Psychoactive is a familiar style of pop psychedelic lettering; reinvented, fine-tuned, and balanced to rounded blobs of perfection. This all-caps + small-caps font is a great workhorse for retro t-shirt designs, posters, and album covers. Super-legible and perfectly kerned, it'll get your message out in style.

Elios™ is a stencil display typeface with a strong personality. It comes with all caps letters and monospaced with rounded edges. This font come with single weight and character set that covers over 100 latin languages. Elios™ is perfect for poster, headlines, short texts, branding and other display use.

Kulacino is a modern-retro display typeface inspired by the oldtimes factory signages/ plat licenses. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. You can use Kulacinos into anything as far as your creativity carry you!

The 1938 sheet music for "(The Dwarves Marching Song) Heigh-Ho" from Walt Disney's "Snow White" had the part of the title in parenthesis hand lettered with a round nib ink pen. This lettering became the inspiration for Pen Work JNL, and is available in both regular and oblique versions.

Edigna is a clean, rounded sans-serif with a tall x-height. It contains five different weights and a matching inline style. The font family supports a variety of languages, including Western, Southern, Northern and Central European as well as Eastern European. It's good for headlines, posters, brands, and magazines.

Introducing, Southville! a bold and fun display font. it's bold characteristic and round at the edges makes this font bold and brave but have soft and fun charm. this font is perfect for books, packaging, branding, make up, novel, label, etc. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded

A clean, elegant and modern serif that has a strong personality thanks to its soft endings, rounded terminals, inspired from Cheltenham, Belwe and Souvenir. Masantina is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Schwung is a brush script headline typeface. It has round elegant swirls that get stronger in the alternate version. Ideal for food packaging and product branding, it is designed to be clear and self-confident. Schwung does not need very much space to make it work perfectly on food labels.

The Graph is a Slab Serif font. The unique body of each letter without roundness makes it a pretty technical font. Similar letters often are used in coding or any tech frameworks. Currently, the font exists only in regular style. Strict and sharp, this font is designed for specific projects.

Arista is a soft round font, perfect for 2.0 logos and contemporary headlines.
 Arista 2.0 is the definitive release of Arista, with extra characters and corrected kerning. 
It includes a light version, a extrafilled version for 2.0 style fat borders, and an Alternate version with a lot of style changes.

A minimal rounded typeface inspired by architecture and furniture detail drawings. The idea was to develop a font that would showcase precise radius corners at large formats and would also downsize to produce stylish body text. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

Moon Dream is a wide sans serif display font that has beautiful curves. Each end is made slightly rounded giving the impression of a comfortable and friendly. Moon dream provides a collection of glyphs with unique shapes. With alternative styles and ligature features, this font is perfect for complementing various projects.

Aguero Serif – Clean & Elegant Serif Font is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of Aguero Serif – Clean & Elegant Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

Art Week JNL is a wider variant of the lettering style used on many WPA (Works Progress Administration) posters for the arts in the Depression-era 1930s. Wider than the version used for Concert Series JNL, it also features an ‘A’ with a rounded top rather than the flat, square version.

Forum II is transcribed from the Forum II initials designed by Prof. Georg Trump and issued by C. E. Weber in 1952.

Starlit Neon is a delightful display font that combines the elegance of rounded letterforms with the captivating allure of neon lights. With its bold uppercase characters and unique design, this typeface adds a touch of playfulness and charm to your projects. The defining feature of Starlit Neon lies in its rounded letterforms, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded shapes give the font a friendly and welcoming appearance, while the neon style adds a touch of excitement and vibrancy. Inspired by the mesmerizing glow of neon signs, Starlit Neon infuses a sense of enchantment and allure into each character. The font captures the captivating charm of neon lights, casting a radiant glow that evokes a magical atmosphere. In some letters, you'll find additional subtle accent lines, which enhance the overall composition with a touch of sophistication. The uppercase letterforms of Starlit Neon are bold and assertive, commanding attention with their rounded shapes. Each letter of Starlit Neon is thoughtfully crafted to strike a balance between rounded shapes and legibility. The uppercase characters are distinct and easily recognizable, ensuring your message remains clear and impactful. The additional subtle accent lines in select letters add an extra touch of visual interest, elevating the font's overall composition. Find out more ways to use this font by taking a look at the font preview. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Starlit Neon perfect for designs like headlines, logos, and eye-catching titles that seek to make a bold statement with a touch of whimsy. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will infuse your projects with a sense of joy and uniqueness. It particularly shines in applications related to entertainment, children's products, beauty, and lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

At first glance, Transcendental JNL looks like a 1960s or 1970s-era "Hippie" type face, hence its "love generation" name. However, the actual inspiration comes from a piece of sheet music from the early 1900s with Art Nouveau influences. It is often proven that what goes around certainly does come around in art, fashion and lettering. Transcendental JNL is available in both regular and oblique versions.

The idea for this font family, derived from SMS text message faces (Emojis) and found photographs of faces collected over the last ten years. The concept for this project was to a create text-face characters using only the glyphes found in a standard version of a Sans Serif typeface. There are 36 different Textfaces. Available in three weights, Regular, Bold and a Stencil version.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Industria is one of the simplest font in Prop-a-ganda series. In spite of its simple letter form, the bold stroke is very powerful and sophisticated.　This font leaves an impact even just a few words.

Introducing BLIMP – a fun, playful, and charming handwritten font. Ideal for adding a personal touch to your social media posts, quotes, packaging, digital crafts, greeting cards, marketing materials, and more. This font was created using an iPad Pro and Apple Pencil for a truly authentic, digital handwriting style. Don’t let boring fonts weigh you down – add some bounce to your designs with BLIMP. – Mix Blimp includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤✿•· ÷×+−±≈=≠[]<>‹›:;'",.|/?{}<>“”‘’-–—_…©®™<>«»°¹²³¡¿₱¢€£¥§† ÁÀÂÄÃÅĂĀĄÆĆČÇÐÉÈÊËĖĒĘIÍÌÎÏĪĮŁŃÑÓÒÔÖÕØŌŐŒŚŠȘȚÚÙÛÜŰŪŲÝŸŹŽŻÞ áàâäãåăāąæćčçðéèêëėēęıíìîïīįłńñóòôöõøōőœśšșțúùûüűūųýÿźžżþß Alternates: ff ll tt zz

Couple vol1 is an extensive ampersand font with 230 glyphs and Valentine inspired doodles. Handmade with love. To accentuate two words or names in your text we designed these fun expressive ampersands. Couple vol1 contains a wide variety of styles, some glyphs can even be layered. You will surely find the perfect match for your Valentine project, wedding invite, logo design, etc. Everything is better together! Note: The font used in the presentation text is our Salt and Spices Pro SC2 (not included in Couple vol1)

P22 Zaner is based on ornamental penmanship from the turn of the 20th century. The Zaner font set includes four unique fonts that complement the other fonts in the set. Each font is available in PostScript and TrueType formats as well as OpenType which offers even more characters, options and overall functionality. Set options include PostScript and TrueType with a bonus set of extras and a “super” pro set containing over 3,000 characters. Zaner is perfect for wedding invitations and documents that require a touch of elegance.

About Osande-TXT Neo-Grotesques Sans Osande TXT was created and inspired by Osande Pro (by. faldykudo), which carries a modern sans style with a touch of neo-grotesques / neo-gothic These include a large x-height, simpler forms and more static, low contrast, and often a condensed width. Osande TXT comes with enhancements characters and more complete language support, so you will be more flexible to use this font family for your various design, both for body text or displays. Thank you in advance _xdCreative

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.

A hearty utilitarian face inspired by stenciled type found on train cars and shipping crates. Ideal for posters, headlines, and titling.

Fun and Games JNL was redrawn from the lettering found on the cover of a 1935 Speedball® Lettering Pen book.

Playful JNL takes its name from the obviously playful lettering found on the title of a piece of 1940s sheet music.

Stone and steel FS Benjamin is a flared serif typeface designed by Stuart de Rozario. Consisting of 12 styles ranging from Light, Book, Regular, Medium, SemiBold and Bold with Italics it has clear, delicate letterforms, punctuated with brutal chiselled angles. With a pure and crafted feel to the forms the typeface has traditional roots but has been designed to work in a contemporary setting. Archetypal proportions in terms of x-height to cap height and ascender to descender ratio, allow the typeface to feel familiar and be legible in all platforms. Delicate brutalism Inspired by the contrasts of London and named after Big Ben, FS Benjamin was designed by Stuart de Rozario and founder, Jason Smith. Walking around London Jason was inspired by the juxtaposition of the old and the new. Glass and steel architecture can often be found amongst traditional signage and coats of arms seen around the City. These surroundings sparked an idea to create a modern design based on an alphabet that would traditionally be carved from stone. “Much of the typography we see today is so similar. I thought what if we created a typeface with traditional roots but modernised it to sit amongst the punk and noise of the streets of London? Old with new. Business with busyness. This is what London is all about.” Jason Smith

This old classic font has an interesting history, it was originally cut with lowercase by the Bruce Type Foundry in 1865 and listed as Ornamented No. 1514. Around 1903 the Bruce foundry was bought by ATF, in 1933 this font was revived by ATF as Caps only and was given the Gold Rush name but was sometimes called Klondike. A similar version of this font with lowercase and radiused serifs was produced by the James Conner's Sons Type Foundry around 1888. In the past other foundries such as the Carroll foundry, Type Founders of Phoenix and the Los Angeles Type Foundry have produced an all caps version of this font. After examining several printed sources of this font from more recent books I found that the original from Bruce's 1882 book was by far the best in design quality, it was also the only printed source that included the lowercase. New open faced, ornamented and distressed versions have been added to this old classic font, there are also many extended characters for Western, Central and Eastern European countries. The Gold Rush Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. Also available is a spurred version of this font listed under the name Gold Spur.