Bounded on its western flanks by the Peru-Chile frontier, Tacora is the northernmost volcano in Chile and is the youngest and most southerly of a twin system with Co. Chupiquina.

A basic rounded blockletter font.

A Disneyana inspired bouncing font.

Eucaliptus Companion with rounded corners.

A rounded font; quite thin.

Walking talking bouncing rolling whatchamacallits.

In the late 1990s Gerard Unger won the assignment to design the signage system for the Holy Year celebrations to be held in Rome in 2000. The system he developed in cooperation with the design agency n|p|k used a classically inspired serif typeface, but the earlier proposals included a sans-serif, which became Vesta (2001). Vesta is a versatile family that can be used as a display face alongside Unger's serif faces Gulliver, Capitolium or Coranto; it can also be used on its own, even in longer texts. Vesta is narrower and therefore more economical than some commonly used sans serifs such as Arial and Helvetica; there is also a noticeable contrast between thick and thin parts, which makes it more lively. Vesta is to be extended with narrow versions, small capitals and old style numerals, along with some special versions for headlines.

The Nixt Font Family is a new font with currently seven styles. As an alternative to Helvetica, Arial, Gill Sans, Futura, & Gotham, Nixt has a similar design aesthetic to those aforementioned in that its design, structure, and feel crosses decades of appeal. From Mid-Century, through the stark '60s, decades of succeeding modern architecture through the turn of the 21st Century, Nixt's glyphs are timeless, clear, ultra-legible in all styles and weights. Best use in Advertising, Branding, Signage, Architecture, Fashion, Posters, Headlines, and By-Lines, Print & Digital, and of course Labels. There are currently, at first release, 7 Styles: Extra Light, Light, Regular, Italic, Book, Bold, & Extra Bold. There are more in process and will be added when completed. The inspiration behind the Nixt Fonts is the Bauhaus, Mid Century Industrial Design, Art Deco through Moderne Era Architecture, American Pottery and American Design of The Twentieth Century.

Gently rounded in shape, Kassena is reminiscent of the round thatched huts of the Zulu people. The triangular motif is inspired by the designs used in the decorative crafts of the Nguni African tribes.

Milk Made | a rounded retro font Milk Made is a fun rounded retro font inspired by mid-century magazine and print advertisements. Perfect for; retro brands, young brands, gen z branding, logos, social media, posters.

A fun, goemetric, rounded new look.

What's for lunch? - Sound! Soundlunch?! Yes! :)

A bouncing offbeat latin poster font.

Mother of Mitra, Crom’s Devils and other Savage WORDS! The only thing better than one dead Pict is TWO! Or THREE! Or FOUR! And what better than this SAVAGE font to sound the sword strokes of a BARBARIAN BORN?! Hack! Slice! Cut your fiendish foes into pieces with Comicraft’s SAVAGE SWORD and tell your SAVAGE TALES to all and sundry and even those you’ve sundered! BE AWARE! Handle with care and keep some neosporin or other antibacterial cream at hand -- being Savage and filled with Berserker Rage may result in unintended wounds to yourself and your kinsmen. Savage Sword features two sets of automatically alternating uppercase characters, plus support for Western & Central Europe and Vietnamese.

It seems that after the 1960s, very few display typefaces were being produced that had the desirability to transcend generations, as did many type designs of the past. In 1970, a local television station embraced a lettering style for its logo that was a cross between round point pen nib lettering and the modular, techno look complete with squared characters in a futuristic "space age" style. News Crew JNL was inspired by the few examples found of this particular font [in use by the station at the time] and was pretty much created from scratch in order to capture the 1970s era of experimental typography. It is available in both regular and oblique versions.

Aksen is a humanist sans-serif typeface that draws influence from Roger Excoffon’s Antique Olive. Its design is formed by the rounded, curving letters found in ancient Greek and Roman inscriptions but is implemented with a contemporary and pragmatic approach. This typeface comes in 56 styles consisting of four widths and seven weights, each with matching italics. Also available in variable font format, Aksen Variable boasts three variable axes: width, weight and italic. These axes open up a plethora of stylistic choices making this typeface highly adaptable. Aksen is a versatile typeface that seamlessly blends contemporary humanistic aesthetics with a touch of historical sophistication, making it a perfect fit for a wide range of design applications.

Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you can almost feel traces of ink on paper while it’s shapes in general, without serifs and any embellishments, proclaim its up-to-dateness swinging between roundness and rigor. Elegant, noble, yet still affected by traces of the handwritten script, Sultania is reminiscent of power, wealth, mind and culture. Sultania’s historical roots and it’s originality remind of oriental colors. A close Orient, at the gates of Europe, in which Latin characters are mixed with distant sounds. The Byzantium of the Sultans.

FinalSix is the typographic adaptation of a lettering. Working on the graphic image for a sports event (the European Waterpolo Final in 2014) we had the idea of creating a character set that reflected the idea of the undulating movement of water in a pool. In practice, we draw characters with rounded tops, bottoms and diagonals and using the word WATERPOLO as a visual reference for a wavy feeling, in a process that we could define as “form follows meaning.” To preserve its personality as much as possible, the most idiosyncratic characters are found in the Default set, while we can find more standardized variations for editorial use in a Stylistic set.

If your looking for a vintage animated typestyle that still feels current today, you've just found it! Mushmouth PB started as a digitization of a film typeface called "Albert" by LetterGraphics. This all capitals font has a super subtle bounce and a playful heavy weight. An extruded film variation of this typeface was used back in the day on Post's Frosted Rice Krinkles cereal. Named in tribute to the original font name "Albert", we picked a fellow member of Fat Albert's gang for the name of this font. We think it is fitting, even though the original film font naming had nothing to do with the cartoon at all. Give Mushmouth a spin and pick it up today!

Rounded sans-serif with a clean design.