The Lustra Text family is the next evolution of our Lustra Family, which finds its origin of inspiration in the HYUNDAI automotive company logo, and from there expands to an 8 font family of weights. Lustra Text still nods its head to the techno display styling of the inspiration logotype, but evolves its brand inspired origin from a display to a text font family that pulls on modern and historical styles like Eurostyle and Bank Gothic. This text family inherits a sturdy yet approachable geometric style with its uniform stroke forms and curves, and includes a lowercase with a Stylistic Alternate for the lowercase "a", a numerals set, and a comprehensive range of weights. This is a straightforward, powerful, and uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Bloxic is a chunky, counter-less display typeface, packed full extra characters and some bonus icons! Bloxic comes packed with over 320 glyphs, including stylistic alternate characters, circled numbers, and a whole bunch of useful symbols and stuff. It started life back in 2008, when pop/punk/emo bands were all the rage. Pulled from a hand lettered t-shirt design, adapted and systemised – it now exists for your typographic pleasure. It still carries some of the hand rendered feel of the original design, and has some slightly different takes on a zero counter typeface (which the world clearly need more of...).

Resonant Chilliner is a spectacular duo font (Serif and Script). Perfect for product packaging, branding project, magazine, social media, and much more. Add this font to your favorite creative ideas and notice how it makes them come alive! NOTE: Quick access beginning and ending swash with ligature, add (2-3)x underscore before or after lowercase a-z.

The Vampires have risen from their graves! Innocent young virgins (also goats, sheep, sheep dogs, cows and other sundry farmyard animals) may not see out the night. DUSK TILL DAWN has been exhumed, lightly dusted in dry earth and exsanguinated for your convenience. Bury your tombstones in Gothic Chic with a font that may very well be worth dying for. We cannot guarantee you will come back to life however. We waited to unleash this font until the midnight hour, so grab your wooden stakes, silver bullets, crossbows, slingshots and any supernatural weaponry you may have at hand. Garlic capsules and Holy Bibles are also recommended!

Introducing Fire Hell – a fiery font inspired by the intensity of death metal. With flames dancing within each letter, this font is tailor-made for death metal, black metal, gothic, horror, and other heavy music genres. The sharp, angular design adds a touch of darkness, making it the perfect visual companion for bands seeking a fierce and impactful typographic identity. Unleash the power of Fire Hell to set your artwork ablaze and embody the relentless spirit of heavy music. Ignite the darkness with this visually striking font! Fire Hell features: Allcaps Beginning Uppercase alternate Ending Uppercase alternate Numbers and punctuation PUA Encoded Characters OpenType Features

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won't notice much about style, but something will let you feel extraordinary and trust. Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.

Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won't notice much about style, but something will let you feel extraordinary and trust. Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.

Tremendo is a gothic sans serif superfamily with a large number of widths and weights that make it a great choice for versatility, clarity, and dynamism. Built with both grotesque and geometric principles in mind, it's remarkably useful for everything from print copy to the largest display applications. If you're looking for a family that will serve your needs, and be noticed Tremendo is it! A note on the name: "Tremendo" is Italian for "too much, insufferable, awful." It's a tongue-in-cheek moniker for a family that's rather monstrous in size and forceful in impact. Give it a try and you'll see that it's much more of a workhorse than it may at first seem to be!

Wolfsblood is a new display face by Jim Ford, adapted from hand-lettered logos spawned by punk rock bands like The Misfits and Bad Brains. The style can be traced back further to Hollywood and the explosion of low-budget exploitation, horror and sci-fi films, which also had an influence in punk rock. Wolfsblood captures this bizarre dark-spirited lettering which has become a staple in the designer‘s work for bands and posters. The Wolfsblood font has an expanded character set with borders, dingbats (yes, Bats!), and contextual ligatures programmed to give the typeface a random appearance by default. As with some of Jim‘s other typographic experiments, Wolfsblood encourages the designer to play with upper and lowercase, and mixed-case settings, to replicate the decisions that a lettering artist might make. Wolfsblood is great for logos, posters, headlines and short bits of text, and will add a fun, aggressive energy to your dark and other-worldly creations.

Zawlbuk is a type inspired by Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura. The Letters are drawn using a flat nib pen on a paper, scanned and drawn into a vector format.

A pen stroke Roman with a medium thick to thin contrast and slightly flared stroke endings. Capital was designed for all media and works best at 30 point and above. Capital requires subjective display kerning and compensation.

Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for name imprints on medical school diplomas, which seems a bit grotesk. Surely you can do something better with it.

Proudly Presenting, Xwisth a Gothic Handwritten Font that will bring an a classical type. Xwisth is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Xwisth also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Adso was born out of a research that studied the possibility of reintroducing Gothic writing in our contemporary world. Inspired by Textura, Adso was decidedly freed of all those little details that make Blackletter faces appear foreign or even displeasing to the contemporary reader’s eyes. Nevertheless, the basic features of Gothic color were preserved: verticality, modularity, and darkness. Adso is a gothic font for today’s age, highly readable and open to all fields of expression.

Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture. We recommend to combine Blaq with: Turquoise Nautica

IMPORTANT: This is the VARIABLE VERSION of PG Gothique This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique Variable is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique Variable to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 default styles that cover pretty much every width and weight you could ever need, while this variable version unlocks options to match your exact style preference – including the angle of italic. PG Gothique Variable is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This typeface has a style that will suit the purpose. There are 99 default instances in this family, ranging from Thin to Ultra weights across six widths in both roman and italic. Activate Stylistic Set 1 and you will get the alternate slab-serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique Variable has an extensive character set that covers every Latin European language. See full details and hi-res examples at https://paulogoode.com/pg-gothique

A retro looking gothic with that "South Beach" look.

A sans serif casual gothic. Works for many applications.

Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.

Racula is an fun, scary, and amazing gothic serif. It will add a unique and stunning look to your designs. It is perfect for fun scary games, children horror story book, logos, branding, advertising, Halloween projects, gothic designs, apparel, tattoos, and more!

Gothicon is an authentic classic blackletter gothic vintage font. Multilingual support (All Latin Languages). Well to use in Poster, Vintage Labels & Badges, Headline, Packaging, Clothing Branding and much more. Please see also our Victorian Gothic font: https://www.myfonts.com/collections/luxgard-font-tadiar

Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with the angular diamond and hexagonal shapes of Gothic.

Bucintoro is a modern version of the rotunda blackletter, the Gothic book hand of Italy and Spain in the 14th, 15th, and 16th centuries. As the name implies, it's more "rotund" than the tall, angular Textur blackletter used in Germany that Gutenberg imitated. While the use of blackletter continued far into the 20th century in Germany and Scandinavia, the rotunda gave way to roman (and later also italic) letterforms in Italy, France, and Spain. It's less well known these days. Bucintoro has upper- and lowercase alphabets, numerals, punctuation, diacritics but lacks such modern characters as currency symbols. Has light, medium, and black weights.