SK Phlegmatica™ is a heavy geometrical grotesque with an industrial spirit. The typeface is built on a contrast between thin and wide lines. Such contrast creates certain frames, which in turn give room for experiments with the rhythm of symbols. The monumental shape of the typeface with the rhythmic contrast of the characters creates a unique pattern in the text line. In addition to the visual advantages, the typeface has technological advantages. SK Phlegmatica is a monospaced multilingual typeface that supports more than 100 Latin and Cyrillic languages. The typeface is great for highlighting titles, working with posters, and web design.

Ragik; It is a low-contrast sans serif font family with two accents. The letters are designed with a clear and simple elegance, devoid of ornaments. The open terminals of the letters “S, C, G, s, a, c, e” are elegant and legible with their large open areas. It consists of 16 styles, from thin to heavy, with true italics. Ideal for modern typographic posters, packaging and branding designs. It comes with rich OpenType features. Alternating glyphs, elegant and functional ligatures. All number sets (tnum, onum, lnum, numr, denom, sinf, sups etc.) have a rich symbol library with ornaments and arrows.

Core Gothic N is a simple and modern sans-serif Korean font consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black). Character set is consist of Korean 11,172 characters, Hirakana & Katakana, Latin and Korean symbols. It is well balenced between Korean and Latin characters. Latin typeface (Core Sans N) was adjusted to be matched with korean typeface. Spaces between individual letter forms are adjusted in detail so that it makes perfect typesetting. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean. We recommend to use for books, web, screen displays and so on.

Hand-hewn along the banks of the mighty River Raisin in Southeast Michigan, this heavy block typeface is the perfect addition to any design project in need of a stout, yet fun typographical treatment. Before this font made its journey into the outside world, it began its life as a 4B pencil sketch on cheap inkjet printer paper, as many of my projects do. This typeface, not unlike me, doesn't waste its time with finesse, or convention, and truly doesn't mind being a little bit on the thick side. There is a time for refinement and propriety, but this ain't it.

Geofota is a bold and heavy modern style font inspired by urban street culture. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

It hit me one day that the '60s-vintage labelmaker I had lying around might make an interesting display face. I began playing with it -- clicking out letters at various pressures, scanning the results, going over the scans in a vector-graphics program. Looked pretty good. To my chagrin, however, I soon afterward got a glimpse of someone else's label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. Full release has light and heavy weights, regular and reversed styles.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

Introducing Boiller Typeface 💖💖Boiller💖💖is a sans serif font that has an elegant romantic concept, supported by 736 glyphs. The Boiller font has a lot of alternative characters, from swash, ligature and of course it is also supported by multilingualism. In addition, Boiller also has 14 families from Thin to Heavy. So it can be used for body text and header text. Boiller is very suitable for design concepts that are elegant, simple, minimalist and romantic. Can be used for wedding card designs, shop signs, logotypes, promotions on Instagram and so on.

The long-awaited Rust Bundle addition to our Panton type family has arrived, featuring the headliner Panton Rust and its trusted partner Panton Script Rust. Start your engines and get ready for 72 fonts, grouped into five weights ranging from SemiBold to Heavy, and including multiple Base combinations with different Shadows and Grunge Textures. All of the above is also a part of the accompanying Panton Rust Script, whose natural flow is further emphasized with specifically adjusted Contextual Alternates. The list of OpenType features wouldn’t be complete without localizations, figures, fractions, superiors and inferiors, numerators and denominators, as well as tabular numerals for Panton Rust. The Rust Bundle includes Extended Latin and Cyrillic coverage, providing support for more than 130 languages. This handcrafted package was created to bring about authentic and original vintage type, making it especially suitable for any design that speaks of craftsmanship, a sublime human touch, and a mature signature with undeniable flavor. In Rust we trust! Features: • Textures, Shadows and Inline versions of the fonts which can be combined for a multicolor effects • 72 styles in total, including 42 fonts for Panton Rust and 30 fonts for Panton Script Rust; • 5 weights from SemiBold to Heavy; • Extended Latin and Cyrillic coverage with support for more than 130 languages; • A broad set of contextual alternates and ligatures for Panton Script Rust

The Deberny typeface is an interpretation–carrying a contemporary imprint–of a typographic style which appeared and spread at the end of the 19th century until the begining of the 20th. These typefaces were named Italian, Venetian, Veronese and were classified in the Hellenic category, a spontaneous typographic movement caracterized by triangular and heavy serifs. They found their inspiration among numerous references, from incised to slab serif typefaces and their extreme expressions in wood type letterforms. The Deberny font family is made of 26 styles in 3 complementary sets of style, offering a wide palette of visual resonance: • Deberny Line is ideally suited for editorial, branding, posters and billboards. It has sharp contrast between thick and thin strokes. Heavy horizontal strokes are not frequent in roman letters, but here they fit naturally with the italic letters. • Deberny Open is a stylish outline declination of Deberny Line Medium and Medium Italic. • Deberny Text is an adaptation of Deberny Line made for broader use. Its shapes are less contrasted, which makes it perfectly legible for print or screen reading in small size text. Old style figures and small caps complete Deberny Text in all its 8 styles. The Deberny typeface family supports Latin-based languages and will be available soon in Cyrillic and Greek. Deberny Narrow will be released this year in all its 26 styles.

Directa Serif Variable is a text type family in one single font file. It explores new possibilities for the original type family released by Outras Fontes some years earlier, which is designed to save space with the highest readability. The variable font is composed of two axes of variation: Weight (100–900) and Italic (0–1). It also contains 18 predefined styles between Thin and Heavy and their respective italics. So now you can adjust the weight of the type by interpolating it in real time using any variable font compatible app. There are hundreds of possibilities between the values of 100 (Thin) and 900 (Heavy). And if you're feeling adventurous, you can also use the Italic axis to interpolate instances between Roman (0) and Italic (1) and see what happens in the middle. This new technology can be very useful for web and video animations. Directa Serif Variable is also highly recommended for newspapers, magazines, corporate communication and so on. It has a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. The variable font also includes several ligatures, a complete set of small caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.

Kubrick is an experiment in extremes. The Light font is very tall and slender, the Black font is very massive, and Kubrick's slender counters push some of its glyphs to the edge of recognition. The thin counters and negative spaces also give text set in Kubrick a definite visual sparkle, especially in all-uppercase settings. Because of its extreme letterforms, Kubrick is recommended only for large display use. The default letterspacing is set fairly wide to keep text legible. Kubrick was a double-experiment. One part of it was to see how heavy and massive a typeface I could make while still keeping it legible. The other part was to develop a Multiple Master font. Multiple Master fonts were a format developed by Adobe that allowed the user to change things like the weight and width of a typeface. Monollith started as just such a Multiple Master typeface, but when Adobe discontinued the Multiple Master format, I stopped work on the typeface. Later I decided to continue work on it, but as five separate font weights: Light, Medium, Bold, ExtraBold and Black. Very rectilinear letterforms with extremely narrow counters and negative spaces. The five fonts go from very thin and condensed to very heavy and extended. Use in large display settings where unornamented high visual impact is desired.

Introducing. Bredals Esport Display Font Feel free to message us if you have any questions or issues at email: hello.mrletters@gmail.com Thank You

Lomidrevo is a grunge stencil family derived from Valibuk. In the free demo version, you can see numbers and lowercase letters without kerning.

Try out one of the most distinguished text faces for free! Andron is a new design inspired by the best of classical Roman typefaces.

A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Greycliff Gurmukhi CF adapts Greycliff’s soft, geometric design to the Gurmukhi script. Both Latin and Gurmukhi glyphs are included, allowing for cohesive multiple-script applications. Greycliff’s original nine weights are covered, including diacritics and subscript letters. Greycliff Gurmukhi CF works as a complete, self-contained type system, with both Gurmukhi and Latin scripts included and designed to compliment one another. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Introducing Weghorst Sans Serif. Weghorst is a modern and nostalgic sans serif font, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Weghorst come with clean lines and smooth curves give any project an extra touch of class. If there's anything else you are unsure of feel free to pop me a message :) That's it! Have fun using Newstar Sans Serif!!! Feel free to follow, like and share.

Avengars is a modern and chic typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Avengarscome with clean lines and smooth curves give any project an extra touch of class. If there's anything else you are unsure of feel free to pop me a message :) That's it! Have fun using Avengars Typeface!!! Feel free to follow, like and share. Thanks so much for checking out my shop!

Manifold Extended CF is a wide variation of the classic Manifold font family. Its clean, elongated shapes are both technical and elegant. An excellent typeface for titles, logotypes, user interfaces, and short texts. Manifold Extended CF is best used as a headline or display typeface, and pairs well with contrasting simple serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Wild and free as usual, but now with a touch of sharp focus presented in curled ascenders and descenders, swashy care-free caps, and very unique figures. Koziupack is the ideal choice of font for food and drink product labels, signage, magazine advertisements. It looks particularly great when accenting any work of modern illustration, or by itself brightly knocked out of a dark background. Designed by Koziupa and digitized by Ale Paul.

Articulat® CF is a streamlined, updated take on midcentury type design. Strong, sharp, and well-spoken, Articulat was built from scratch to be bold, clean, and clear. Articulat® CF pairs well with itself, as it has many weights to choose from. It also works well with fonts that contrast strongly, such as Wayfinder® CF and Olivette CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Georgica is a modern and chic typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Georgica come with clean lines and smooth curves give any project an extra touch of class. If there's anything else you are unsure of feel free to pop me a message :) That's it! Have fun using Georgica Typeface!!! Feel free to follow, like and share. Thanks so much for checking out my shop!