FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

OCR-A AI Text is the version for normal use when the text will be read by humans. OCR-A AI is the version to use for machine reading.

Introducing Reggy A unique and attractive display font that consists of 5 weights from thin to black and variable format. Sharp corners combined with rounded dynamic curves create a fun and happy impression. Reggy is suitable for packaging design, logos, header text and branding, creative, entertaining design themes to instantly grab the audience's attention. The stylistic alternates allow various shapes to give your lettering idea a well-looking look.

MELOWEST fonts are a broad category of fonts designed for short and often large format applications, such as billboards or posters; logotypes; headline or header in a magazine or website; and book covers. Display fonts go beyond style - they are. MELOWEST with a round style gives the impression of being flexible and not rigid. Includes: Uppercase Lowercase Numbers Punctuation Symbols Multilingual support PUA Encoded Characters Fully accessible without additional design software.

Introducing Gelegar, the extraordinary ultra-wide display sans serif font meticulously crafted for commanding visual and emotional impact. Gelegar offers three distinctive styles – expanded regular, rounded, and press – each exuding its own unique character to suit your creative vision. Whether you're designing posters, social media posts, headlines, titling, or large-format prints, Gelegar ensures you stand out from the crowd. Embrace the font that demands attention and amplifies your message.

Hugo is a über bold and rounded display font. Perfect for headlines, logos and everything above the body.

Büro Destruct’s «BDR mono» typeface has a long tradition in the font library of typedifferent. Initially designed by Lopetz as a single weight, monospaced Mac PostScript Type 1 font way back in 1999, it got a first update as a little family with light, regular and bold weights, plus an extended glyphs set in Opentype format during 2006. With this 2021 update the typeface received a second rounded family and a complete glyphs set with all needed characters used in the north, east, south and west of Europe. The «BDR mono 2021» serves great in signage, routing people, architecture, technical plans, manuals, or even science and fiction related communications.

Adams is a revival and major expansion of Dolf Overbeek's Studio typeface and Flambard, its bold counterpart, originally published by the Amsterdam Type Foundry in 1946 and 1954. This digital version adds small caps and a new light weight. Adams is a simple upright, flat brush script, with stroke angles carefully designed to give the same color in all sizes. It is reminiscent of the sign lettering commonly found in the 1930s and 1940s. The Adams fonts are available in all popular font formats, and the character sets cover a wide range of codepages, including Central and Eastern European languages, Esperanto, Turkish, Baltic, Celtic/Welsh.

Elicit Script Variable Set is a single font file that features two axes: Weight and Contrast. Each axis has preset instances The Weight axis has instances from Extra Light to Bold. The Contrast axis has instances from Casual (low contrast) to Formal (high contrast).

The hand lettering found on the cover of the 1912 sheet music for "Somebody Else is Getting It" featured a blockish Art Nouveau style with rounded corners and a very lurid title [although it likely had a more innocent meaning in those days than the casual observer might interpret today]. Now available as Nouveau Standard JNL, it is available in both regular and oblique versions.

Monoska is a display monospaced font designed with classic industrial taste and rounded font style by Radinal Riki. Inspired by retro vhs font. created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, logos and more. Come in only one weight, this entire font is capitalized and with a character set that covers over 100 languages.

Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.

This Bodoni-like font sets out to slightly square off rounded shapes, adding a very slight curve to the join from the square serif and stem, and minimizing and softening the pronounced bulbs found in Bodoni. There are hints of Walbaum and Melior but the overall effect is a more subtle, and interesting letterform that is friendly, fresh and contemporary. Ideal for corporate communications, ads and magazines.

Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines. Arco also combines elegant symbols to sweet contrast. Normal & Outline version.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn't look nice to me. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Bokeseni is a cute and casual sans serif font with an undeniably clean feel. It includes a condensed, and expanded version. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

Thannhaeuser’s mid-1930s display blacklettr font as a fresh and extended redesign called Staufer Gotisch. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. To reach the numero sign, type the combination N-o-period und activate the OT feature Ordinals. The # key is occupied by the round s.

Marbach is a strong text face, solidly built with a commanding structure. Although firmly situated in the lineage of classic book faces, it features many contemporary graphical elements. It is stable in small text sizes and will show appealing formal qualities in display applications. The Marbach family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows and some alternate characters.

Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal. The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.

Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation of familiar and successful formal features, transformed into a contemporary look. The Urania family consists of 18 styles and it comes in OpenType format with extended language support for more than 40 languages. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.