Accia Sans is a humanist sans-serif typeface with character. Its strong features make an outstanding performance in branding applications, as well as in editorial designs. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Sans is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. Anyway you slice it, these five Ingredients can be layered to generate a Hero Sandwich with the carbs and protein you need to deliver a knuckle sandwich to the bulking agents of your deadliest foes! See these families related to Hero Sandwich Ingredients: Hero Sandwich Combos Hero Sandwich Pro

Amdeira Script is a bold style script font. elegant, simple and slightly vintage look. This font is equipped with open types such as: ligature, Stylistic Sets, Last alternative. In addition, this font also supports multiple languages. You can mix and match your best combination. And besides that, this font is suitable for your design needs such as: poster design, magazines, logos, branding, packaging and many more. To enable the OpenType Stylistic alternatives, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Encoded PUAs are also supported. Access font characters compatible with Silhouette Studio, Cricut Design Space. Simply copy and paste alternate characters using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac)

Love Future is a bold style script font. elegant, simple and slightly vintage look. This font is equipped with open types such as: ligature, Stylistic Sets, Last alternative. In addition, this font also supports multiple languages. You can mix and match your best combination. And besides that, this font is suitable for your design needs such as: poster design, magazines, logos, branding, packaging and many more To enable the OpenType Stylistic alternatives, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Encoded PUAs are also supported. Access font characters compatible with Silhouette Studio, Cricut Design Space. Simply copy and paste alternate characters using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac)

'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

The idea for this completely new font design with overlapping characters came when Axel Stoltenberg, longtime IKARUS program developer at URW + +, visited a restaurant. As it can be seen quite often , the daily specials were offered handwritten with chalk on a blackboard applying a writing technique never been available before for digital fonts: each character is partly covered by its predecessor creating a three-dimensional effect. The implementation of this unusual notation for digital setting required a lot of programming and testing until all necessary character variants were produced and set properly always using the correct form. In order to achieve this, the OpenType Pro font ThreeDee contains about 12,400 characters and all the necessary OpenType features (GSUB ) for the automatic setting in OTF savvy application programs. The slightly playful basic design for ThreeDee was created by Anna Stoltenberg , the daughter of Axel, specially devised for the innovative representation and support of its special nature. The shadow generated with IKARUS even intensifies the 3D effect. As is well-known, making use of the embedded OTF features, i.e. the automatic access to all the 12,400 character variants , a corresponding text / layout program ( InDesign, Quark Xpress, current Open / LibreOffice or MS Word etc. ) is required. ThreeDee is a headline font that will unveil all its charisma and exceptional quality at appropriate, larger sizes.

Prelo was designed to be a neutral, highly readable typeface for identity, editorial and information design. With nine weights and nine true italics from Hairline to Black, Prelo is a workhorse typeface full of OpenType features such as small caps, tabular figures, central European characters and historical figures, among others. Like other DSType fonts, most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters. The curves are soft and smooth, providing legibility even in very poor conditions, and the neutrality allows this typeface to be used with any serif companion.

The Dro family is an all uppercase handmade font that resembles cut-out construction paper; Both fonts have 6 glyphs for each letter & 2 per number which are accessed by uppercase, lowercase, small caps & Contextual Alternates. Each font has 550+ glyphs total. When using Opentype applications Dro and Dro Fill take the handmade look further by cycling through Contextual Alternates, Small Caps & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters and using Stylistic Sets to switch up the flow. The Dro family has an extended character set for multilingual support.

Découpé Based on a French children’s play from 1906. In a car boot sale André Toet found a funny looking box containing a lot of cut out cardboard figures, in fact it looked a bit like a geometric puzzle! He played around a bit and succeeded to create a workable typeface with it ! The interesting thing about this particular font is, that in fact it’s organized chaos. The 26 letters of the alphabet are a mix between caps and lowercases, so within one word caps and lowercases will be used next to each other. It’s a very useful font for different projects. Concept/Art Direction/Design: André Toet © 2017

Banjax Notched is a dynamically restyled version of the original Banjax humanist sans serif typeface. Banjax Notched is intended for use in titles, headlines, branding and logo designs, whether that be for a book cover, film poster, advertising campaign or sporting events, these fonts will add an extra dimension to your designs. Naturally, Banjax Notched perfectly complements the original Banjax fonts so that you can launch a fully integrated campaign. Key features: • 7 weights in Roman and Italic • Small Caps, Petite Caps and 3 Alternates • Latin Extended and Basic Greek glyphs • 1100 glyphs per font. See more detailed examples at the Banjax Notched microsite.

Prelo was designed to be a neutral, highly readable typeface, for identity, editorial and information design. With nine weights and nine true italics, from Hairline to Black, Prelo is a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Like other DSType fonts, most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters. The curves are soft and smooth, providing legibility, even in very poor conditions and the neutrality allows this typeface to be used with any serif companion.

Rayoh is a stylish and freedom-loving graffiti display font. With two variations available, regular and shadow, this font gives a unique touch to projects that require rich and beautiful handwriting. With Rayoh, you can bring freedom and creativity to your designs. This font combines bold graffiti and beautiful handwriting elements to create an amazing combination. Expressive designs and bold characters make Rayoh the perfect solution for projects that want to stand out. With this font, you can create a striking poster, a cool merchandise design, or unforgettable promotional material. Their different variations provide flexibility in customizing the desired style and effect. Use regularly for a plain look and bring out the beauty of handwriting, or choose shadow for a dramatic shadow effect that adds depth and dimension to your design. Rayoh is the right choice for those who want to add a touch of freedom and uniqueness to their creative projects. Immediately choose Rayoh as your flagship font and see how your design steals attention and attracts potential customers in no time. What’s Included : - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Lab Sans Pro is a geometric sans-serif typeface with a technological and minimalist look and is suitable for use in large sizes. It has eight versatile weights, (from Thin to Black) including true italics for each one, and a wide range of stylish alternate characters to improve its use in different graphic contexts. The name of this typeface was inspired by an experiment, mixing a structure with calligraphic influences and completely geometrical and structured drawings. Lab Sans Pro has a wide range of OpenType® features such as: small caps, old style/titling and small caps figures, fractions, superior and inferior scripts, scientific components and ligatures. Versatile but original, precise but lively, Lab Sans Pro is a carefully crafted technological typeface designed by Tiponautas.

What does “smart casual” look like as a font? Try Portheras: a fairly wide, contemporary humanist sans with a laid-back attitude. Inspired by the fine Cornish beach of Portheras Cove, this typeface pays homage to British design tradition while incorporating an informal idiom. At ease both in flip-flops and silk blouses, in Bermudas and knit ties, Portheras sports a low x-height and comes with italics between “oblique“ and “true italic”. Despite its approachable look, the font family is equipped for heavy duty—you’ll get 16 styles with 780 glyphs each and OT features such as small caps, numerous figure sets (with old-style figures at mid-cap height), a bunch of arrows, three stylistic sets, and more. Portheras is as classy as relaxed gets.

If you like old style type, ephemera or victorian era, you must be collect this font , its combination of old and modern touch ,it so adaptable and thats make an eye catching design. This unique and classic font for signage, label, poster, gold leaf, sign painting, branding and the other graphic design made. Gold shine inspired of vintage advertising and sign shop around the world. Goldshine comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. To make everyone enjoyed Goldshine give you one extras font including ornament and traditional badge. If you use Goldshine with you imagination, you just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Presenting ⚔️The Blowar Typeface⚔️ by alitdesign. The Blowar font is inspired by action movie posters with the theme of war or knights in the Roman era. The bold and bold character of The Blowar font is perfect for making hero movie titles, game titles, logotypes, t-shirt designs and so on with heroic themes. Apart from the regular font, the Blowar also has an italic style which makes the design more dynamic and cool. The Blowar font has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Blowar Typeface has a total of 706 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Aeris™ typeface is a contemporary book face created by the American designer Tom Grace. It combines the proportions and rhythm of a sans serif font with the high contrasts and flexed strokes of script faces, while the open counters also ensure optimal legibility. Tom Grace focuses on providing subtle differentiations in his cuts and, as a consequence, this font family has its own individual structure: there are A and B variants of the basic forms regular, italic, bold and bold italic, and a display version for use in titles that also comes in A and B variants. It is advisable to use the A variant for larger font sizes, while the slightly more emphasized B variant can be recommended for smaller font sizes. Where the basic forms are to be mixed together in a work, it is important to use the corresponding A/B variants throughout as their designs have been carefully coordinated. Aeris is available in the OpenType Pro format and thus includes a wide range of different glyphs. The font family can be used in various environments, such as books, magazines, advertisements and promotional materials, but it is also the perfect choice for printed corporate documentation.

Aderos is a refined and professional slab serif font family that offers a fresh take on the modern and bold aesthetic of its predecessor, Adero. This font family introduces a range of styles that provide versatility and visual impact. With its four width variations – Normal, Extended, Wide, and Stretch – Aderos delivers an exciting array of extreme wide letterforms that command attention. Designed with precision and attention to detail, Aderos is particularly well-suited for branding projects, where it can lend a distinctive and authoritative presence. Its strong and bold letterforms make it an excellent choice for titles and headings that demand impact and legibility. The spacious layout of Aderos further enhances its professional appeal, allowing for clear and organized content presentation. Whether used in print or digital applications, Aderos brings a sense of sophistication and professionalism to a variety of design projects. Its versatility and range of styles make it a valuable asset for designers seeking to create visually compelling and memorable visuals. With Aderos, you can elevate your designs with its refined slab serif style and confidently communicate your message to your audience.

The power of a bold and strong personality of visual brand identity is that it can convince the target audience of the brand's value. In creating a strong visual identity, the brand must pay attention to every aspect of the element, one of which is the typeface. As for the solutions in finding the exact typefaces with strong characters, we created Eloque Typeface. This model is the brand new design with a modern, stylish, and bold accent that shall fabricate a more emphatic character personality. These fonts are design to pair harmoniously, perfect use for visual brand identities and personal identities such as logos, headlines, titles, labels, stationery, social media, business cards, or any advertising purposes. Eloque includes: Sans serif and script font style Numbers and punctuation Multilingual Ligatures Alternates Opentype features We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Introducing Cedag, a stunning Display San serif font that exudes elegance and boldness. The font boasts two unique families, regular and round, both offering a modern twist to a classic look. With its sleek and stylish design, Cedag is perfect for any project that requires a confident and sophisticated aesthetic. The regular family features a classic San serif style with a modern twist, while the round family has a bolder, more playful look. And with multilingual support, you can use Cedag for projects around the world. Whether you’re designing a logo, branding materials, or any other creative project, Cedag is a versatile and impressive font that will elevate your work to the next level. Its bold and confident style is perfect for any modern design, making it a must-have for any designer or creative professional. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support