design which needs a striking typeface.

Jack Pirate is a hand-drawn blackletter typeface, created by Måns Grebäck during 2019. It is a genuine medieval font with fraktur-inspired letter forms, Gothic decorations and a mysterious undertone. Use it for projects relating to the Middle Ages, or in modern contexts such as tattoo or storefront graphics. It contains an alternate alphabet, to be used as a stand-alone font or to give decoration and variation to the regular style. The font is multilingual and has an extensive range of glyphs; it supports all Latin-based European languages, contains numbers as well as all symbols and characters you'll ever need.

Longbow BB is an unconventional gothic/blackletter typeface with a hefty compliment of European characters. The Opentype version has autoligatures to make any two adjacent, duplicate letters or numbers look slightly different for a more hand-lettered look.

Based on gnostic studies of indecipherable Lovecraftian mausoleum inscriptions conducted in hidden colonnaded antechambers, Saintbride has an architectural and stone-carved heritage that makes it suitable for Gothic romances, metal CD covers, biker gang tattoos and wedding invitations.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

Godhong is a typeface inspired from gothic and rebel style. The Godhong typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.

The word Text" in Goudy Text™ is short for Textura, and textura is the style of blackletter or gothic writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. Lowercase forms in blackletter writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or fabric. Capital letters can provide either an integration of the even texture (by the use of decoration in their construction) or, if they are wide and open and filled with white, they provide bright spots of visual emphasis. Goudy, despite being an American in the twentieth century, understood well the fundamental texture of medieval blackletter and the importance of both density and light. He designed Goudy Text in 1928 for Lanston Monotype after studying the type in Gutenberg's 42-line bible; still one of the best models for designers of blackletter typefaces. The lowercase of Goudy Text has impact and medieval authenticity. The standard caps have some Victorian eccentricities but are mostly well drawn. The alternate, or "Lombardic" caps are spectacular - they set beautifully with the lowercase letters, providing the proverbial shafts of light through the Gothic cathedral's stained glass windows. Use this potent font in sizes 14 point or larger, for Christmas greetings, certificates, wedding invitations, advertising, or music collateral pieces."

ABKAD is a display font with a gothic style made with a more modern touch, perfect for your design projects such as merchandise, posters, book headlines, logos, etc. ABKAD is equipped with uppercase, numbers, punctuation, multilingual and unique alternate

Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten years later; Eurostile was the result.

This is a headline typeface created by imagining the appearance of waves in a square glass tube. It is a typeface that adds a wave shape to the gothic style in a full square module. HU BlueoceanKR includes Korean.

Osande is a modern sans serif font with neo-Grotesque touch, more homogenous forms with minimal stroke contrast. Osande the font family contains 3 basic forms: italics, obliques, and upright. Each of which has 7 different weights ( Thin, Extra Light, Light, Regular, Medium, Semibold, and Bold ). Osande can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Thank you.

Hey! I'm happy to introduce to you my new initial's set. These drop caps I found in the "Introductorium in astronomiam" manuscript. It was printed in Augsburg in 1489 by Erhard Ratdolt. I've added some lost letters and assembled a full alphabet. Augsburg is a medieval gothic style font. Set of dim colored and monochrome grunge style emblems. Engraved initial drop caps. Perfect for vintage premium identity, Middle Ages posters, luxury packaging. If you want dark and strong medieval style concepts, please try it. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, macOS 10.14 Mojave* *Please note that the Canva & Corel doesn't support color fonts!* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!