Acid Reflux, a font designed by Jason Ramirez, is a distinct and bold typeface that captures the essence of chaotic beauty and edgy creativity. Its design appears to be inspired by the unpredictable ...
The font MissingLinks, crafted by the prolific font designer Manfred Klein, is a captivating and unique typeface, infused with a blend of artistic flair and whimsical irregularities. Manfred Klein, k...
FuturaPress: if fonts had a personality, FuturaPress would be the cool, vintage bike-riding hipster who prefers vinyl records over digital music. Designed as an homage to the classic clean lines of i...
Alright, let's talk about Cocaine Sans by Chris Hansen. Imagine a font that not only captures your attention but also holds it hostage with its bold, unapologetic style. That's Cocaine Sans for you. ...
The font “FD Messed Up” by Font Duster encapsulates a unique blend of chaos and creativity, an artistic paradox that draws in enthusiasts of unconventional design. Imagine letters that seem to have b...
Quark Outline is a distinctive font created by dustBUSt Fonts, characterized by its innovative and creative design that stands out in the realm of typography. This font embodies a unique blend of mod...
The "Whatever" font by AEnigma is a unique and expressive typeface that embodies a blend of casual flair and creative whimsy. Created by the British font designer Brian Kent, the talent behind AEnigm...
BASEHEAD is a distinct typeface that embodies a bold and unapologetic character. It is a font that captures the essence of raw energy, rebellion, and creativity, making it an ideal choice for project...
BobTag is an exemplary display font created by JOEBOB graphics that exudes creativity and brings a unique flair to the realm of typography. It embodies the perfect marriage of whimsy and practicality...
Imagine a font that decided one day to get out of bed, stretch its limbs to the sky, and perform an impromptu dance routine. That's Kicking Limos for you. Created by the typographic maestro Ray Larab...
Upheaval TT BRK by AEnigma is a testament to the creative and rebellious spirit that fonts can embody. At its core, Upheaval TT BRK is a display font that demands attention, breaking away from the co...
KASnake, a font designed by Vytautas Abraitis, stands out as a unique and imaginative typeface that reflects a playful yet structured approach to typography. This font bears an inventive fusion of sh...
The RaveParty Oblique font by Three Mile Island is an evocative typeface that embodies the spirit of rebellious fun and electrifying energy often associated with rave culture. From its name alone, on...
The Zig Zag ML font, crafted by the designer known as koeiekat, is an intriguing typeface that captures attention with its distinctive style. The word "Zig Zag" in its name already hints at the angul...
As of my last update in 2023, the "Copyright Violations Nudged" font by GemFonts | Graham Meade isn't a widely recognized or popularly discussed font in mainstream typography circles, which suggests ...
As of my last update in April 2023, "Spoonge Punk" created by Pastaza Type stands out as a distinctive addition to the typographic world. This font captures the essence of rebelliousness and innovati...
As of my last update in early 2023, the font named "Insert 2 by 2 The Left Typefaces" doesn't appear to be a widely recognized or documented typeface in popular type design references or font librari...
The "Ziperhead" font by pOPdOG fONTS distinctively stands out in the realm of typography due to its unique and energetic design approach. Created with a dynamic and somewhat whimsical style, this fon...
As of my last update in early 2023, the font named "OZH" created by Paprika Breitholtz is not broadly recognized within mainstream font databases or among widely circulated typographic resources. How...
Alright, let's dive into the font HoMicIDE EFfeCt. Just from the name, you can tell this isn't your average, everyday font. It suggests a vibe that's edgy, perhaps a bit dark, yet undeniably eye-catc...
"Last N Line" by Skydog is a distinctive font that immediately catches the eye due to its unique characteristics. It is a typeface that rides the line between order and chaos, meticulously crafted to...
The Wild Sewerage font, crafted by the remarkably talented Ray Larabie, emerges as a distinctive and versatile typeface, manifesting a unique blend of creativity and rebellion. This font stands as a ...
Disorder, crafted by the talented font designer Vladimir Nikolic, is a unique and intriguing typeface that embodies a striking balance between chaos and readability. This font stands out for its crea...
FEMME is an intriguing and evocative typeface that embodies a fluid and expressive aesthetic, designed to capture attention at first glance. While I'm crafting a fictional description given there isn...
The CONFLICT DRIPS PERSONAL USE font, designed by the esteemed artist Billy Argel, stands as a testament to the emotive power of typography. This font doesn't just capture attention; it seizes it wit...
Yoko Smile, crafted by the talented typeface designer Rémi Godefroid, is a font that exudes happiness, creativity, and flexibility. At its core, Yoko Smile represents more than just a series of lette...
The font MKaputt-Expanded by Manfred Klein is a distinctive and engaging typeface that captures the imagination with its unique characteristics. Manfred Klein, a prolific and versatile font designer,...
Sure thing! Castorgate - Messed by Apostorganic Labs is a fascinating and distinctive font that truly stands out with its unique characteristics. It is part of the broader creative work that the Apos...
As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
Ah, diving into the realm of typefaces, are we? Let’s explore the font named Steadmanesque. Picture this: a canvas of paper embracing ink in such a manner that it seems to dance, twist, and shout fro...
The font named "Bad" might initially evoke thoughts of a typeface designed to break the conventional rules of typography or one that espouses a rebellious or unconventional aesthetic. Indeed, fonts w...
Nonstop by PizzaDude is a font that directly embodies the spirit of fun, creativity, and relentless energy. Just like the name suggests, Nonstop carries an unstoppable, dynamic flair that can instant...
Scrawl, designed by Nikolay Dubina, is a distinctive and expressive font that captures the energy and spontaneity of handwriting. Unlike the precision and uniformity found in most typefaces, Scrawl e...
Moby, a distinctive and architecturally inspired font, beautifully captures the modernist spirit coupled with a playful twist. Its design is not just a mere arrangement of letters but a thoughtful cr...
Imagine a font that decides to escape the mundane life of letters trapped on a dusty chalkboard, embarking on a dazzling journey into the neon-filled nights of a sci-fi metropolis. That font would be...
Given that Antagonist - Personal Use is a creation attributed to Haksen Studio, one can imagine that its design embodies a contemporary, innovative, and likely bold aesthetic, typical of the creative...
The Multistrokes font, crafted by the prolific and imaginative designer Manfred Klein, is a distinctive and fascinating typeface that captures the essence of creativity and fluidity. Manfred Klein, k...
Edmunds, a captivating font crafted by the renowned Canadian type designer, Ray Larabie, stands as a vivid testament to the harmonious blend of tradition and innovation in typography. Larabie, known ...
Asylum, crafted by Clearlight Fonts, embodies a unique font narrative that stands out in the realm of typography for its distinctive characteristics and vibrant personality. This typeface is a conver...

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.