Reso is an experimental geometric typeface built from a pointed arch module. Its minimal and contemporary letter shapes makes it well suited for logo design, headers and short texts. Five weights are available in OpenType format. The fonts include some standard OpenType features and support for most European languages.

A mix of Renaissance & tropical atmosphere Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms. The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c. ➼ Basco minisite

Authentic children’s handwriting done in crayon. Archie and Matilda are turning 5

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness...? To Be Continued...

The cover of the 1938 sheet music for "Treasure Island March" had its title hand lettered in a rough-hewn Western style with overtones of Art Deco influence. All of the characters were "cleaned up" for the digital font, but still retain the basic designs with their irregular, eccentric look. The result is Western Deco JNL, which is available in both regular and oblique versions.

The opening credits to the original (1937) version of “A Star is Born” starring Janet Gaynor and Frederic March was hand lettered in an Art Deco style with rounded terminals that emulated the look of neon signage – alluding to the glitz and glamour of 1930s Hollywood. Screen Star JNL is the digital revival of that lettering, and is available in both regular and oblique versions.

ITC Isbell font is the work of Dick Isbell and Jerry Campbell of Detroit, Michigan, a highly stylized roman typeface which retains an exceptional legibility. The unusual arches and curves of several lowercase characters give the typeface its individuality. ITC Isbell font is ideal for advertising, brochures, menus, and a variety of other applications.

The Guminert font is Modern Sans Serif inspired by masculine men, that's why we made this font with all our heart to give a masculine impression in sans serif form. And this font also has Alternate font styles, Ligatures, Multilingual Support and other additional symbols/ characters to use in any of your creative needs in any project. Font Details: Sans Serif Style: 12 Weight (Light - Extra Bold) Release : 03/ March/ 2022 Version: Vol 2.0 Thank you for your support of our products and using them in your creative projects.

The “Moorish arch” treatment of certain letters on a 2001 book on Dutch design, executed by René Knip, provided the inspiration for this exotic unicase typeface. The font also includes arabesque designs in the brace, florin and section mark positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Arlequin is a high-contrast sans serif decorative font. The most distinguished characteristic of this typeface is its lowercase letters. Their shapes, a high-contrast clash of bold angular fragments with arched thin counterparts, make for a dramatic impact on entire font visual impression. Arlequin is recommended for use as a headline or short-text font.

Many sport publications missed typefaces designed especially for sport communication conditions. We usually see only mechanically slanted or other synthetically destroyed standard typefaces. I want to fill in this space and create a system of fonts, that will be used primarily in sport. It is usable for many prints - logotypes, magazines, catalogues, posters etc. Elasticity of glyphs reflected an adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs „o, c, e“ per poor reading conditions. Softness of lowercase is at uppercase balanced in bottom arches, that are subtly kicked-up. Numerals are an important component of sport communication, so this font offers expressive design, different from numerals of book typefaces. Every font has 9 kinds of numerals. Character case contains over 1000 glyphs, sport icons and othes signs creating the sport feeling. The font name, Akceler, represents acceleration, which is characteristic attribute of this typeface. It’s suitable for display and text usage, too. To see more please visit the PDF specimen. ■24 styles (2 alternatives, 3 grades of dynamics, 4 weights) ■over 1 000 glyphs per font ■9 kinds of numerals ■icons of sport equipment ■8 stylistic sets ■8 kinds of arrows ■23 OT features ■support of latin languages

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in Speedball 1947 Textbook Manual. Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Magnadens is a typography with thick, stylish lines that can be particularly suitable for headlines, posters and logos. The main peculiarity of this typography are the slightly arched stems on the edges, which gives it a solid base while maintaining a certain elegance. Some glyphs like the "h" and the alternative "n" or "m" bring a medieval connotation while remaining modern.