Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Droids provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures. This FontFont is a member of the FF Droids super family, which also includes FF Droids Sans.

French type designer Albert Boton created this display and sans FontFont in 2004. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing, logo, branding and creative industries as well as software and gaming. FF District provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures.

In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99

Introducing Nutgame, a versatile Sans Serif font designed to elevate your designs. With two styles, normal and italic, each offering three font weights (light, regular, and bold). This font provides a wide range of possibilities for your projects. Embodying a modern appeal with a touch of 70s retro flair, Nutgame exudes a captivating and nostalgic vibe that is perfect for adding a unique and memorable twist to your creative works. Whether used for branding, headlines, or editorial designs.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Droids Sans provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures. This FontFont is a member of the FF Droids super family, which also includes FF Droids.

Decima+ is a subfamily addition to Decima, a new face by TipografiaRamis. Decima+ is an upright variation of Decima italics and is built in three weights. The unique difference of this typeface is that it presents a softer and more human look, while retaining the condensed geometric structure of its counterpart. Decima+ is a display face, with bold weight most suited for titling use. Decima+ is released as OpenType single master with a Western CP1252 character set.

Canadian type designer Nick Shinn created this display FontFont in 1997. The family contains 3 weights: Regular, Italic, and Bold and is ideally suited for advertising and packaging, festive occasions as well as poster and billboards. FF Merlin provides advanced typographical support with features such as ligatures, small capitals, titling alternates, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces. Neva typeface was rewarded on the Gutenberg international type design contest in 1971 (Leipzig). The typeface is useful in text and display composition, in fiction and art books. The digital version and bold styles were designed for ParaType in 2002 by Lyubov Kuznetsova.

RAZEN is a sharp italic and bold font with unique style that will make your design looks modern, geometric and futuristic. You can use this font for any purpose, especially to make logotype like a technology or sport logo brand. This typeface is comes in ALL CAPS, punctuation, symbols, numerals, etc also support multilingual in all caps. Highly recommended to use it in Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Enjoy!

Delegat is a comic book lettering font inspired by handwritting of Frank Ching. The family includes Regular, Italic and Bold version. Delegat contains two variations for each letter and ligatures to swap out any two identical letters that appear next to one another for a pair that is slightly different. Delegat Extra can be used to disguise curse words in comics. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Sportage is a sports font family from thin to extra bold. The Italic styles bring another vibe of speed. This family is built for people who are enthusiasts with racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

French type designer Xavier Dupré created this serif FontFont in 2001. The family contains 3 weights: Regular, Italic, and Bold and is ideally suited for advertising and packaging, book text, film and tv as well as small text. FF Parango provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Mouzambik is a simple, condensed sans-serif font with a bold and intricate personality. It comes in three styles: regular, Inktrap, and Smooth, each with italics. Crafted with intention, it maintains its allure in both large and small point sizes. This font is ideal for headlines, billboards, magazines, websites, titles, posters, branding, and logos. With an abundance of ligatures, alternates, and other features to choose from, you can ensure your project stands out from the rest.

Feeltrips is an all caps handwritten display font. With bold stroke, italic and fun character with a bit of ligatures. To give you an extra creative work. Feeltrips font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Feeltrips font. Caps only fonts. Cheers, MaulanaCreative

Rudge is an intentionally rough sans-serif font. It was designed to share the look and feel of many “antique” fonts, although it lacks the standard serif look of those fonts. The corners are slightly rounded, the edges are wobbly, and the kerning is tight. It could be used as a faux “sloppy printing” font or just a more regularized hand-drawn font. It comes in six flavors: Light, Regular, and Bold, with italic versions of each.

Amici means 'friends' and the Amici family was conceived as a big friendly Roman typeface for headings, posters, signs and anywhere else that an approachable easy-reading typeface is needed. It's the sort of thing you used to see in Magazine mastheads before everything went boringly sans serif. Three faces are offered within the family, Regular - solid and clear, Bold - with that bit more body and presence and italic - bringing in script elements to its design.

NorB Sketch is inspired from my NorB Felt Pen font, so trying a new technique of lettering. It is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights, Normal, Bold and Heavy each with their Italics.

Fresh script font, Laftale. Laftale help you to make brush font easily. Laftale is casual script typeface with clean characters. This font comes in three style, regular, Italic, and bold. This font is perfect to design especially poster, logo, apparel, book cover, greeting card, birthday card, quotes, advertising poster, and anymore. Explore Opentype features to get unique combination. Feature : · Uppercase · Lowercase · Number · Punctuation · Multilingual (Accented Letters) · Ligature · Swash · Contextual Alternate · Style set (01-03) · PUA Encoded Characters

Inspired by the urban typography, which later led to a grotesque style. It can be used for bold editorial statements graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Its robust, strong and contemporary form makes it perfect for any project that needs the extra strength. Humanism is available from A to Z in the regular and italic style, developed in an urban style.

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

Wide font family is a geometric sans serif font, which features 9 styles. It’s based on the Futura developed by Paul Renner and neo sans-serif fonts. At the same time, it has significant stylistic differences. Massive lengthy letters are among the unique features of this font. They will help you come up with the perfect composition. The letters have optical compensation, while a circle is the main figure of the fonts. Due to wide fonts, your project will have modern and fresh design. The composition will keep its contrast regardless of a background you’ve chosen. The Widy family includes 9 styles: Thin, Extra Light, Light, Semi Light, Regular, Medium, Semi Bold, Bold and Extra Bold. Each of them also has Italic variation. The fonts are perfect for both graphic design projects (posters, brand identities, logotypes) and simple interface design, which needs the necessary style.

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

Mushin is a typeface, that comes with 14 fonts, roman and the matching italics, which draws inspiration from the grotesques of the beginning of the 20th century. However, its humanistic details and endings, remove the coldness so characteristic of this style, making Mushin a typeface of lively and dynamic curves, which can be used for various purposes.

Print Helpers JNL is a compact little assortment of vintage cartoons, ornaments, arrows, words, phrases and other decorative illustrations used to enhance ads, print projects and fliers.

Basic Stencil JNL was inspired by a lettering stencil sold by Dymo around 1968 that featured a sans serif design with rounded corners and an overall square look to the characters. This bold stencil design is available in both regular and oblique versions.

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs reminded Farey of the London signage - and his camera came out again. Comparing the two back in his studio, he realized that the signs from London and Prague were not as similar as he initially thought. However, they were enough alike to serve as the foundation for a no-frills, 21st century sans serif typeface family. “I wanted to draw a wide range of weights, italic and condensed designs all in one go,” recalls Farey, “rather than add on to the family later.” His goal was to create a family that could be used for text and display copy, with sufficient weights to provide a broad typographic palette. Indeed, the completed design, created in collaboration with fellow type designer Richard Dawson, consists of twenty typefaces in eight weights ranging from extra light to extra black. The five mid-range designs have complementary italics. Seven condensed designs round out the family. Azbuka’s lighter weights perform remarkably well in blocks of text composition. “They’re clean and legible - and perhaps a little boring,” says Farey, “but they are perfect for copy with a down-to-earth, yet contemporary flavor.” The heavier weights are equally well suited for a variety of display uses. The designs are authoritative but not overbearing and will readily make a strong statement without calling attention to themselves. The condensed weights of Azbuka are ideal for those instances where you have a lot to say - and not much room to say it. The name Azbuka? It’s Russian for “alphabet.” And what more appropriate name could there be for this utilitarian, industrial-strength type family than alphabet? The Azbuka family is available as a suite of OpenType Pro fonts. Graphic communicators can now work with this versatile design while taking advantage of OpenType’s capabilities. The Azbuka Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages

Elicit Script is a hybrid script family, that can be as casual or formal as the occasion demands. Created by Laura Worthington and Jim Wasco, the design is based on pointed pen Spencerian Script handwriting. “It’s like one of those German italics from the early 20th century, that have beautiful shapes that hold their own,” says Wasco. Elicit Script spans five weights, from Extra Light to Bold, and three styles – Formal, Normal and Casual. This makes it an incredibly versatile script design, easily paired with other typefaces and able to be dressed up or down, depending on what it’s used for. The monoline Casual style offers a more relaxed tone of voice, while Formal sits at the more decorative end of the spectrum. Designers can keep things straightforward, tidy and practical with the typeface’s simple caps, or add in swash caps if they need more exuberance and expression. Generous spacing means Elicit Script works well at smaller sizes as well. Elicit Script Variable Set is a single font file that features two axes: Weight and Contrast. The Weight axis has instances from Extra Light to Bold. The Contrast axis has instances from Casual (low contrast) to Formal (high contrast).

Tapa is a classical old roman typeface family which has been cut with sharp serif; Its stems, proportions, serif and elegant angles, may induce into a new view of the "Old roman faces" by our contemporary digital age. The kerning pairs were carefully controlled to ensure a good readability and nice page tone contrast. The Tapa font family is completed with true italics (without compression). And enriched with a full set of OpenType features containing ligatures, discretional ligatures, old style numerals and swashed letters.

Describe the 21st century politician. Left or right? Fat or thin? War or peace? Straight or gay? Hard or soft? Male or female? Pro or con? Young or old? East or west? Now look at the Politica super-family and see which font they may be. The overused sans serif faces don’t cut it anymore. This day and age requires a sturdy, modern and straight-to-the-point sans to cover the issues. The Politica family also come in OpenType variations which extend the character set to include Cyrillic, Greek, Baltic, Turkish and Central European languages. You have no excuse: the globe is yours with Politica.

This font, was created -- inspired from the original manuscript of the French revolutionary song “La Marseillaise”, becoming later the French national anthem, composed in one night (1792 April 25th) by the 32 year old French captain, Rouget de Lisle. It is a “Pro” font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures make the font look as close as possible to the real historic hand. Using an OTF software, the features allow variations of each character without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.