10,000 search results (0.241 seconds)
  1. Biergärten - Personal use only
  2. Chipperfield_and_Bailey - Unknown license
  3. Uberhölme Italic - Personal use only
  4. KleinsBrokenGotik - 100% free
  5. HerzogVonGraf - 100% free
  6. PerryGothic - Unknown license
  7. Gothic Texture Quadrata - Unknown license
  8. Meyne Textur - 100% free
  9. Uberhölme Lazar Italic - Personal use only
  10. SchmalfetteGotisch - 100% free
  11. Manticore - Unknown license
  12. Morris Roman Alternate - Personal use only
  13. Freak Show - Unknown license
  14. BigElla - 100% free
  15. Worn Manuscript - Unknown license
  16. Sebaldus-Gotisch - Personal use only
  17. BrokenWoodtypes - Unknown license
  18. Ganz Grobe Gotisch - Personal use only
  19. Durwent - Unknown license
  20. JSL Blackletter - Unknown license
  21. TypographerFraktur Contour - Personal use only
  22. 1492_Quadrata_lim - Unknown license
  23. GF Gesetz - Unknown license
  24. Theodoric - Unknown license
  25. Helldorado - Unknown license
  26. MKBrokenTypes - 100% free
  27. Uberhölme Lazar Condensed - Personal use only
  28. Uberhölme Condensed - Personal use only
  29. Deutschische - Unknown license
  30. Wellsley - Unknown license
  31. Trocadero - Personal use only
  32. Durango Western Eroded - Personal use only
  33. ITC Flora by ITC, $40.99
    ITC Flora is the work of Dutch designer Gerard Unger, and is named for his daughter. He started by doing calligraphy experiments with felt-tip and ballpoint pens, and developed these drawings into a formalized script typeface. Swiss typographer Max Caflisch advised the Dr.-Ing Rudolf Hell GmbH technology firm to add a new round-nibbed script face to their Digiset type library, and in 1984, Flora was released by Hell. Unger used a chancery cursive skeleton in this design, which imparts grace and movement. Flora was also intentionally designed to be simple and sturdy, and with its minimal variation in thick/thin stroke ratio, it worked well on the early digital typesetting machines. In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses that range from short text passages to display headlines.
  34. Leco 1976 by CarnokyType, $-
    LECO 1976 is a headline display typeface in OpenType format. The title at the 1976 bottle of Lečo became an inspiration for creating this font. Besides the regular weight of the font, the font is drawn in light and bold font styles too, while each of these typefaces consists of a special alternative of an embedded diacritic. The font contains several specific styles as Stencil, Pixel, Tride, Shadow which combinations offer interesting possibilities for the typesetting. The metrics and kerning of every glyph of the font (except several glyphs in Bold) are identical. All the signs share the same character and size of the capital letters. This font is best used on strong posters or as a headline display typeface.
  35. sonovovitch by 10four, $24.95
    Sonovovitch is a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet. Originally intended as an exercise in downsizing the typical font’s character set, Sonovovitch quickly expanded in the opposite direction, adding multiple variations for letterforms and utilizing Open Type features allowing for easy substitution of glyphs… creating plenty of variety for letter combinations. Open Type “Titling Alternates” even substitute completely foreign glyphs, never seen before in any language, allowing for totally alien typesetting. The results found in Sonovovitch are packed with bold character and eastern European influenced flair. Sonovovitch’s eclectic geometric forms lend itself to a multitude of graphic applications; from serious branding programmes, to light-hearted packaging, to sports jerseys, to hand-crafted DIY projects.
  36. Cyberglass JNL by Jeff Levine, $29.00
    Cyberglass JNL is a throwback design to the Techno rage of the 1980s, when everything seemed to be typeset in lettering that represented something to do with computers, electronics or outer space.
  37. Liaison by URW Type Foundry, $39.99
    Liaison is a beautiful non-connecting handwritten script for headlines and display typesetting, e.g. for perfumes, reports of the glamour world, magazines about gardening and recipes, covers for romance novels and alike.
  38. Earth's Mightiest 3D - Unknown license
  39. TE Rekaah3 by Tharwat Emara, $50.00
    Introducing TE Rekaah3: Unleash the Beauty of Arabic Calligraphy by Tharwat Emara TE Rekaah3 is not just a font; it is a masterpiece crafted by renowned calligrapher Tharwat Emara, bringing the timeless beauty of Arabic calligraphy to life. With its exquisite design, meticulous attention to detail, and captivating aesthetics, TE Rekaah3 invites you to embark on a journey of creativity and immerse yourself in the artistry of Arabic script. Impeccable Craftsmanship: Tharwat Emara, a master calligrapher, has poured his expertise and passion into every curve and stroke of TE Rekaah3. The result is a font that showcases the flawless craftsmanship and artistic precision that Tharwat Emara is renowned for. Each letterform is meticulously designed, reflecting the elegance and grace of Arabic calligraphy in its purest form. Elegance Redefined: TE Rekaah3 embodies a harmonious balance between tradition and innovation. It embraces the timeless elegance of Arabic script while infusing it with a contemporary flair. The graceful letterforms and balanced proportions of TE Rekaah3 exude sophistication, making it the perfect choice for projects that demand refined aesthetics and a touch of modernity. Captivating Visual Appeal: TE Rekaah3 captivates the eye with its visually striking composition. The seamless flow of each character, carefully curated ligatures, and distinctive swashes create a captivating rhythm that draws the viewer in. Whether used for headlines, logos, or editorial layouts, TE Rekaah3 ensures that your designs make a lasting impression. Unparalleled Legibility: Tharwat Emara's expertise in calligraphy shines through in TE Rekaah3's exceptional legibility. Each letterform is thoughtfully crafted to ensure clarity and readability, even at smaller sizes or in intricate design compositions. Your message will be conveyed with precision and impact, making TE Rekaah3 a reliable choice for a wide range of design applications. Versatile Expressiveness: TE Rekaah3 offers a wealth of creative possibilities. With its comprehensive character set, including alternates, ligatures, and stylistic variations, you have the freedom to express your artistic vision. Whether you seek a contemporary look or a more traditional feel, TE Rekaah3 provides the versatility to bring your creative ideas to life. Seamless Integration: TE Rekaah3 seamlessly integrates into your design workflow, ensuring a smooth and efficient experience. Available in various file formats and compatible with popular design software, it offers convenience and ease of use. Focus on your creative process and let TE Rekaah3 effortlessly elevate your designs. Celebrate the Art of Arabic Calligraphy: TE Rekaah3, born from the creativity of Tharwat Emara, celebrates the rich heritage of Arabic calligraphy. It pays homage to centuries of artistic tradition while embracing the demands of contemporary design. By choosing TE Rekaah3, you honor the legacy of Arabic calligraphy and create designs that resonate with cultural richness and artistic expression. Immerse yourself in the beauty of TE Rekaah3, where the mastery of Tharwat Emara converges with the art of Arabic calligraphy. Unleash your creativity, elevate your designs, and let TE Rekaah3 become the embodiment of your artistic vision.
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