Retro-Avant-Garde for Club-Flyer-Honks and Plastic-Pussy-Chicks. Get the groove!

Based on the blobby lettering printed on the sheets of plasterboard (drywall) used in a garage conversion during the summer of 2004.

The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.

A stencil variant of last year's bestselling Device font family, Korolev . Named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932.

The hand lettered pre-Deco style title and songwriters' credits on the cover of the sheet music for 1929s "The Love Parade" were the models for Deco Days JNL, which is available in both regular and oblique versions.

Developed from an earlier sans serif font called Mechanihan.

Brian Strysko, a graphic design student at California Polytechnic State University, came up with an idea for a typeface crafted from everyday gadgets and tools. After much poking around in do-it-yourself" books and friends' garages, Brian created Toolbox."

A font that's a sans on the outside and a serif on the inside. Inspired by fonts like Rotis, Clarendon and a little Avant Garde, Interna has a slightly vintage feel to it.

Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects. Includes Opentype Kerning. Available in both solid and outline versions.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Aubette is based on Theo van Doesburg’s 1928 signage lettering for the Café Aubette in Strasbourg. A collaborative project with Jean and Sophie Arp, the design and decoration of the entire restaurant and leisure complex was one of the largest projects to exemplify 1920s avant-garde, and the theories of Dutch De Stijl.

Strandall is sharp display typeface inspired from warrior themes to support your brand/project.

Ideal for magazines, posters or flyers, Inlove is a modern take of Ariel Di Lisio’s passion for geometric and very contrasted typefaces. Because the strong influence over his work, Ariel was invited during 2009 to be part of the Herb Lubalin Exhibition at New York. Designed by Ariel Di Lisio and digitized by Ale Paul.

Designed by M. Fahrenwaldt for the Schriftguss foundry in 1929, Minister font is a contemporary design based on Garalde types. The letters have an oblique stress, capitals are wide, serifs are prominently concave. Minister font has obvious calligraphic overtones, making it a good informal text face.

The DF-Daantje is an icon font based on a brisk black creature: our Fell Terrier ‘Daantje’.

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

It's phat, it's happy, it's weird, it's wonderful. Say hello to Freakin Wicked Display font! A retro groovy display font, but with a cheeky touch of the future. Great for any project that needs something a little loud and lot avant garde.

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel "Negro" Di Lisio's son. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Originally compiled by George Nesbitt (1838) this font has newer lowercase designs. Probably comes from an earlier French font, never acknowledged.