Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. This collection contains simple elegant frames, which are easily assembled from modules in different configurations.
This quirky charmer is based on a typeface called "Les Catalanes", designed in 1952 by Enric Crous-Vidal for Fonderie Typographique Française. Appropriately, it is named for the king of quirky Cataláns.
Coming Soon by Open Window is based on the handwriting from mom when she was in 6th grade. Solid balance, masterful strokes, and just a touch of lemonade stand for good measure!
Based upon H. Broedel's Hogarth Script, Gillray Pro, an RMU design, comes with two weights: Light and Medium. This formal script font is ideal for invitations, diplomas, certificates, book titles, ads etc.
Blackburn is a distressed text font designed to capture the look of old printing at small sizes. Based on a 19th century French type specimen, it contains a complete international character set.
Bazilic is an informal decorative typeface. It would look nice in greeting cards, children’s books and magazines, on candy and food packages, holiday posters and flyers. Bazilic was based on informal lettering.
Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.
Zanoix is based on text from an old horror poster. Comes with ligatures for both double letters and numbers. You will need to use OpenType supporting applications to use the auto-ligatures
A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. It is suitable for birthday cards and posters, signs and ads in the Thanksgiving and Christmas season.
A 1940s edition of the Speedball® Lettering Pen instruction book yielded the design that Brushmark JNL is based on. This lettering also lends itself to projects with tropical or jungle themes.
This typeface is based on Guillaume I Le Bé typeface. This font has all diacritic accents including the chanting diacritic (trop) and modern Nikud (Holam Chaser, Shevana, Kamatz Katan and Dagesh Hazak).
Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.
The typeface was designed at ParaType (ParaGraph) in 1993 (by Tatiana Lyskova). Based on Bernhard Condensed typeface of the Bauer company, 1912 by Lucian Bernhard). For use in advertising and display typography.
Martini™ typeface is a slab-serif based typeface that included six weights, two styles from ExtraLight to Black with advance typographical support with features such as discretionary ligatures and alternate characters.
Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.
Voynich is an eerie, alien font based on the mysterious tome known as the Voynich manuscript. For more information on the manuscript, please see the Wikipedia article at http://en.wikipedia.org/wiki/Voynich_manuscript
Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.
Western Adventure JNL is based on a classic lettering stencil of the 1950s. Part of a growing series of such stencil fonts by Jeff Levine, it's a perfect complement to Buckdance JNL.
Handwritten font for a romantic and lovely messages, funny texts and happy postcards. This font is based on the Alya's handwriting for friendly messages. Also maybe use for menu, headlines, logos etc.
The simple, chamfered lettering of Bike Tag JNL was based on a 1950s-era metal bicycle tag with self-adhesive letters that kids could customize with their name or any short words.
A light handwritten script font that is feminine and informal. Will lend a casual yet elegant feel to any design. Contains language support for both Latin-based and most Eastern European languages.
This typeface is based on Guillaume I Le Bé typeface. This font has all diacritic accents including the chanting diacritic (trop) and modern Nikud (Holam Chaser, Shevana, Kamatz Katan and Dagesh Hazak).
A new Enrich Design font based on the handwriting of Jeff Solak. It was designed to stay as true to the original style as possible. This font features an extended character set.
Nindia font is a font that was created based on the idea of beauty and elegance, with a modern and millimistic form, making Nindia font suitable for use in feminine design types.
This slab serif font of Adrian Frutiger is extremely legible and robust, making it suitable for most any use. Based on the forms of Univers, Serifa makes a harmonious and timeless impression.
Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.
Cattle Drive JNL is based on some examples of a classic condensed wood type. Lettering of this period lends itself well to themes of Western life, carnivals, circuses or classic broadside posters.
JH Haroun is based on the calligraphic Thuluth script; It includes over two thousand glyphs and smart Kashidas to simulate the actual calligraphy. It is ideal for titles, book covers, greeting cards .........