Sunrise a serif hand-drawn font with a retro look! There are three fonts included : Sunrise Regular Sunrise Outline Sunrise Extrude You can use these three fonts to create your own retro quotes and words! Font Features : Regular version Character set A-Z in uppercase and lowercase Alternates Character Ligatures Numerals & Punctuation Accented Characters Multiple Languages Supported Sunrise is perfect for : shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints and more! Have a great day, Haksen

Grovana is a modern family of sans serif fonts, which includes 12 fonts: 3 styles - regular, round and rough, each of them has 4 weight - light, regular, medium and bold. I also prepared many ligatures and alternatives that give you more opportunities to create your project. with them you can be unique and experiment with your design. This font is easy to read and universal, perfect for creating logos, book and magazine covers, advertising, branding, wedding invitations, posters, postcard, labels, business cards, packaging and much more.

Pixeloza 02 is a pixel-style, grid-based, display typeface. This is another version of Pixeloza type. Compared to Pixeloza 01, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics. Pixeloza 02 is available in two options: Pixeloza 01 Regular and Pizeloza 01 Skewo Regular.

Calendula is a humanistic font with low contrast and one-sided serifs. There are eight styles: four regular of different weights from Light to Bold and corresponding italics. The main set of regular styles is close to upright italics, so the font is percieved as informal and friendly. However, Calendula allows you to combine business with pleasure by switching the stylistic set, and turns into a calm text font with traditional upright forms. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Brogi is a stylish sans serif font designed specifically for logo and brand designs. Brogi exuded a sense of boldness and sophistication despite his menacing styles. Ligature fonts can be used for almost any purpose you can imagine. 10 Weights (Light, Regular, Medium, Bold and Black) 2 Styles (Regular & Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

The Buntro is a Display Typeface designed with carefully crafted. Comes with 2 Styles, Regular and Outline. This is a simple yet refined All-Caps Typeface. Also suitable for Branding & Packaging, Poster Design, T-shirt, Tattoo Design, Logotype, and any project. Support multilingual, number and symbol, alternates, and already PUA Encoded. What's inculded? The Buntro Regular The Buntro Outline Multilingual Support many different languages. Included AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝiŸỲŸÆŒßÞþ We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback.

Florian Fecher’s Lektorat font family is one for the books, and for the screens, and for the magazines. While an editorial’s main goals are to entertain, inform, and persuade, more should be considered. For example, clear divisions are necessary, not just from one article to the next, but in how each is positioned as op-ed or fact-based, infographic or table, vilifying or uplifting. From masthead to colophon, Lektorat has six concise text styles and 21 display styles to captivate, educate, and motivate within any editorial purpose. Magazines and related publications are notoriously difficult to brand and then to format accordingly. The research behind Lektorat focused on expression versus communication and what it takes for a great typeface to accomplish both tasks. In the changeover from the 19th to 20th century, German type foundry Schelter & Giesecke published several grotesque families that would become Lektorat’s partial inspiration. Experimentation with concepts from different exemplars gave birth to Lektorat’s manifest character traits: raised shoulders, deep incisions within highly contrasted junctions, and asymmetrical counters in a sans family. After thoroughly analysing magazine publishing and editorial designs, Florian discovered that a concise setup is sufficient for general paragraph text. So Lektorat’s text offering is concentrated into six total styles: regular, semibold, and bold with their obliques. Stylistic sets are equally minimal; an alternate ‘k, K’ and tail-less ‘a’ appear in text only. No fluff, no wasted “good intentions”, just a laser-like suite to focus the reader on the words. The display styles were another matter. They aim to attract attention in banners, as oversized type filling small spaces, photo knockouts, and in subsidiary headings like decks, callouts, sections, and more. For these reasons, three dialed-in widths — Narrow, Condensed, and Compressed — complete the display offerings in seven upright weights each, flaunting 21 headlining fonts in total. If being on font technology’s cutting edge is more your goal, the Lektorat type family is optionally available in three small variable font files for ultimate control and data savings. The Lektorat typeface was forged with a steel spine for pixel and print publishing. It unwaveringly informs, convincingly persuades, and aesthetically entertains when the tone calls for it. Its sans serif forms expand in methodical ways until the heaviest two weights close in, highlighting its irrepressible usefulness to the very end. Lektorat is an example of how much we relish entering into an agreed battle of persuasion — one which both sides actually enjoy.

Argenta is an informal, "hand-printing" font that has the appearance of writing by a child in elementary school. Argenta comes in three weights and has an oblique style for each weight. The child handwriting characteristic is developed in the ArgentaBobbed fonts, which add dots or little balls to the ends of letters. (Could they be called, "Ball Serif?")

Rembow is a custom calligraphy font which shows the strong but beautiful strokes. It is suitable for any occasions such as logo, brand, or even to write awesome quote on a poster. It came with a bunch of stylistic alternate glyphs as well as support International characters. Enjoy! You will get TTF, OTF as well as WOFF.

Fyra is a family of fonts ideal for diagrams and signage. Included in the family are versions with uppercase letters in circles and squares, as well as numbers 0-99 in circles and squares. The characters themselves were designed to be very neutral, so they should pair well with whatever other typefaces you are using on your project.

The geometric G-Slab family is characterized by distinct large serifs and variance of line width from hairline to bold. It is suitable for titles in different sizes as well as for text blocks. The family includes seven weights and two widths. The extended character set supports Northern, Western, Southern and Central European as well as Eastern European languages.

Our Bruno Ace Pro draws its inspiration from modern automotive logotypes. This geometric sans-serif has a wide stance with a tall x-height for a strong look and appeal, as well as ease of legibility. The SmallCaps and extensive figure sets offer a more extensive range of use as well as a more intense vibe.

The sans serif type style for the specialty font Nameplate JNL was given a serif treatment and is now Hotel District JNL complete with a full character set. Originally inspired by two Art Deco-era metal door signs saying "Men" and "Ladies", the thin lettering lends itself well to period pieces as well as contemporary design work.

Hygge Sans is inspired by Danish hygge culture meaning coziness and comfortable conviviality with feelings of wellness and contentment. Hygge Sans’ elegant simplicity makes this font family modern but timeless, clear and classy. It’s perfect for headlines, editorial uses, and advertising projects, as well as beautiful luxury logos. The font family comes in 24 fonts and includes stylistic alternates.

Krone is a clean, bold contemporary semi-serif font characterized by its flared semi-serifs and graceful curves. Well-suited for all graphic design challenges such as dynamic display headlines, logos, posters, cover/titles and much more. Its optimized kerning enables it to work well in a variety of text uses for both web and desktop.

Hassan is a traditional-style Arabic text face designed by Hassan Sobhi Mourad, an experienced calligrapher and teacher of the art and first produced by the Linotype Design Studio (U.K.) as a PostScript font in 1993. An individual Naskh style, Hassan cleverly combines elegant proportions, echoing an inscriptional Thuluth in its tall vertical stems and deeply rounded final jim and ain. The effect of verticality is enhanced by the tense, reined-in kerning strokes of ra and waw, the well-poised lam-alif, and the compactly drawn ligatures. The broad-band strokes of Hassan Bold smooth some of the angularity and relax the tension apparent in the Light. The traditional-style ligatures are rendered with an easy flow. Because of the economical character count, Hassan Light and Bold text may be headed by the compact titling styles (Hisham, Mariam) as well as designs like Ahmed or Kufi which answer to the inscriptional qualities of Hassan. In addition to other uses, Hassan would be particularly suited to document text-setting. Hassan’s two OpenType weights include Latin glyphs from Janson Text Roman, and Janson Text Bold, respectively, inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The OpenType glyph ranges incorporate Basic Latin and the Arabic character set, which supports Arabic, Persian, and Urdu. The fonts include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.

Mystery Writer JNL is based on the hand lettered title from the cover of a 1947 issue of “Ellery Queen’s Mystery Magazine”, and is available in both regular and oblique versions.

Introducing Deep Dope, another fun retro psychedelic-inspired typeface from creativemedialab. Its unique and consists of 2 styles Regular & Liquify. Perfect for summer theme design concept, branding, logo, and many more.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Youth offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.

Fonty, inspired by Spiro, is a very gestural typography special for titles. It contains Regular, Extrude and Spring, with which you can further enhance the message! I hope you enjoy it!

The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL, which is available in both regular and oblique versions.