Introducing ligature serif font called CASTLE ROCKS duo fonts, these fonts have more than 50 ligatures include full set in uppercase and lowercase. This package consists of CASTLE ROCKS is the ligature font and CASTLE ROCKS DUO is the regular font so you can combine it to mix and match with switch on ligature font (CASTLE ROCKS) or regular font (Castle Rock). CASTLE ROCKS duo fonts are pretty and elegant fonts that perfect for title, headline, logotype, personal branding, branding invitations, quote, magazine, text font, etc. The package including CASTLE ROCKS (Ligature Font), this full set ligature font in uppercase and lowercase and have 4 weight style regular, italic, bold, and bold italic. CASTLE ROCKS DUO (Regular Font), this regular font without ligature feature so you can mix and match with CASTLE ROCKS or use to text font, this has 4 weight style regular, italic, bold, and bold italic. Multilingual, support more than 30 languages PUA Encoded If you have any questions, please let me know. Thanks and have a wonderful day.

Capitalist Pictograms is a picture fonts inspired by the classic Capitalist poster. Glyphs can be used to recreate the iconic poster or individually for fun.

Summer Crackers is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Dog Tag is inspired by dog tags. It provides a modern stencil font and the metal-works to create fun and usable dog tag signage.

Geffry is a retro inspired display typeface. It's fun and groovy with a bold personality. Perfect for masthead, logo, or anything your creativity takes you.

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

LD Funky Chunky is a lighthearted, chunky font that's casual and perfect for some visual fun. They'd make a great team on your next project!

My Recipes is a sweet font duo designed with an authentic hand drawn flavour. Combine it with it's lovely graphics and get the perfect recipe!

Magic Holiday is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Minnie is a clean monoline upright script. This fun-loving font is great for headline display and text use. It comes with numerous alternate characters.

Cohoba is a chunky condensed sans serif. Cohoba is loud and proud. It comes with a handful of discretionary ligatures. Cohoba is fun and versatile.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

Shanty House is a chunky fun and whimsical handwritten font. A little bit quirky, this font looks incredibly adept in a wide variety of contexts!

Ravioli combines fun fonts that will easily turn any design idea into a stand out! Fall in love with this adorable and versatile font family!

Chalkier is a fun & quirky handwritten font. It’s the perfect choice for product packaging, branding project, magazines, social media posts, wedding invitations and much more!

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.

Coupon Clipper JNL is a fun, playful, casual sans serif font that evokes some of the lighthearted typography of the late 50s and early 60s.

Hello Angel is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Miraikato Hand is a rustic handwriting typeface. As a cute brush writing, its naive and happy movements brings out the optimism and genuineness in any project. It is a charming handlettering, with a fun and humble personality. The Miraikato Hand family is provided in twelve styles: The weights Thin, Regular and Bold, plus each weight as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Cedi Typeface is a single weight display font that is based on the fluid handwritten style of a work colleague. This design is a fast flowing script that is both lively and original yet equally legible due to it's defined letterforms and open forms. Despite working well in a regular format, during the design process I started to look at ligatures as a solution for solving some problematic combinations. However, this small implementation soon got vastly expanded as I started to focus on the rythm of the letterforms and how best to convey the hand drawn feature in the design. A common problem in most script fonts is the repeating letterforms that would be particularily un-natural for this manual typeface, therefore hinting at it's digital source. The ligature concept soon evolved into over 2400 ligatures, trying to cover all repeating glyphs as well as finding more harmious combiations. This design was created for use in short text settings and use at large point sizes suiting titles, screen use or logo designs.

Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers. The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or the font on the old German car number plates. Since the Romain du Roi we know that it is tricky to draw a geometrical typeface. For optical reasons you have to go away from circles and lines with exactly one weight. Therefore the aim is not to construct a typeface but to draw it the way it seems constructed finally. The design of a typeface is like stage production. Like heavily made up actors the characters of a typeface must be exaggerated to work well. Particularly in small sizes.

Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers. The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or the font on the old German car number plates. Since the Romain du Roi we know that it is tricky to draw a geometrical typeface. For optical reasons you have to go away from circles and lines with exactly one weight. Therefore the aim is not to construct a typeface but to draw it the way it seems constructed finally. The design of a typeface is like stage production. Like heavily made up actors the characters of a typeface must be exaggerated to work well. Particularly in small sizes.

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