This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

This family was inspired by the set of fonts used in Paris by Ponce Rosset, aka “Faucheur” to print the account of the second voyage to Canada by Jacques Cartier, first edition, in 1545. It is a Garalde set, the punchcutter is unknown, certainly it was not Garamond himself. In our two styles (normal and italic), fontfaces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic) Baltic and Turkish, with standard and long-s ligatures in each of the two styles.

Samhain is a Gaelic festival marking the end of the harvest season and the beginning of winter. There is no set date, but normally it is held around the end of October and beginning of November. Samhain font was made with a bamboo pen and Chinese ink on rough paper - hence the grungy look. It is quite a heavy font, so I wouldn't set a complete text in it, but it is ideal to create headlines, posters, postcards and invitations. Of course, Halloween comes to mind! Samhain comes with extensive language support.

LOGX-30 is a geometric, all-caps, display typeface. As a brother of LOGX-10 and LOGX-20 , this is the most narrow version in a series of three related typefaces. LOGX-30 is designed, like other LOGX versions, for a wide range of graphic designs and visual identifications. I think that it works best in works with a technical, geometric style, and rather striving for minimalism. Both the normal and the italic version can be used together to compose graphics, photos, large and small text in an interesting way.

NorB Bop was inspired from my old BopMusic Script I used for my jazz lead-sheets, a handwritten text font with it's unique west-coast music copyist lettering style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Bop comes with 8 weights, each with their matching italics and in a Normal and Condensed version.

Mixcase font family is suitable for creating logos, wordmarks, titles, taglines. The properties of uppercase letters, numbers, punctuation and extra characters in Mixcase Mixed font are the same as those of lowercase letters, which allows to combine letters of both cases in different ways. All characters in Mixcase Unmixed font have normal ratios, so it can be used as typesetting font. The combination of both fonts provides additional use cases in the form of small caps and mixed small caps. For any questions about the font please contact: arbuzzu@gmail.com

Lucian Bernhard designed this typeface for American Type Founders in 1929. Bernhard Fashion sports tall ascenders, stylish embellishments, and much taller than normal capitals that drop below the baseline. This extra light typeface radiates elegance and lightness. SoftMaker’s Bernhard Fashion Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Revans is a strong serif font with medium contrast. Inspired by the High Octane Rock genre and modern-classic fashion. Carefully designed with a short ascender to give a solid look, also the sharp serif makes the letters look more strong. Revans is a display-type which perfect for a headline, sub-headline, and short body text for a magazine, books, fashion, quotes, hipster t-shirt, signboard, logo, and etc . Available in 5 weights: Light, Normal - Medium - SemiBold and Bold, complete with the slant style. A great choice for a brave concept!

This family was created -- inspired from the engraved typeface (Two styles : Normal & Italic) used in the pack of 52 playing cards who was describing the 52 counties forming a small Atlas of England and Wales and depicting English roads for the first time, published by Sir Robert Morden in 1676. Our OTF and TTF versions are covering Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, containing historical and standard ligatures plus specific Old English abbreviations. The MacTT Classic version is containing the basic standard 256 glyphs including some extra ligatures.

Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

Usually I prefer desserts that aren't overly sweet, but a week ago I lost my sense of tasting - due to Corona, and when I wanted something sweet...I preferred it overly sweet...of course because I hardly could taste the overwhelming sweetness! But now, I have my sense of tasting (and smelling!) back, and everything is back to normal. And since I completed this easy-recipe-inspired handmade font while suffering from Corona, I thought I'd name it Overly Sweet. And...well. because, the font is somewhat overly sweet (without being over the top sweet!)

I present you Trečiokas typeface. This two font family is based on written letters that were sketched by using paint markers and afterwards pollished digitally. Glyphs mostly are connected, leaving some separate, as a contrast to round and soft letter shapes. It includes extended latin character set. In 2013 I made the Aerofont project, which included custom music instruments that were made based on Trečiokas Normal letter shapes. The main idea was to connect music and typography, by making sound emitting letters. You can watch the project video here.

We have created this family from the numerous derivatives in use for newspapers since the middle of the 1800s to the 1970s, inspired by the well known Clarendon. Mainly, the patterns are those used to print Le Petit Journal, a popular French Newspaper of the era (published from 1863 to 1937). The present version contains Normal, Italic, Bold and Bold Italic styles, in two sub families: 1906 French News for texts and titlings with upper and lower case, and 1906 French News Caps (Caps, small caps, small numerals, for texts and titlings).

NorB Felt Tip was inspired from the lettering of my grand-brother Med Bahha who taught several kinds of letterings. It is a handwritten text font mimicking a felt pen and can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Felt Tip comes with 6 weights each with their matching italics and in a Light, Normal, Bold and Heavy version.

Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind.This Family also improved the needs of developers and graphic designers looking for width-compatible fonts. As the normal style this font family is an innovative and refreshing semi serif design with a contemporary look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts.

NorB Pen was inspired from Arial Round font, I use this font for my jazz lead-sheets. It's a handwritten text font emulating a round marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Pen comes with 8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats. For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Fly your inner geek flag with this cool new "Eleet" typewriter font. It's kinda like a wonky internet translator that converts normal text into leet-speak, so you can exchange encoded love notes with cyber-hackers and goofy-gamers. The actual glyphs in this font are interchangeable with the more logical Ollivette typewriter font, but here the characters have all been moved around to create stylized interpretation of similar glyphs. So "ELEET" could also be typed "31337". Except you don't have to think about it. Get it? Got it? Good! 3NJ0¥ TH15 ƒØÑ+ & U53 !† 0FT3N.

Big is beautiful. Barle font has an extremly heavy weight and wide shape. A sans-serif display font that's perfect for large headlines, posters, packaging and any graphic design that requires a font that will stand out to audiences. Barle font has two faces, a standard character and a sliced version which can be accessed through the Stylistic Alternates feature. This font consists of 4 fonts; upright and italic style in the normal version and the outlined version. If you just want to use the sliced version, you just need to purchase Barle Alt.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

Introducing our new exploration Beardsons, another vintage-inspired font with the additional effect: Normal - Inline - Shadow, packed as the layered font. Collected from many references such as vintage signage, logo, badges, and old fashioned graphics. Beardsons is An all-caps font, carefully crafted with a high ornamental taste. Beardsons is perfect for many display purposes. You can use this font for poster, label, logo, signboard, t-shirt, book cover, decoration, merchandise, and more! Multilingual support with extra ornaments included! Fonts featured: Uppercase Smallcaps Numbers & symbols Stylistic alternates Accented characters: ����������������������������ތ������������������������������������ Thank you for watching!

Shicken Zoop JNL is based on an old lettering stencil from the early 1950s. The A-Z and a-z keystrokes contain the bulk of the Hebrew alphabet. Additional letters are found on the exclamation point, quote and apostrophe keystrokes. Vowels are positioned on the period, comma, hyphen, colon and semicolon. Please note that this is not a normal Hebrew font; it is in effect a latin font with Hebrew letters appearing in place of latin letters. It will not allow you to copy and paste with other samples of Hebrew text.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

Pirouette is based on a logo that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 (a shampoo container!). Tateno's logo experimented with complex, overlapped swash letterforms. He continued to develop these outside of the initial packaging project, until they took on a life of their own. Eventually, Tateno designed a full typeface out of the logo, Pirouette, which was the first place display face in Linotype's 2003 International Type Design Contest. The Pirouette typeface contains six different fonts. The basic font is Pirouette Regular. This is an engraver's italic lowercase paired with elaborate swash capitals. The swash capitals have two visual elements in their forms: thick strokes and thin strokes. Pirouette Text includes the same lowercase as Pirouette Regular, but the uppercase letters are much shorter and simpler. This "text" font can be used to set longer amounts of copy. Pirouette Alternate contains different lowercase glyphs and additional ligatures, which can be used as substitutes for the lowercase forms in the Pirouette Regular and Pirouette Text fonts. Pirouette Ornaments contains swashes and other knick-knacks that can either be added onto the end of a letter, or used as separate decorative elements or swooshes (accolades) on a page. Pirouette Separate 1 and Pirouette Separate 2 are two fonts that can be layered over top of one another in software applications that support layering (e.g., most Adobe and Macromedia applications, as well as QuarkXPress). Pirouette Separate 1 contains the thick stroke elements from Pirouette Regular's uppercase letters, as well as the same lowercase glyphs that can be found in Pirouette Regular and Pirouette Text. Pirouette Separate 2 contains only the thin stroke elements from Pirouette Regular's uppercase letters. By layering Pirouette Separate 1 and Pirouette Separate 2 over one another, you can give the uppercase letter's thick and thin stroke elements different colors and create unique, more calligraphic designs. The Pirouette family, Tanteno's first commercial typeface, was greatly influenced by the calligraphic and typographic work of the master German designer, Prof. Hermann Zapf, especially his Zapfino typeface.

Ever East is a stylish font that is both classic and minimal. Ever East has a regular version plus multilingual support. Includes: Letters, numbers, punctuation, multilingual support. Regular versions

Saint Bartogenia is a handscript font that elegantly bridges the gap between handwriting and formality. Exuding a beautiful and lovely aura, this font is a perfect choice for wedding invitations and other elegant stationery. Its script form is both classy and fine, mirroring the artistry of traditional calligraphy with a modern twist. The thin, delicate lines of Saint Bartogenia create a sense of sophistication and grace, making each character swirl across the page like a light wind. Use underscore _ anywhere in a word to make a swash. Example: Ele_gant Use multiple underscores to make longer underlines. Example: Wonder___world The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Saint Bartogenia is a manifestation of Mans Greback's commitment to combining aesthetic beauty with practical usability, making it a go-to choice for designers seeking to infuse their projects with a touch of finesse.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

Lagos was created because of the lack of African-inspired fonts that are truly modern without being partly art-deco in origin. I wanted to make a vigorous, sharp-edged font that reflects the energy and dynamism of modern Africa. The lines of the font combine the sharp angularity of African rocks and mountains with the smooth fluidity of Africa's snake-black rivers. The font is supplied in two styles, Lagos Regular and Lagos Light. Lagos Light is not a simple, mechanical modification of Lagos Regular. The outlines and proportions have been subtly modified to accommodate the lighter weight. Lagos contains a full 256 character set (upper and lower case, punctuation, diacritical characters, special symbols and numerals), in which all characters have been fully kerned and letter-spaced.

The presidents busts in a typeable format. Use a Glyph palette or Character Map for quick navigation. Who knows, one day it may come in handy.

Nostalgia styled font designed by Samborghini Uppercase Character Set A-Z Lowercase Character Set a-z Tons of alternate characters Numerals & Simple punctuation OTF file format

A font based on the Germanic rune divination system dating back to medieval times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Exogenetic is a monoline, sans-serif typeface suitable for display/headline purposes. It was influenced by circuit boards and robotics. Exogenetic is available in OpenType format.