Dancin' is yet another unusual typeface from American designer David Sagorski. Based on his own style of handwriting, Dancin' is an inventive, carefree typeface ornamented with dots and unusual strokes.

Musirte Antiqua is a decorative display font great for large header-like usage, a distressed font design by the type foundry Intellecta Design based in vintage typography from XIX century.

Based on the sheet music title lettering for Al Jolson's 1920 song "Grieving for You", the casual style of Nouveau Work JNL is available in both regular and oblique versions.

Based on the writing used by the Copts in ancient Egypt, the font includes alphabet and numeral symbols. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

Record Jacket JNL gives an outline treatment to the popular typeface used on record album covers in the 1960s and 1970s, and is based on Jeff Levine's Album Cover JNL.

A multi functional modern Hebrew font family, based on function rather than decoration. This font family enables many combinations, maintaining visual consistency. An excellent companion with Latin Universe font family.

Maître d' Stencil JNL is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

A little bit of thick-and-thin Art Deco hand lettering is offered up in Wonderful JNL, based on some promotional text found on an old piece of sheet music.

Tapas Signpainting is a typeface based on traditional sign painting letters designed by Cifonts. This family has six variants and is useful to compose display texts, vintage logos, headlines & packaging.

Ashley Script is a typeface developed by the British designer Ashley Havinden in 1955 for Monotype Corporation. Ashley Script is a brush script and is based on Havinden's own handwriting.

The simple, square-shaped font that is Boat Decals JNL was loosely based on water-applied decals made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois.

Nippon is a handdrawn cartoon font with an oriental touch. I based it on my earlier typeface, Morganhand, making it more angular, and added some calligraphic impression in the glyphs.

A stencil variant of last year's bestselling Device font family, Korolev . Named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932.

It is not really a font, they are more icons. Based on a grid of seven circles al 127 possibilities – filled an unfilled. Use it decorative or just for fun.

Based on hand-drawn letters from a Russian poster. The Cyrillic version is still in development. Uppercase only, but each letter has four different sizes for creating very interesting typography.

DF Tapa is a typeface based on the vernacular, popular graphics used in Spain. They proudly announce the daily fresh snacks which are homemade and served in every proper bar.

Carmine Tango is an elegant script based on a 1934 design by Lucian Bernhard. The Carmine Tango font is a good script for many situations, including invitations, menus and brochures.

An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.

Sina Nova is the slimmer sister of Sina. It has a slightly vertical tendency, a higher x-height which makes it more open in small text sizes. Its economical proportions allow an even more universal application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Sina supports Western European, Central and Eastern European languages.

Burlington was designed by Alan Meeks in 1985 and is a decorative typeface in the neoclassical style of the middle of the 19th century. Characteristic of faces from this time is the low x-height, which makes the font look as though it is reaching upward. This combined with the white areas in the strokes give Burlington a light, airy feel. The elegant Burlington is particularly good for headlines and can also be used for short texts in point sizes of 12 or larger.

Coastal is a typeface made up of 12 fonts, it is a display sans family with some cues that give it a fun looking and informal type family. Coastal has rounded, rough, hand and outline versions so there are a lot of options to play around and have some fun with. Coastal is great for headlines, posters and artwork where larger type is needed. It also has some neat alternate glyphs that give the user a few more additional options to get creative with.

Campan, is a new semi-linear face which unites mono-line and classic elements. It is very strong in headlines and its tall x-height lends itself to comfortable reading in text applications. The Campan family comprises 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Smudger, from designer Andrew Smith, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and give the font the smudged look that inspired its name and gives the font its unmistakable character. Smudger is a font that just cannot settle down. It is best used for headlines and short texts in point sizes of 12 or larger.

Van Dijk was designed by Peter O'Donnell in 1986 and is a zigzag typeface with a printed handwritten character. Angular forms and an emphasized slant to the right make it seem energetic and forward-reaching. The s forms with their rounded and softer forms contrast all the better with the rest of the alphabet. The strong figures of Van Dijk are reminiscent of advertisements of the 1940s. Van Dijk is best used for headlines or short texts in point sizes of 12 or larger.

Bowling has letters on bowling pins. On the upper-case keys, the bowling pins are white with black letters and on the lower-case keys the pins are black with white letters. The lower-case letters can be colored and placed behind the upper-case letters to give two-color lettering. (The letters on the pins are from the typeface InsideLetters.)

Designed by Cosimo Lorenzo Pancini and Mariachiara Fantini with the help of Solenn Bordeau, Erotique is an evolution of the original design by Zetafonts for Lovelace, that challenges its romantic curves with the glitchy and fluid aesthetic of trans-modern neo-brutalist typography. The seductive "evil serif" look of the Pheimester-like Oldstyle letter shapes is made edgier by the quirky connections and unexpected calligraphic twirls that marry digital distortions to traditional penmanship. Sensuous but sharp, Erotique speaks the language of teasing, and unrequited love, over-the-top and restrained like a show of Japanese Kinbaku, and beautifully heartbreaking like a friendzone valentine. Designed for display use, this high-contrast serif typeface is ready to take center stage in projects where a subtle elegance and an edgy, aggressive touch are required. For branding use it is paired by a Erotique Ornaments, a set of interlocking patterns based on the font letter-shapes, allowing for striking packaging, digital and ambient design. For editorial use it can add a sharp sensuality to logos and titles thanks to an impressive array of alternate glyphs, subtle ligatures and a set of whiplike fleurons, collected in the Erotique Flourishes pack. The typeface has been developed in the regular, medium and bold weight plus a monoline version, all of which have been paired with an Alternate version to give immediate access the more exotic alternate letterforms. With a character set of over five hundred glyphs, all the the weights of Erotique cover almost 200 languages using extended latin, and include advanced Open Type features as Stylistic Alternates, Standard and Discretionary Ligatures, Positional Numerals, Swash and Case Sensitive Forms. If you are a typeface lover, be warned: Erotique could be your fatal attraction!

"PGF Caprina Pro" is an audacious and rough geometric sans-serif font inspired by the wild and untamed personality of mountain goats (the word "caprina"‘ in Spanish is related to or resembling ‘goats’)—amazing animals which can skilfully climb up slopes and withstand very cold temperatures. Was originally developed under the Latinotype team supervision and is now upgraded to this Pro version that comes in 20 font styles, with 739 glyphs each, supports now more than 200 Latin-based languages and includes a wider OpenType features range like: Stylistic Alternates ‘set 01’ for b, d, g, p, q, i, j, t, y, &, I, G, M Stylistic Alternates ‘set 02’ for d, g, j 4 Stylistic Alternate from ‘set 01’ to ‘set 04’ for Enclosed Numbers (circles and squares) Stylistic Alternate ‘set 05’ for curved 3 and ‘Zero with dot inside’ Contextual alternates automatically turns ‘zero’ into a ‘slashed zero’ in alphanumeric contexts Contextual alternates automatically turns “Il” into a serif for improve its legibility Case Sensitive when "All Caps" is activated for ß, ¡, ¿, () [] {}, ‹› «», •(bullet), *(asterisk), -(hyphen) Standard Ligatures for fi, fj, fl Discretionary Ligatures for tt, tr, www, LL, TT Lining Numbers Old Style Numbers Tabular Lining Tabular Old Style Numbers Slashed zero on every number figures Numerators and Denominators from 0 to 9 for any Fraction expression Superiors and Inferiors from 0 to 9 for any scientific notation Ordinal forms for ‘a’ and ‘o’ Localized language customization for German, Dutch, Polish, Catalan, Romanian, Moldavian, Turkish, etc. Every OpenType option is also accessible via Character Map allowing users and designers to choose an alternate design for a particular character. “PGF Caprina Pro” is well-suited for high-impact action publishing and advertising as well related with adrenalynic and extreme sport design stuff.

A touch of modernism for all kinds of projects Like the rest of the family (Rival Sans and Rival Serif), Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary cast iron for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled, pro kerning…It comes also with a complete range of figure set options It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts.

Inspired by the most common grotesque heights and boxed sans serif typefaces, Luzern Typefaces was built with low-mid contrast sans serif and was designed in quite tall caps height and lower x-height which represents the flavor of the dynamic typefaces and is subtle for the display typefaces. The typefaces comes with five weights, from light to extra bold, plus matching italics in each weights. And Luzern Typefaces is loaded with OpenType features such as some stylistic alternates in uppercase, case-sensitive forms, fractions, and another numerals features such as super and subscript characters, tabular figures, numerator-denominator, etc. It’s highly usable for display text titles such as editorial magazine headline, websites heading, poster, advertising, logo, also it works well for medium body text. It comes with more 400+ glyph support including more latin european diacritics language.

Laima is the brush-formed stencil from Bogidar Mascareñas that will create an ovation for branding, album art, upscale venues, and packaging. If wide appeal, attention to detail, or international reach is necessary for your brand, consider Laima’s high-calibre design as your personal ambassador. The general font user is accustomed to stencil typefaces that have a brute look to them — industrial, mechanical, restrictive, or even militarised. Stencils are commonly used because they serve a function, like spray-painting over template letters, giving the reader a warning that must be heeded for safety, or a command to follow immediately. Wooden crates and grunge art are the medium and black or red paint are the norm. Laima, instead, creates a stencil from the world of calligraphy to turn all this on its head. Laima’s 12 stencil styles (six roman and six italic) use the junctures of calligraphic strokes as an opportunity to achieve an uncommon stencil effect, shifting to create unexpected shapes and the illusion of twisted, disconnected overlaps. Inspired by “Arte Nueva de Escribir”, an engravings book published by Francisco Palomares in 1776, Laima progressed well beyond its beginning as a Type and Media Master’s project at KABK, The Hague (NL). It sometimes required completely new character shapes to accommodate the space needed for clear diacritic marks, and was further enhanced with flourishes and alternates for liveliness and variety in individual or branded work. Laima’s italic begins with swashes and uses OpenType features to automatically turn them off with more than two successive capital letters. Use one swashed character for a drop cap, two for ligatured fun, turn them on or off at your discretion, or change the ascender length and swash shape to suit your creative need. With two styles of numerals and stylistic sets for final forms, Laima’s 12 styles and hundreds of Latin-based languages can turn simple words into an occasion that would immediately benefit high-class brands and special uses. Set that article title, release that new product, code your best-looking UI yet, letterpress that business card, and print that gourmet label. Whatever is next, Laima is the unexpected stencil partner to introduce it to an expectant world.