Fourties is an elegant bold hand-brushed display font with capital letters. With a cool style, it will add a bold and powerful touch to your projects, inspiring you to create something bold too. Fourties is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

Richfont Bold is the bold version of my handwriting. I always felt that I had unique handwriting. When I was learning how to design fonts, the first font I made was Richfont Medium, which Bitstream is selling. The Bold version is the perfect companion to the medium version, which is offered at Bitstream.

Introducing Belora Vintage, a bold serif font with soft, bold edges and curves giving it a groovy 70s feel. Belora Vintage has separate lowercase and uppercase letters, as well as numbers, punctuation, and multilingual letters. With alternates and ligatures it's perfect for fancy retro-style logos, or bold header text and much more.

A well-designed bold art deco font. Very chunky. Uppercase, lowercase, numerals and punctuation. CastleType additions to the Koloss family include Koloss Bold Condensed and Koloss Bold Wave. The latter was used beautifully in the wonderful children's book The Leaf Men (and the Brave Good Bugs) written and illustrated by William Joyce.

In March 2010, Émile Fradin, a modest peasant farmer from central France, died at the age of 103. To his grave he took the secret behind one of the most controversial archaeological discoveries of the 20th century. A discovery which put into question the very origins of the written word and the paternity of European culture. It was the uncovering of peculiar artefacts would come to be known as the Glozel runes. The discovery of the Glozel runes On the first day of March 1924, a not yet 18-year-old Fradin was ploughing his family’s field in the hamlet of Glozel, when his cow stumbled into a hole. When he and his grandfather, Claude, looked closer, they discovered a mass of broken stone, under which lay an underground chamber. Within, they discovered pottery fragments, carved bones, and a peculiar clay tablet covered in bizarre characters that neither of the two could decipher. The family requested a subsidy for excavation works to be carried out, but were refused by the regional authority. With that disappointment, it seemed as though the discovery would fade into obscurity. However, the following year, news of Fradin’s unusual clay tablet reached the ears of the physician and amateur archeologist, Antonin Morlet. By the end of May 1925, Morlet began the first of his excavations.4 Within the first two years alone, he had amassed some 3,000 finds.

A playful handwriting of a child Twelve-year old Tobias Düsel designed the characters of this font in 2002 during his family’s furlough in the USA. He drew the alphabet freehand in pencil on a piece of stationery, and clearly had examples of the well-known college and military fonts in mind. The characters in their basic form are geometrically thought out, as well as the construction of the shadows. But remarkably, while drawing, Tobias Düsel did not reach for the obvious aid of a ruler. In fact, the strokes of the letters are not linear, rather are recognizably well-balanced with declining and increasing straights as can be seen in polished classical fonts. Originally this font consists only of upper case letters — all other characters (punctuation marks, figures and similar) have been modified from the components of the capital letters. Complementary to the original Outline-Shadow-Version TobyFont Empty, the variations TobyFont Inside and TobyFont Full are also available. ”Empty“ is, so to speak, the frame of the typeface as “Inside” is the filling, and “Full” is the sum of both. All three versions have the exact same body size so that they can be placed over one another congruently. In this way the effect of a font in two or three colors can be attained. TobyFont is excellently suitable for designing “picturesque” or “hand-carved” contents; large weights are especially charming and striking.

Farmhouse is a rustic serif typeface that was inspired by the woodcarved store signs on Main Street in a quaint little village nearby. Farmhouse is based upon the shapes of Baskerville but has a unique rustic character all its own.

This roly-poly romp through the alphabets is based on a showing from Carl Holmes' 1950s book, ABC of Lettering, published by art-for-the-masses magnate Walter T. Foster. Named as an apt companion to my East Coast Frolics.

A rollicking fun, freewheeling font based on designs compiled by R. Henderson in the 1903 book, The Signist. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use in both text and display matter.

Gilgamesh is the work of British designer Michael Gills, based largely on his calligraphic experiments and named after a poem from Middle Eastern mythology, The Epic of Gilgamesh". Gilgamesh offers functionality with style and will give emphasis to any typographic design."

Odeon is the kind of font you would have seen on theatre or concert posters around the turn of the twentieth century. It is based on Art Nouveau sign lettering and has a heavy, playful look that's hard to miss.

Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for ist counterstrokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Your rhythmic type-designer Gert Wiescher

Estonia Nouveau is based on the calligraphic style found in the East European country of Estonia. The traditional lowercase forms are combined with the more non-traditional script uppercase alternates to give a truly up-to-date, yet traditional look.

Based on one of the earliest Tuscans, from Thorowgood's foundry. The original was very poorly rendered in 1822, but keep in mind that decorative types were still quite new in the early 1800s. We redrew it, but kept it recognizable.

Arroyo is based on water flow. Little creeks on the surface of the earth formed by the action of fast-flowing water, this phenomenon inspired me to create this font. The little gaps/creeks form the letters of the font.

Ardenwood is based on a wood-carved alphabet from the early 1500s. It features gothic characters with elaborate floral decorations. The lower case has the more basic versions of the letters while the upper case characters are more extensively decorated.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

Vintage sheet music for a song from the Broadway Musical “Kiss Me Kate” is the inspiration for Katydid JNL. The play’s name was written in a ball-and-line type of lettering which somewhat resembles either 'Tinker Toys' or celestial mapping.

Royalist Pro is an expanded OpenType font based on "Secretary Hand" from the time of the English Civil War, circa 1632. This Pro version includes over 500 glyphs with alternate characters, ligatures and full Western and Central European Characters sets.

Kaaos Pro is based on the logo of the Finnish hardcore band of the same name. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

Dinosaur is a very grotesk and extremely condensed display font. Only useful for very big and short texts. The font comes with three regular weights and three italic weights. With 448 glyphs, Dinosaur font supports over 200 Latin-based languages.

Churchward Ta Tiki is a new font release by BluHead Studio, LLC from the exciting and unique typefaces of New Zealand designer Joseph Churchward. We will be releasing fonts from his extensive library in OpenType format on a regular basis.

Headline Modified, also called "Modified Gothic" by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed by the Hamilton Manufacturing Company around 1897.

Seleniak's outlines are based on the logo of the eponymous MSX video game, also created by its designer. Thus, all ratios are multiples of the typical 8x8 px video character unit, giving the typeface a characteristic appearance and interesting fitting properties.

Crossten is a rounded sans serif type family based on geometric forms. It comes in 20 styles, 10 uprights and matching italics. Each weight includes extended language support and many opentype features. Crossten is incredibly useful for nearly any creative design.

Stencilvania JNL is one of the growing number of stencil fonts based on original source material by Jeff Levine. In this case, a "solid letter" stencil from years ago was modified to give it the classic stencil look of broken lines.

This messy, natural handwriting font is a mix of cursive and print. It seems that the busier my life is, the messier my handwriting gets- and this is based on my real-life scribbled notes to myself and shopping lists.

LTC Keystone Ornaments is a set of over 100 glyphs based on "running border" ornaments from Keystone Type Foundry of Philadelphia, circa 1903. These geometric dingbats can be used individually for decorative emphasis, or combined in repetitive lines or complex patterns.

Alphabit is a grid-based bitmap typeface that celebrates the blocky and jagged letterforms of early digital typography. Designed with technology as the central theme, it simultaneously references a bygone era of computing and yet feels relevant for modern applications.